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Book Review: The Midnight Girls by Alicia Jasinska

The Midnight Girls by Alicia Jasinska

Sourcebooks Fire, 2022

ISBN-13: 978-1728209753

Available: Hardcover, paperback, audiobook, Kindle edition.

Buy:   Bookshop.org   |  Amazon.com

 

 

The Midnight Girls takes place in a fantasy kingdom based on the Kingdom of Poland at the end of the 18th century, which was torn apart by wars with Russia, Lithuania, and Poland.

 

Three sister witches terrorize the forest, each with a servant girl who desperately wants to please them. Black Jaga’s servant is Zosia, with the power of Midnight. Red Jaga’s servant is Marynka, with the power of Midday. White Jaga’s servant is Beata, with the power of Morning. The girls compete to seize the hearts of princes for their witches. Zosia, hidden away, is most successful. Marynka is desperately in competition with her as she is punished when she fails and receives affection when she succeeds. Beata quietly claims the spoils while Marynka is distracted. The descriptions of the servant girls’ powers and especially of their literally ripping hearts out of people”s bodies were really hard for me to read.

 

All three girls are sent to the city during Karnaval season to claim the pure heart of Prince Josef, a source of powerful magic when eaten. In their competition, Marynka and Zosia inadvertantly keep saving the prince in order to gain the opportunity to claim his heart. It would be funny but it is deadly serious. In spite of their antipathy, they develop a close connection. Zosia plans to run away after taking this last heart and asks Marynka to come with her.

 

Prince Josef wants his kingdom to rebel and fight the tsarina of Rusja in order to preserve Lechija’s national identity and freedom from its oppressors, while the king is tired of fighting and willing to make concessions. His life is complicated by the return to court of Kajetan, his closest friend, who supported his family and turned against him on the battlefield. Both Zosia and Marynka and Josef and Kajetan harbor strong and contradictory feelings for one another. Josef and Kajetan’s story had unexplored potential. Marynka and Zosia feel more like they are characters from a folktale, and as one would expect in a folktale, are relatively one-dimensional. Their rivalry and romance are the primary focus of the story, so the political situation Josef and Kajetan were navigating, while intriguing, didn’t get much attention. The Midnight Girls has a similar feel in places to Katherine Arden’s.The Bear and the Nightingale, but that book balances these elements better.

 

This was a clever premise with great world building, and it wasn’t an easy book to read. Regardless of their home environment or your investment in the story, these girls really are monsters. They don’t try to justify their actions. It is really something that Jasinska has humanized them.

 

Reviewed by Kirsten Kowalewski

Book Review: Extasia by Claire Legrand

Extasia by Claire Legrand

Extasia by Claire Legrand

Katherine Tegen Books, 2022

ISBN-13 ‏ : ‎ 978-0062696632

Available: Hardcover, paperback, Kindle edition, audiobook

Bookshop.org |  Amazon.com )

 

Extasia is a fiercely feminist dark novel of a post-apocalyptic community drenched in patriarchy and cult-like violent misogyny straight from The Crucible and Year of the Witching. The dogma is that women were responsible for the destruction of the world and thus four young girls are honored with the “sacred duty” of becoming saints, scapegoats who once a month face brutal mob violence from the community in order to expiate their sins. A serial killer has been murdering men, and the upcoming sainthood of Amity Barrow is expected to bless the community and end the killing. When the murders continue, Amity and her sister saints realize they must find a way to either solve the murders or escape. Just as things seem desperate, she is transported with her sister saints to a secret world, Avazel, and invited to join a coven and learn to wield the magical, dark power of extasia to end the killings and realize her own strength… but there’s more going on under the surface than she knows.

 

Extasia is visceral, violent, and disturbing in its intensity, but Amity is not completely isolated. She develops imperfect but strong relationships with girls and women from her community and the coven that survive even significant disagreements. While it’s somewhat heavy-handed, Legrand has outdone herself in creating a dark, powerful, horror story made even more terrible by the foundation of lies, grisly violence, and hate on which human survival after the apocalypse has been built..Recommended for ages 16+

 

Contains: violence to and killing of animals, attempted rape, torture, gore, murder, body horror, violence, gaslighting, religious trauma.

