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Book Review: The Night Weaver (Shadow Grove, Vol. 1) by Monique Snyman

The Night Weaver (Shadow Grove, Vol. 1) by Monique Snyman

Gigi Publishing, 2018

ISBN-13: 978-1643163031

Available: Paperback, Kindle edition

 

Seventeen-year-old Rachel Cleary lives in the isolated community of Shadow Grove (it’s unclear how isolated, or how large, it actually is, as it has suburbs, a trendy downtown, three grocery stores, multiple chain stores, and a rundown nine-story apartment building, but also wooded areas and farms)  next to a mysterious wood that people know better than to explore. Disappearances and strange deaths, especially of children, go without investigation by the sheriff’s department and are apparently unnoticed by the town’s population… except for the local high schoolers, who have organized to protect younger children and impose a curfew, and Rachel’s eccentric neighbor, Mrs. Crenshaw.

Mrs. Crenshaw’s delinquent nephew, a good-looking Scot with an impenetrable accent, happens to be in town. While he and Rachel are driving home from a party, they are attacked by a creature he recognizes from Scottish folklore, a Black Annis (also known as the Night Weaver), which steals and eats children. Although Mrs. Crenshaw tells Rachel the town council has conspired to eliminate all records of past incidents, it turns out that Rachel’s deceased father, a historian who didn’t believe in computers, has boxes of handwritten journals on the history and legends of Shadow Grove that are stored in her attic. They discover a pattern: the disappearances have happened before.

Then Rachel notices that her mother, and a number of other women in town, are behaving oddly: they have all emptied their closets and dressed in gray. She decides to consult her estranged friend Greg, whose family has strong roots in the town, and see if together they can find additional information about the Night Weaver and, possibly, what both of them have been calling the “moms’ club.” Greg realizes the factor all the women have in common is that they participated in the same grief support group, and after Rachel witnesses what appears to be a nighttime visitation to her mother of her father, they discover together that the Night Weaver feeds on grief and despair. Rachel and Greg realize that the Night Weaver is manipulating the members of the “moms’ club” into taking and delivering children to it, in order to have visitations from their deceased loved ones. And then a drug-dealing fairy prince named Orion gets involved, and things start to get REALLY convoluted.

Before I ever started this book, I knew the author, Monique Snyman, was from South Africa, and I was curious to see what she would come up with. Interestingly, she chose to set her book in the United States (I’m guessing Michigan, although she never actually says where it is located). Her premise is original– I hadn’t heard of the Black Annis, and the idea of a creature that plays on the feelings of members of a grief support group is interesting to me (although on a personal level, I have difficulty suspending my disbelief that grieving parents would intentionally cause the same kind of grief to others) I also liked that the high school students were portrayed as independent and resourceful (for the most part). There is also some very impressive full-color artwork representing the Black Annis in different places in the book, which definitely added to the creepiness factor.

However, I also found some real issues with the book. The first noticeable issue was that the book is written in present tense, which is jarring at times, especially at the beginning. The second is Dougal’s nearly impenetrable Scottish accent. I understand this is supposed to reinforce his background, but it really disrupted the flow of the story for me to have to translate in my head before I could move the story forward.

Outside of these two issues, the setting is problematic. Snyman refers to Shadow Grove as an isolated small town– to me, that evokes a setting like Twin Peaks. And the story itself seems intimate. The town has a single law enforcement official (a sheriff) and a relatively small group of people are involved in the actual story– my mental picture was maybe a few thousand at most. But what she is describing is more like a small city, which can’t be terribly isolated if it has multiple grocery and chain stores and most certainly would have federal agents on the ground with so many missing children.

Snyman also seemed to leave her various male supporting characters at loose ends. I like that Rachel is the leading character, and that the supporting male characters aren’t all necessarily love interests, but when Rachel moved on from working with Dougal (whose bad-boy persona dropped pretty quickly) to Greg (who she had a history with) they just kind of stopped whatever it was they were doing until the next time they were needed for a plot point. It’s still sort of unclear to me why Snyman had Greg lead Rachel to Orion and then leave her alone with him.

There were also a few comments and incidents that rubbed me the wrong way. Early in the book, Dougal makes a reference to spoiled American girls and Rachel says. “Well, that’s mildly racist.” I’m surprised an editor didn’t catch that, as “American” is not a race.  Shortly after meeting Rachel, Orion, the drug-dealing fairy prince, pins her up against a wall, against her will, drugs her, and takes her cell phone.  Afterwards, he claims it’s because he needs to do this in order to share essential memories, but starting these two out with a nonconsensual assault made it hard to believe they could be equal partners in defeating the Black Annis.

