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Book Review: Howl-O-Ween by Gary L. Holleman

Editor’s note: In the past, Monster Librarian participated in seasonal collaborative review projects with other horror fiction review sites, such as Hellnotes, Horror World, Dread Central, Horror Fiction Review, Horror Web, and DarkScribe. Each site reviewed books related to the season and then linked to the other sites’ reviews. In my (very slow) cleanup of the site, I saw that most of the links for our collaborative Halloween projects in 2007 and 2008 no longer exist, but our own still work, of course. Most of the reviews are also located elsewhere on the site, but I’m sharing one of them here today as, due to the number of links that don’t work on those pages, I plan to take them down shortly.

 

 

 

 

 

 

 

Howl-O-Ween by Gary L. Holleman

Leisure Books, 1996

ISBN: 0843940832

Available: Used

Cyrus, a bodyguard-for-hire, takes a job protecting Kyna, a diamond runner, who is being pursued by a voodoo shaman trying to retrieve a powerful mystical necklace the diamond runner unknowingly has in her possession.  In order to get the necklace back before Halloween, the shaman leaves a bloody body count behind him, using a variety of creatures.    In one of the attacks, Cyrus inadvertently gets bitten by a supernatural wolf,  and becomes a werewolf. A minor flaw in the book is that the author includes several sex scenes that do not seem to further the plot, and slow down the pacing. Additionally, the ending is a little confusing. More disappointing than either of these is that, with a title like Howl-o-ween, and a cover sporting an evil-looking skull rising out of a pumpkin, readers will expect Halloween to play more of a central role in the story when in fact the relationship to the holiday is pretty weak.  Despite the unimpressive role of the holiday, distracting sex passages, and confusing ending, Howl-o-ween is worth a look. Holleman does a fine job with the werewolf and other little beasties, giving readers an entertaining little monster mash.   Ultimately, those looking for a action filled werewolf tale will probably enjoy the title, but there are stronger titles for Halloween themed horror.

Contains: Gore, sex, torture, violence

Reviewed by Dylan Kowalewski

Book Review: Evangeline of the Bayou by Jan Eldredge, illustrated by Joseph Kuefler

Evangeline of the Bayou

Balzer + Bray, 2018

ISBN-13: 978-0062680341

Available: Hardcover, Kindle edition, audiobook

While the supernatural Southern Gothic tradition and Louisiana setting are well-known in adult and YA fiction, I have never come across a supernatural Southern Gothic middle-grade novel like Evangeline of the Bayou,  that so beautifully evokes the wilderness of bayou country, so that it is almost a character itself ( I was reminded of Carl Hiaasen’s descriptions of the Everglades in Scat and the descriptions of the swamps of  Texas in Kathi Appelt’s Keeper and The Underneath,  also middle-grade novels, but otherwise these are very different kinds of books).

Eleven-year-old Evangeline Clement lives in the bayou with her grandmother. Evangeline is the last in a long line of  “haunt huntresses”, women with the power and skill to defeat the supernatural creatures of the bayou, and is anxiously waiting to come into her powers and meet her familiar, which must happen by the time she turns 12. Her disastrous attempts to overcome supernatural creatures on her own suggest that she’s not quite ready to operate independently, though. When her grandmother volunteers to help with a supernatural problem in New Orleans, Evangeline, as her apprentice and assistant, accompanies her to the Midsomer family’s luxurious mansion to try to discover what might be ailing the beautiful Mrs. Midsomer. At the Midsomers’, Evangeline encounters Camille, the solicitous housekeeper; Julian Midsomer, the maddening, bluntly honest, routine-bound son of her hosts; the skeptical Mr. Midsomer; the distressed Mrs. Midsomer, who is running out of time; and Laurent Andreas, leader of the exclusive krewe to which Mr. Midsomer belongs. She is not impressed with the trappings of wealth, and her inner commentary on it is great, but she has a good heart and genuinely wants to help.

When Evangeline’s grandmother breaks her leg just before things are about to go out of control, it is up to Evangeline, unwillingly accompanied by an unbelieving Julian, to stop things before it’s too late.  The tension builds slowly in the Midsomers’ mansion at first, but once we’ve met all the characters, the story moves at a breakneck pace, and exposition is tied in so skillfully that you almost don’t notice. As dark as the story gets (and it gets pretty dark) it still has moments of humor, and strongly demonstrates the power of love and self-sacrifice. There are certainly some outrageously unbelievable moments; for instance, Evangeline’s grandmother is far more resilient than anyone could possibly expect from an ordinary human being. In a story populated with banshees and revenants, though, I’m willing to cut Eldredge a little slack.

Author Jan Eldredge avoids writing in dialect, which I think works fine for this book, but the names of the creatures Evangeline encounters are so unusual that I didn’t realize that the supernatural creatures in the book are all grounded in Cajun folklore until I reached the glossary at the end (searching the Internet for more information on these creatures was a challenge, and there were many I couldn’t find). As a native of Louisiana, perhaps it didn’t occur to Eldredge that children interested in monsters and cryptids who are not from the area would have trouble tracking additional information down.

While Evangeline, the bayou, and the supernatural creatures of Louisiana are the most convincing characters in this book, as far as I can tell, it is unique in its combination of genres in middle-grade fiction. Try it with kids who are interested in ghost stories, cryptids, supernatural creatures, monsters and monster hunters, books set in the American South, and American folklore. This book has an audience out there, just waiting to find it. Recommended.

Contains: Violence, murder, death in childbirth, blood

Book Review: High Moon, Volume 1: Bullet Holes and Bite Marks by David Gallaher, art by Steve Ellis

High Moon Volume 1: Bullet Holes and Bite Marks by David Gallaher, art by Steve Ellis

Super Genius, 2017

ISBN: 9781629918419

Available: print

High Moon, the horror adventure webcomic from Zudacomics.com, full of werewolves, hoodoo, and supernatural mystery, is now in graphic novel form. In the first chapter, set in the Old West, bounty hunter Matthew Macgregor investigates the strange occurrences in Blest, Texas. Plagued by drought, famine, and hardship, Blest’s townspeople are suspicious of newcomers, especially when they are acting as the hand of the law. However, Matthew’s unwanted presence is the least of the town’s worries. Matthew discovers unnatural creatures stalk to town in the dark of night. Not one to cower from a fight, he pushes to bring light to the darkness, and chase the monsters out, while he tries to bury his own supernaturally driven past.

The second chapter centers on outlaw Eddie Conroy, who happens to be under the curse of the werewolf. The story opens with a train robbery in Ragged Rock, Oklahoma that yields mysterious cargo. A series of grisly murders follows in its wake. Things get even weirder when Tristan Macgregor, Matthew’s brother, arrives in town, with a mechanical arm, and hid face obscured by goggles and a mask. What does this mysterious figure want in this town? Another key part of the story is a violent love triangle between brothers, August and Frederick Kittel, and the beautiful Vivian. Conroy, while attempting to make amends for his past, discovers a dark secret about the strained relationship in the small town of Ragged Rock.

I am not normally a fan of Westerns, or of werewolf tales, but this is a great combination of the two genres. Ellis’ artwork provides the perfect atmosphere and tone for Gallaher’s well-crafted story of the supernatural in the Old West. If you want to read another amazing title by this team, pick up The Only Living Boy, the survival story of 12-year old Erik Farrell, who finds himself in an unknown, dangerous world where nothing is as it seems.

 

 

Contains: some blood, violence in the Old West

Reviewed by Lizzy Walker

Highly recommended