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Women in Horror Month: Interview: David Simms Talks to Alice Henderson, Author of A Solitude of Wolverines

Recently, our reviewer David Simms had an opportunity to interview Alice Henderson, author of A Solitude of Wolverines, published late in 2020 and reviewed earlier this year. We’re sharing it now, as part of Women in Horror Month!

 

 

David: You have a new thriller out, A Solitude of Wolverines. Can you tell us a little about the inspiration for it?

 

Alice: In addition to being a writer, I’m a wildlife researcher. I travel to remote locations and do species presence studies. I was out in the field in Montana, setting up remote cameras in the hopes of capturing images of wolverines on a wildlife sanctuary there. I got the sudden inspiration to bring my writing and wildlife work together and create a suspenseful series that would both entertain readers and inform people about the plight of different species. I chose wolverines for the first book because so few people know about them, and they are in trouble. They are the largest members of the weasel family, weighing in around 35 pounds, and are important members of their ecosystem. For instance, in winter, many animals such as coyotes, foxes, and other types of weasels follow wolverines to the best scavenging sites, which aids in the survival of those species. They used to roam as far south as New Mexico and as far east as the Great Lakes, but a combination of habitat fragmentation, anthropogenic climate change, overtrapping, and other threats has reduced the wolverine population to less than 300 in the lower 48.

 

David: The love of the environment is apparent in your novels, from your incredible debut Voracious to this new title. Is this a conscious decision, to bring awareness to readers or to simply utilize these stunning settings as their own character?

 

Alice: Thank you so much for the compliment on Voracious! I really loved writing that one. Yes, it is absolutely a conscious decision to bring awareness to the plight of species. It’s very important to me to help struggling species in whatever ways I can. It’s an extra bonus that the remote locations where species like wolverines live are excellent isolated settings that are conducive to suspense.

 

David Your background is, to say the least, varied and impressive. I know that readers would love to know what it’s like to work for George Lucas. What can you tell us about that time?

 

Alice: There were a lot of great aspects to working for Lucas. I was surrounded with a lot of fellow creative people. We would eat lunch at Skywalker Ranch, and there was a display case in the main house there with things like Indiana Jones’s fedora and whip, the idol from Raiders of the Lost Ark, and Cherlindrea’s wand from Willow. We’d have these huge parties for Halloween and Christmas. The Halloween costumes people created were stunning! No one went small. I remember one person created a Titanic costume that was even wired for electricity. Two people were in it and it could break in half when a third person, dressed as an iceberg, crashed into it. There were also a lot of wonderful private screenings of movies.

 

David: You’re a wildlife researcher, right? How has that impacted your writing? Is it tough not to talk too much about the science and details in your writing, especially in a fast-paced thriller, when the passion for these animals is so strong?

 

Alice: I am a wildlife researcher, yes. I do a lot of species presence studies to determine what species are using a particular piece of land. I walk transects and look for spoor, set out remote cameras, and place out bioacoustic recorders. One of my specialties is bats. By examining the recordings of their echolocation calls, I can determine what bat species are present. I also do a lot of remote computer work, such as mapping sanctuaries and designing wildlife corridors. When depicting this research in my fiction, it can be tough to strike a good balance between being technical enough to interest readers who love science, and not so technical that it can turn a reader off. I try to take a middle ground that will pique readers’ interest while still maintaining the pace of the suspense.

 

David: Readers love to know what inspires authors to do what they do. Who are your biggest creative influences – and why?

 

Alice: One of my favorite writers is Robert McCammon. He truly brings settings and characters to life. I feel like I could call those characters up on the phone. He engages all the senses, making readers feel like they’ve been in that place, in that time. His fiction was really an inspiration for me to include the senses in a vivid way in my own writing. I also love the wilderness settings and mysteries of Nevada Barr; the combination of science and history used by Douglas Preston and Lincoln Child; the action of James Rollins novels; and the tough character of V. I. Warshawski by Sara Paretsky.

 

David: I’ve seen the photo of you at the Arctic Circle. Your adventures have taken you all over the world. What has been your wildest adventure – yet?