Despite these problems, I found Rachel’s relationships with Dougal, Greg, and Mrs. Crenshaw interesting enough to want to learn more about these characters. As this is the first book in a series, I expect that Shadow Grove and its denizens will be fleshed out and smoothed over more successfully in future volumes, and it will be interesting to see where Snyman goes with it.

Editor’s note: The Night Weaver is on the final ballot for the 2018 Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.

Book Review: Broken Lands by Jonathan Maberry

Broken Lands by Jonathan Maberry

Simon and Schuster, 2018

ISBN-13: 978-1534406377

Available: Hardcover, Kindle edition, audiobook

 

I will be honest, I am not a fan of zombie fiction.  As a reviewer, I am putting my feelings about the genre as a whole to the side to review Broken Lands because it is on the final ballot for the 2018 Bram Stoker Award for Superior Achievement in a Young Adult Novel. I know Jonathan Maberry is a talented author whose work in both the adult and young adult categories has been judged as outstanding, not just in the community of people who write horror fiction or love zombie fiction but by other reviewers, including librarians (and librarians are not an easy audience to impress).

Broken Lands is the first book in a follow-up series to Maberry’s YA series Rot and Ruin. That series introduced backstory on how and why the apocalypse happened and introduced the teenage Benny Imura as a main character. Previous to writing the Rot and Ruin books, Maberry wrote adult zombie fiction starring a special ops soldier, Joe Ledger. I have not read either the Rot and Ruin books or the Joe Ledger books, so Broken Lands is my introduction to Benny and his friends and to Joe. Benny and Joe each have their own, narratives, which alternate with a third narrative involving Gutsy Gomez, a teenage girl who is uncovering a disturbing secret about her town and its involvement with a secret military base nearby (For purposes of representation, Gutsy is essentially uninterested in sex or romance, although she is described as bi, and she has a kiss with Alice, a lesbian).

The book starts out strong, with an abrupt hook that introduces and characterizes Gutsy and the world she’s living in with just a few words, enough to make even a reluctant reader curious enough to turn the page. Her story mainly takes place in and around New Alamo, a town of indeterminate size in New Mexico that was formerly an internment camp for undocumented immigrants. Maberry takes no time to ratchet up the suspense and action. Short sentences and plenty of white space push the reader on through not just Gutsy’s actions but her thought processes as she observes the cemetery. I wasn’t wild about Maberry’s characterization of grief as something that you work your way through and eventually come out of healed, but his portrayal of Gutsy’s grieving, and how horrific it is to have the person you are grieving come back from the dead to attack you, I thought was spot on. She’s a girl who thinks and acts and doesn’t slow down. Her friends, Alethea and Spider, are loyal and supportive, and secondary characters are developed enough for the reader to care about them, at least a little.

Then we switch to Benny and his friends, in Reclamation, California, a town of about 16,000 people that they helped to defend and rebuild. Reclamation has managed to connect with eight other towns in California and the new American government being established in Asheville, North Carolina, but Asheville has suddenly gone silent, and Joe Ledger, who was on his way from Reclamation to Asheville by helicopter, has disappeared. Benny and his friends decide to steal six “quads” (small four-wheeled vehicles), from the town, tie up the guards on watch duty, and go off to search for Ledger and then on to Asheville. Experienced, tough, and with varying levels of skill in combat, Benny and five friends take off across unknown country. Teenagers do a lot of unwise things, but this choice, for me, went beyond normal levels of maladaptive judgment. I am not a young adult, though: maybe actual teenagers would find this plausible.

My guess is that Maberry wanted us to see what the wasteland beyond California looked like and to get a preview of the zombie hordes that is stomach-dropping dreadful. There is a lot of zombie fighting, including a battle with a zombie silverback gorilla and an absolutely horrific experience in a state prison where the locked-up prisoners, all zombies, are in starvation mode. There’s also observation of their bizarre surroundings, including mutations from chemical spills, bioweapons, and radioactivity, and growing dread as they witness intelligent zombies directing endless hordes of shambling horrors. While Asheville is in the South, Benny and his friends find themselves driven further and further south, towards the Mexican border, because the radioactivity, mutations, and zombies all have to be avoided. And because there are six teenagers in various states of romantic involvement, there’s also teenage drama. It could be that the character development of the teenage characters all occured in the previous series, but aside from Benny (the point of view character) and Chong (who is holding off zombification with medication only available in Asheville) the characters sort of blended together for me.

