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Book Review: The Cuckoo Girls by Patricia Lillie

cover art for The Cuckoo Girls by Patricia Lillie

The Cuckoo Girls by Patricia Lillie  ( Bookshop.org | Amazon.com )

Trepidatio Publishing, 2020

ISBN-13 : 978-1950305247

Available: Paperback

 

The Cuckoo Girls is a collection of eighteen stories (three are “drabbles” and counted as one in the table of contents), eight of which are original to the collection, and includes “Abby”, a story narrated by the mother of an autistic teenage girl that appears to be an early version of the beginnings of  Lillie’s debut novel The Ceiling Man (I wish she had mentioned this in her story notes as I was not familiar with the novel). I’m glad Lillie expanded the story as the novel apparently includes Abby’s point of view, something I felt was really missing here.  In stories like “That’s What Friends Are For”, about a woman who grew up in a haunted house where she made friends with the ghosts,  and “Mother Sylvia”, which is told from the point of view of the witch in Hansel and Gretel, Lillie shows the imagination to re-vision and reverse familiar schemas, so it appears that in “Abby”, she just needed more space to express that. It’s an eerie and disquieting story as it is.

 

Doppelgangers, twins, parasites, and children gone wrong populate Patricia Lillie’s stories, from her surreal “The Cuckoo Girls” and  “In Loco Parentis”, to those, like “Mother Sylvia” and “The Robber Bridegroom” clearly based on fairy tales, and those mystical but grounded in fact, like “Notes on the Events Leading Up to the Mysterious Disappearance of Miss Lotte Clemens” ,  a fascinating story based on actual newspaper accounts. Other stories are brief but clever, such as “Laundry Lady” and “Three Drabbles Brought to You By the Letter E”, and there is commentary on the tragedies that can be caused by small town “togetherness” in “And One For Azazel (With Jellybeans), a Bradbury-esque tale about a little girl who is blamed for causing the colors of things in her town to change, and “Wishing You The Best Year Ever” about a family held responsible for the fate of a town’s star baseball team.

 

This is an enjoyable and imaginative, if uneven, collection of insightful, quiet, and disquieting, stories about women and girls trapped by circumstance, family, society, and themselves, that leaves me intrigued enough to look into Lillie’s novel. Having now seen the difference between “Abby” and the first few chapters of The Ceiling Man, I would say she’s grown significiantly as a writer and is one to watch for in the future. Recommended.

 

Contains: mention of suicide, mild gore, violence, dismemberment, body horror

Reviewed by Kirsten Kowalewski

 

Editor’s note: The Cuckoo Girls is a nominee appearing on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in a Short Story Collection. 

 

 

Posted on March 29, 2021 by , Reply

Book Review: Glamour Ghoul: The Passions and Pains of the Real Vampira, Maila Nurmi by Sandra Niemi

cover art for Glamour Girl by Sandra Niemi

Glamour Ghoul: The Passions and Pains of the Real Vampira by Sandra Niemi

Feral House, 2021

ISBN-13: 9781627311007

Available:  Paperback, Kindle ( Bookshop.com  | Amazon.com )

 

Glamour Ghoul is the biography of the woman who was Vampira, Maila Nurmi, written by her niece, Sandra Niemi. Pieced together from diaries, notes, family stories, and an unexpected family connection, Niemi weaves a fascinating tale of the late horror icon. She provides a glimpse of her aunt’s childhood,  Maila’s strict Finnish father and alcoholic mother, and how she tried to break free of their grasp. In 1941, Maila began her tumultuous journey into Los Angeles, hoping to find fame and fortune, but instead found heartbreak and betrayal, the first committed by Nurmi’s screen crush Orson Welles.

Nurmi’s creation and development of the Vampira character is discussed in the book. From entering a Halloween costume contest donning an outfit like that of Charles Addams’ Morticia (from his cartoons, not the television show), to appearing on the Red Skelton Show, to her own show and beyond, the tale of Vampira is told. There is also considerable time spent on the lawsuit between Nurmi and Elvira/Cassandra Peterson.

Interspersed between accounts of Nurmi’s life are short biographies of those who entered her life. Her relationships, platonic as well as romantic ones, with Orson Welles, James Dean, Marlon Brando, Anthony Perkins, and Elvis Presley make for an interesting read. Later in life, she was embraced by the punk community, and she, in turn, embraced the community. Her life was not glamourous: she often struggled with poverty, and was barely able to afford to scrape by. She occasionally had to return home, living with her mother and never speaking to her estranged father. Despite that, she lived on her own terms. Niemi is quite candid in telling her aunt’s story, not shying away from such things as a confrontation and violent outburst by Nurmi toward her grand-niece’s snobbish behavior during a visit to Los Angeles. Nurmi was not afraid of making her voice heard. Highly recommended.

 

Reviewed by Lizzy Walker

Posted on March 20, 2021 by , Reply

Book Review: 1000 Women in Horror, 1895-2018 by Alexandra Heller-Nicholas

cover art for 1000 Women in Horror

1000 Women in Horror, 1895-2018 by Alexandra Heller-Nicholas

BearManor Media, 2020

ISBN-13: 9781629333861

Available:  Hardcover, paperback ( Bookshop.org )

 

1000 Women in Horror, 1895-2018 is a beautiful book that includes the stars and women behind the scenes who have molded the horror genre. Heller-Nicholas provides a global view of the “vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure.” The author includes an incomplete, as she mentions, but still impressive filmography of full-length movies directed or co-directed by women in an appendix. Also included interspersed throughout book are interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra Peterson, Debbie Rochon, Mia’Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò.

 

Since this is more of a reference book with entries in alphabetical order, readers may not want to read it from cover to cover of course. However, having done so myself, it is wonderful to see how many women, and by no means a complete list of them, have had a direct hand in horror films. I found it particularly interesting that Heller-Nicholas chose to include those in front of the camera. As she points out in her introduction, acting “is a job” and often requires hard work, dedication, and time.  With WiHM, we so often focus on the filmmakers that the actors themselves tend to go unnoticed in their efforts.

 

Alexandra Heller-Nicholas, a film critic from Melbourne, Australia, holds a PhD in Screen Studies from the University of Melbourne and is an Adjunct Professor at Deakin University and a Research Fellow at RMIT University. She has written eight books on cult, horror and exploitation cinema with an emphasis on gender politics. Given the quality of the research and care that went into 1000 Women in Horror, 1895-2018, I will definitely be checking out her other work. I do hope that at some point in the future there will be a Kindle edition released for accessibility.

 

Highly recommended

 

Reviewed by Lizzy Walker

Editor’s note: 1000 Women in Horror, 1895-2018  is a nominee on the final ballot for the 2020 Bram Stoker Award for Superior Achievement in Nonfiction. 

Posted on March 7, 2021 by , Reply
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