 

Reviewed by Kirsten Kowalewski

Book Review: Burning Girls and Other Stories by Veronica Schanoes with a foreword by Jane Yolen

cover art for Burning Girls and Other Stories by Veronica Schanoes

Burning Girls and Other Stories by Veronica Schanoes with a foreword by Jane Yolen

Tor.com, 2021

ISBN-13 ‏ : ‎ 978-1250781505

Available: Hardcover, paperback, Kindle edition, audiobook Bookshop.org  |  Amazon.com )

 

 

In Burning Girls and Other Stories, Veronica Schanoes brings the present day into a literary and folkloric past that brings fairytales, history, and Jewish tradition together to form something new and unique.  I don’t think I have ever  encountered new tales that blend Jewish tradition, history and religion in a way that feels familiar to me as a Jew, and the stories in the book that use this technique are, I think, the strongest ones in the book.

 

I had read the titular novella, Burning Girls, when it was originally published, and was wowed by it at the time (I was not the only one, it was nominated for a Nebula and World Fantasy Award and won the Shirley Jackson Award for best novella). In this story, a young woman who has been trained by her grandmother in herb lore, Jewish women’s rituals, and witchcraft, immigrates to the United States. Her sister has signed a contract with a lilit, a demon that steals children, and must discover the lilit’s name to break the contract. In addition to the religious lore, Schanoes interweaves the sewing factories’ unsafe conditions in the early 20th century, the growth of socialism, and the Triangle Shirtwaist Factory Fire. The transformation of a Grimm’s fairytale into a story of Russian Jews’ immigration to and intergration in America created a stunning, tragic, and relevant story.

 

In Among the Thorns, Schanoes responds to an antisemitic story that appears in Grimm’s Fairy Tales, “The Jew Among Thorns”, in which a youth is rewarded by a dwarf with a fiddle that enchants anyone who hears it into dancing, a fowling piece that never misses, and the ability to have any request granted. He meets a Jew in the road and forces him to dance in nearby thornbushes and hand over his money. When the Jew lodges a complaint in the nearest village, and the youth is sentenced to hang, he plays the fiddle again, enchanting the town into dancing and using his power to have the Jew hanged instead.  Schanoes’ story is told from the point of view of the daughter of the victim, who agrees to a bargain with the Matronit, or Shekina, the goddess of Israel who appears in the Jewish Kabbalah, so she can take revenge on the fiddler and the town. What’s most chilling in this story is the context in which it’s set. While much of the story may seem just a tale, the first page mentions names and dates: the actual incidents may be fictional, but the antisemitism and antisemitic violence were not.

 

Emma Goldman Takes Tea with Baba Yaga is a wonderful metanarrative in which Schanoes plays with the conventions of fairytales and narrative nonfiction. Emma Goldman was a Jewish immigrant from Russia in the early 20th century who was a notorious anti-capitalist anarchist and was deported back to Russia after many years of activism in the United States, only to become disillusioned with the Russian Revolution. Schanoes begins by attempting to write Emma’s story in a fairytale format, but Goldman is a real and vivid figure in American history, and the details of her life are too important for that. Schanoes imagines Goldman, tired and disillusioned, meeting another controversial and legendary figure, Baba Yaga, and what that meeting would be like.  As a fan of both, I really enjoyed this.  Schanoes also takes this opportunity to speak directly to her readers about the impact of Marxism and revolution on the present day and her own beliefs, an interesting choice.

 

Phosphorous does not touch on Jewish religion or tradition, but is also a strong story. It describes the events and environment of  the London matchgirl strike of 1888, both from a third-person narrator’s point of view and from the point of view of Lucy, one of the striking workers who is fatally ill, deteriorating quickly due to her close contact with the white phosphorous the matches are made with. Her grandmother comes up with a terrible plan to keep Lucy alive long enough for her to see the end of the strike. Schanoes grounds this story in historical fact by including real people such as Annie Besant as characters, and suggesting that physical artifacts exist as evidence of the story.

 

Schanoes’ ability to seamlessly draw real events and people together with folklore and fairytale, even while breaking the fourth wall,  is impressive.  Other stories I haven’t described in detail seem hallucinatory, playing with language and imagery while also using literary or folkloric elements, such as Alice: A Fantasia and Serpents. Jane Yolen’s praise in the introduction that these stories have a “lyric beauty” that “bleeds onto the pages” is well-deserved.

 

Highly recommended.

 

Reviewed by Kirsten Kowalewski