Finally, we have a storyline where a hunter tracks down Joe Ledger, whose helicopter has crashed, and they turn out to be former comrades. They decide to go to New Alamo to hunt for a weapons cache and then head to Asheville together. I enjoyed the Joe Ledger storyline. I could tell that Maberry was comfortable writing Ledger and it was interesting to watch the relationship between Ledger and his new partner.

All three sets of characters collide as a horde of  hundreds of zombies overtake and burn down the secret military base where scientists have been running experiments on the citizens of New Alamo (because apparently it’s okay to conduct racist, fatal scientific experiments on undocumented immigrants) and head for the walls of the town. Benny and three of his friends sneak in through a tunnel infested with zombies, killing everyone in their path until they reach the interior. Gutsy and her friends and neighbors (about ten of them are named) defend the walls. Ledger wades straight into the middle of the horde and starts cutting zombies down. The hunter, who turns out to be Benny’s older half-brother Sam, uses a sniper rifle to take down zombies one at a time. This small group of people who have not coordinated in any way defeat and kill all the zombies, including any bitten or killed townspeople. Gutsy then discovers the director of the hospital and the leader of the scientists from the military base attempting to escape with the records of their experiments, and stops them. The book ends with a shocking reveal which I can’t give away, but which will definitely send readers after the next book.

My overall impression is that Maberry does a great job creating suspense and action with a very economical use of words, and uses vivid language to describe the mutating, destroyed land that the characters must cross. The grave-robbing and scientific experimentation in New Alamo contributed to a rather heavy-handed critique on immigration policy, but the introduction of Gutsy Gomez, whose experience of these was intensely personal, led it to be a very strong storyline. Here was a girl who put her grief on hold to deal with life-and-death issues and did what had to be done, even at great personal expense. Maberry certainly manages to instill a feeling of dread and horror with the zombie hordes and one-on-one battles, even those that are only implied (the final time Gutsy and her friends have to kill her already dead mother is not depicted, but it doesn’t have to be to get the emotional impact) and the human horror, of what military scientists were willing to do to innocent people, is appalling. It’s not for nothing that Maberry has a reputation as a gifted horror writer.

However, I felt that he depended far too much on his readers’ knowledge of backstory for characters from previous books. As someone who hasn’t read any of Maberry’s zombie books, I felt lost among the characters that carried over from his previous books. The transition between narratives was often clunky, with Maberry spending a long time in one narrative, then cutting out to a different one that I had lost track of, and switching time periods back and forth. I would have liked to see more of a focus on Gutsy’s story (and maybe Ledger’s). Based on the sudden ending, I assume that there is going to be a second book, and perhaps a better choice would have been to focus on Gutsy in this book and Benny in the next (Rick Riordan did this successfully in his Heroes of Olympus books, in which the first book focuses on a newly introduced character and the second switches to a character from the previous series). There is good action and suspense, some pretty raw horror and violence, and some compelling writing and description. Readers of Maberry’s previous books will probably like this one, but it’s not the one to start with, and I suspect it’s not nearly his best work.  Recommended for public libraries, high school library media centers, readers of zombie fiction, readers who enjoyed the Rot and Ruin books, and for Jonathan Maberry fans.

 

Editor’s note: Broken Lands is on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievement in a Young Adult Novel.

Book Review: Damsel by Elana K. Arnold

Damsel by Elana K. Arnold

Balzer + Bray, 2018

ISBN-13: 978-0062742322

Available: Hardcover, Kindle edition, audiobook, audio CD

 

This book is a dark, deep fairy tale about Prince Charming (and his kingdom) grooming his damsel-in-distress for abuse.

After rescuing Ama from a dragon as is the traditional rite for a king in this land, Prince Emory and his entire kingdom begin slowly and methodically training her to be an abused non-person fit only to be a sex toy and an incubator of the next king. This book has literal speeches about how a woman/damsel is nothing but a vessel, a vase to hold the king’s seed/glory.

This book is beautifully written, poignant, and terrible. Lovely, but insidious, Arnold weaves a tale that readers know is going to go terribly wrong, and yet we still find ourselves surprised at how deep a hole Ama/the reader ends up in.

Definitely recommended, but only for older audiences.

 

Contains: rape, sexual and emotional abuse, violence, animal abuse

Reviewed by Michele Lee

 

Editor’s note: Damsel is a 2019 Michael L. Printz Honor Book