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Book Review: House of Salt and Sorrows by Erin A. Craig

cover art for House of Salt and Sorrows by Erin A. Craig

House of Salt and Sorrows by Erin A. Craig

Delacorte, 2019

ISBN-13 ‏ : ‎ 978-1984831927

Available: Hardcover, paperback, Kindle edition, audiobook

( Bookshop.org | Amazon.com )

 

House of Salt and Sorrows is the strangest version of the fairytale “The Twelve Dancing Princesses” I have come across to date.

 

The Duke of Salten had twelve daughters. His wife died in childbirth with the last, and the girls have, one by one, died terrible deaths, until only eight of them are left: Camille, Annaleigh, Rosalie, Ligeia, Lenore, Honor, Mercy, and Verity (yes, there are some very Edgar Allan Poe-influenced names). I’ve seen some complaints about the lack of character development in the girls, but the original tale doesn’t make most of them more than placeholders.

 

Inheritance in Salten goes to the eldest child, regardless of sex. With the death of her sister Eulalie, whose funeral starts the book, Annaleigh, the narrator, is sixteen and now second in line to inherit, after Camille. Annaleigh’s father has recently remarried a much younger woman, Morella, who is now pregnant with twin boys and decides that after years of mourning, another year set aside to mourn Eulalie is a year too long, and it’s time to put the black away.  She orders them special dancing slippers, and plans a party to invite eligible suitors. Annaleigh isn’t ready to set her grief aside, but she isn’t given a choice.

 

Annaleigh believes Eulalie was murdered, and investigates with Cassius, a young man visiting Salten, who is soon entangled in the family’s intrigues (he is also the required love interest for the main character in a YA novel). She also discovers her sister Verity has been drawing disturbing portraits of their dead sisters, insisting that she is seeing their ghosts. A rumor has spread that the girls are cursed, and though invitations to Morella’s party are accepted, no one wants to speak or dance with them. Frustrated with their situation, the girls look for a magical door, find it, and go through it to discover it is an elegant ball where they can dance all night.

 

Or is that really what’s going on? I can’t say more without spoiling the story except to say that Annaleigh is an unreliable narrator and this book is really dark, disturbing, and disorienting. I’m still unclear on how much of the ending was real. The grief in the book felt authentic and the author’s world building was incredible. Salten is on an island in the ocean, and the People of the Salt have their own customs and religious traditions. “Aesthetic” is a popular concept on social media right now, and the aesthetic for this book is what I’d call island gothic. The ocean and the tall cliffs of the island permeate everything. This is a very dark tale, and while it doesn’t get violent or disgusting often, when it does, the imagery is vivid, so it isn’t for everyone, but it may be a treat for those who like their fantasy drenched in darkness.  Recommended.

 

Contains: Images of and references to suicide, murder, body horror, childbirth, stillborn children,  sexual situations, violence, gore, sexual situations, blood, decay.

 

Reviewed by Kirsten Kowalewski

 

 

 

Book Review: Bent Heavens by Daniel Kraus

cover art for Bent Heavens by Daniel Kraus

Bent Heavens by Daniel Kraus

Henry Holt & Co., 2020

ISBN-13 : 978-1250151674

Available: Hardcover, paperback, Kindle edition, audiobook (  Bookshop.orgAmazon.com )

 

Liv’s father disappeared for four days and returned with vague memories of alien abduction. Becoming more and more erratic, he lost his job and retreated to the shed in his backyard where he built weapons and vicious traps around his house in case the aliens returned. Liv’s childhood friend Doug, neglected by his own parents and ostracized by other kids, adopted Liv’s father as a mentor, helping him with designing and building the traps, with Liv reluctantly along for the ride.  After Liv’s father disappears a second time, Liv and Doug make a ritual out of testing the traps every Sunday to make sure they still work. And at the beginning of her senior year of high school, Liv finds an alien in one of the traps, and she and Doug are determined to find out from the alien what happened to her dad.

Liv has worked to distance herself from her father’s bizarre behavior, making new friends and the cross-country team, but she is a hot mess, with grief and anger balled up inside her without a healthy outlet. Doug has no one holding him back. Having the alien in their power, hidden in the shed, leads to violence, and, as Liv begins to have doubts, complicity. There are explicit scenes of body horror and torture in the book. Seeing her inability to escape participation once it has begun is horrifying.

This is a painful book to read. Kraus shows how human monsters are made in visceral and grotesque detail. Kraus refers to a CIA report on “enhanced interrogation techniques” at the end that I am sure informed the events of the book. The book is made even more painful and heartbreaking by the reveals at the end.

While Kraus does a superior job with the plot focused on Liv, Doug, and the alien, other parts aren’t as strong. The book takes awhile to get going, secondary characters’ motivations are unclear, and parts of the plot don’t make sense.  Still, he has written a powerful and deeply disturbing horror story and condemnation of government secrecy, torture, and complicity.

 

Contains: explicit body horror and torture, violence, sex, alcohol abuse, bullying

 

Reviewed by Kirsten Kowalewski

Editor’s note: Bent Heavens is a nominee on the final ballot for this year’s Bram Stoker Awards in the category of Superior Achievement in a Young Adult Novel. 

Book Review: Dispossessed by Piper Mejia

Cover image for Dispossessed by Piper Mejia

Dispossessed by Piper Mejia

IFWG Publishing Australia (2021)

ISBN: 978-1-925956-83-2

Available:  Paperback, Kindle edition Bookshop.orgAmazon.com )

 

Dispossessed is a character-driven debut YA novel from New Zealand author Piper Mejia.

With unusual traits and a rapidly changing physical presence, sixteen-year–old foster child Slate is a perpetual loner who is used to rejection. When Malice, a woman claiming to be from social services, picks him up to take him to another home he isn’t surprised. But when she reveals she is taking him to his grandfather in New Zealand, he is introduced to a band of strangers living a nomadic lifestyle, and possibilities for a life he never imagined. There Slate finds a diverse group of people with unique traits and surprising abilities: people who are supposedly his kin.

Like Slate, no one understands Warnner, an institutionalized boy with a history of abandonment. When Warnner finds the community Slate has recently joined, he is intrigued and drawn to the people running it, because of the uncanny traits they appear to share with him. Unlike Slate’s restless distrust, Warnner’s interest in joining is almost immediate, and conflict brews between the two. The community’s world and way of life is soon pitted against a group of fanatics out to hunt, violate, and destroy them, forcing rivalries into the background as tense and tentative cooperation among the dispossessed becomes required for the community’s survival.

At times poignant, this tale is driven by rich cast of characters and a strong sense of place.  Mejia centers otherness and relies on the surreal in this carefully constructed society, using some Māori terminology, but with a minimal presence of the indigenous population. Instead, Mejia addresses marginalization as experienced by this community of outsiders, the dispossessed, and builds an intricate world where misfits find community and individual variances do not impose limits so much as they open doors to alternatives. A vividly imagined YA fantasy about kinship, community, and the differences that make people who they are, Dispossessed may resonate with readers of varied backgrounds who have felt alienated or misunderstood. Recommended for ages 13-18 who enjoyed the work of Daniel José Older’s Shadowshaper and The Stars Never Rise by Rachel Vincent.

 

Contains: violence, torture, violence directed at the dispossessed, a marginalized group.

 

Reviewed by E.F. Schraeder

 

 

 

 

Key words New Zealand. YA. Urban Fantasy. Fantasy.