 

Alice: I would have to say it was that trip to the Canadian Arctic! It was an incredible journey. We drove up the Dempster Highway, 740 km of dirt, to Inuvik, Northwest Territories. From there, we took the new Tuktoyaktuk road, 138 km of even rougher dirt all the way to the Arctic Ocean. We spent months exploring the Yukon and Northwest Territories on that trip, taking in vistas of tundra and seeing it change from the greens of summer to the reds and golds of fall, to the white of winter. I delighted in seeing collared pikas, the northerly cousins of our American pikas, grizzly bears digging for roots in fields, black-phase red foxes bounding on the tundra.

On that same trip, we took a little float plane out to Katmai National Park and lived among huge Alaskan brown bears for a time. They were fishing as the salmon spawned upstream. These massive bears would stand at the top of a waterfall and catch the salmon as they leaped in mid-air.

 

David: Is there a top destination on your wishlist?

 

Alice: Definitely Antarctica. I’d love to get embedded with a research team and spend a season down there. Setting a novel there would be an extra bonus! To set foot on that continent would be a dream come true.

 

David: What can readers do to help the new administration of this country focus on helping the environment regain some of what the animals need to survive?

 

Alice: Right now there’s a bill in the House of Representatives that is waiting to be brought to the floor for a vote. It’s called the Paw & Fin Act and would restore and strengthen the Endangered Species Act, which has been under attack and weakened in recent years. Readers can write and tweet to their representatives and urge them to bring the bill to the floor for a vote. In addition, encourage your representatives to support legislation that will tackle climate change.

 

David: We’ve all had to adjust during this pandemic. How have you coped, stayed sane, and thrived?

 

Alice: I’ve been sheltering since March. Normally I travel far afield during the summer field season for wildlife research, but this summer I stayed home. That felt really strange, so I tried to keep as busy as possible. I kept up with my local species like bats and the American pika, and wrote the second novel in the Alex Carter series. I also built a radio telescope and have been listening to storms on Jupiter. I make stop-motion shorts, and I began pre-production on my latest one.

 

David: You’ve written in other people’s universes, primarily Buffy The Vampire Slayer and Supernatural,two of the coolest series to have ever aired. Can you explain a little about those adventures and would you return there?

 

Alice: I loved writing the two Buffy the Vampire Slayer novels and the Supernatural novel. Both were shows I really enjoyed, so delving into those universes was a blast. It’s fun to take characters you love and create new adventures for them. The second Buffy novel I wrote was a Choose Your Own Adventure style novel called Night Terrors. That was a challenge! It has something like twenty-one different endings, and I created a huge flowchart on my wall to tie everything together. The other Buffy novel, Portal Through Time, won a Scribe Award (the award given by the International Media Tie-In Writers Association), and I felt really honored. Writing the Supernatural novel Fresh Meat was fascinating because I got to dig into the history of the Donner Party and research a mythological monster that I’d never seen anyone use before. I’d absolutely write another tie-in novel.

 

David: Finally, what’s next for Alex Carter and Alice Henderson?

 

Alice: The second book in the Alex Carter series is written and off to my editor. In it, Alex journeys up to the Canadian Arctic to study polar bears and must fight for her life out on the ice. The months I spent in the Canadian Arctic were truly inspirational, and I loved setting the next Alex Carter in the magic of that setting. It’ll be out in Fall 2021.

 

Thank you so much for the interview!

 

Women in Horror Month: Book Review: Fractured Tide by Leslie Lutz

cover art for Fractured Tide by Leslie Lutz

Bookshop.comAmazon.com )

Fractured Tide by Leslie Lutz

Blink, 2020

ISBN-13 : 978-0310770107

Available: Hardcover, Kindle edition, audiobook

 

Seventeen-year-old Sia is essential in her mother’s business of chartering trips for tourists wanting to scuba dive. A newbie scuba diver she has been assigned to help navigate a shipwreck is lost, and in her search for him, she senses an underwater threat. When she finds and retrieves her charge, it is too late.  Her mother calls another charter boat, full of high school students, to take Sia, her brother Felix, and the other passengers back.  Just as they’re moving to the second boat, the engines of both boats die, and they are cut off from any radio or cell phone contact, unable to contact the Coast Guard, and running out of water in the middle of the ocean. Then the creature Sia sensed in the shipwreck rises and uses its deadly appendages to sweep everyone over the side and destroy the boats. Sia, Felix and two of the students from the second charter, the only survivors, wash up on a desolate island with almost no food or water, trapped there by the giant sea monster blocking their escape. Sia and the other survivors are pretty well-developed, but not especially likable or cooperative given that if they can’t work together they are probably all going to die.

At first this looked like a straightforward killer animal story, but then it morphed into a survival narrative with science-fictional elements as well (it’s been compared to Lost). Yet there were a lot of things that didn’t make sense for any of those kinds of stories. The creature didn’t discriminate in its destruction of the boats, so it’s odd that the few people Sia has some kind of relationship with (her brother, the boy she thinks is cute, and his ex-girlfriend) are the only survivors. Sia is telling the story in a series of diary entries that she starts writing to her father, who is in prison, in a notebook she discovers shortly after washing up on the island (the story occasionally switches from first to second person as she directly addresses him, which can be confusing) and, in addition to being trapped on the island geographically, and by a killer sea monster, the survivors also seem to be trapped in time. Is this all going on in Sia’s head, or some of it, or is it all really happening? It was confusing, and not at all what I expected.

The parts with the sea creature were terrifying, as were the descriptions of running out of water or getting lost in the dark while scuba diving, and the effects of time repeating on all the characters and their actions took the story into the realm of the bizarre and hallucinatory by the end, but the story didn’t flow naturally– it really was a fractured narrative– and that detracted from my ability to really sink into the story. I’m not sure what I really think of how it worked, but I did love the author’s vivid imagination and description of the thrill and exhiliration Sia felt scuba diving, even in the most dangerous places, under the sea, and the author’s examination of what the thoughts might be of a teen in a tricky family situation with an incarcerated parent. Recommended.

 

Reviewed by Kirsten Kowalewski

 

Women in Horror Month: Drive, She Said: and Other Stories by Tracie McBride

cover art for Drive, She Said by Tracie McBride

(  Bookshop.org |  Amazon.com )

Drive, She Said and Other Stories by Tracie McBride

IFWG Publishing Australia, 2020

ISBN-13: 9781925956689

Available: Paperback, Kindle

 

This book contains eighteen short stories of horror and dark fantasy written by the author. The tales feature women as protagonists, doomed heroines, and villains. While all the stories in this collection are well executed and well written, a few of them stood out above the others for me.

 

The tale “Breaking Windows” treats possession as a virus transmitted somehow through sight. Treatment is an ocular prosthesis that are programmed with demonic spectrum detectors. Jess’ partner, Leo, opts to get them implanted and he does his best to persuade her to do the same. As the statistics look grimmer, and a pregnancy test comes out positive, Jess must make her choice.

 

In “Ugly”, Janine has a growth on her face that, after treatment, continues to grow…and grow…and grow. This story in particular has some gruesome body horror involved.

 

In “The Changing Tree”, Sten, Liath, and the other boys of age are counting the days until ‘Changing Day’. The priestesses who guard the Changing House don’t allow anyone in the grounds unless they are chosen. All that Sten knows is that the chosen walk in boys and walk out as women. All of the women of the village had the same origin. What unfolds is a touching story of the two friends as they grapple with the changes of identity, gender, and sexuality.

 

Lara and Maxine are sisters who share a dark secret in “Slither and Squeeze”. The story opens on a subway with Lara trying to calm down an old homeless man who is yelling about a snake, disrupting other passengers. After she gets him calmed down, the sisters have a conversation about what to do about the situation. He witnessed the Change, something the sisters can’t abide. However, they are at odds about what to do: kill him or leave him as his words are only the drivel of a deranged old man.

 

In “Life in Miniature”, Michael is picked up by a middle-aged woman, thinking this will be some kind of favours traded for a meal and a shower kind of thing, but discovers too late that she has a more specialized use for him. She has so many realistic dolls in the house, but they do not look quite right around the faces.

 

This is just a small offering that Tracie McBride offers in her book. She has a concise way of writing her short stories that did not leave me wanting more at the end. I don’t want to say she ties everything up nicely at the end. That does not quite fit. It’s more like she provides just enough in each tale for the reader to digest. I will definitely be picking up more of McBride’s work. Recommended.

Contains: blood, body horror, sex

 

Reviewed by Lizzy Walker