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Book Review: The Lost Girls by Sonia Hartl

 

Cover art for The Lost

The Lost Girls: A Vampire Revenge Story by Sonia Hartl  

Page Street Publishing, 2022

ISBN: 9781645673149

Available: Hardcover, e-book, audiobook  Bookshop.org )

 

In this book, a group of young women who were turned by the same gaslighting vampire team up to take him down.   

 

Since 1987, Holly has been an eternal teenager, stuck with one of the era’s iconic fashion don’ts— crimped hair— after falling for pretty-boy vampire, Elton.  Hartl starts this tale after the ever-after, with Holly working at a Taco Bell to make ends meet once her sexy vampire boyfriend fails to make good on the promise of eternal love.  When Elton’s two other exes enter the scene, readers find out what they have in common, and the trio joins forces to try to break the alluring and totally predatory hold on his next victim— another teenage girl, Parker. 

 

Parker and Holly develop a fast physical attraction as they get to know each other. Turning the teen girl victim trope on its ear,  Hartl’s  updated vampire story takes on patriarchy with a humorous tone, lots of action, and a solid dose of queer romance. Characters’ bisexuality (and sexuality, in general) is handled quite comfortably, with the long view of an immortal. Who better than vampires to go up against the centuries-old problem of patriarchy? Folks seeking grim horror may be disappointed by some of the romantic elements, but readers looking for a contemporary paranormal tale will find a lot to enjoy in this quirky, laugh-out-loud YA vampire story.   The plot is fast-paced and unfolds to a satisfying conclusion. With a hearty dose of gory violence, this is likely to appeal to folks who enjoyed Lish McBride’s  Hold Me Closer, Necromancer, Adam Rex’s Fat Vampire, and other horror-humor mashups.  Recommended.  

 

A cure for the common sparkle.   

 

Reviewed by E. F. Schraeder

Book Review: Mina and the Undead by Amy McCaw

cover art for Mina and the Undead by Amy McCaw

Mina and the Undead by Amy McCaw

uClan Publishing, 2021

ISBN-13 : 978-1912979479

Available: Paperback (pre-order, April 1, 2021) Amazon.co.uk )

 

It’s 1995, and seventeen-year-old Mina is spending her summer visiting her older sister Libby, who moved from their home in England to New Orleans to attend college, and works in a movie-themed haunted house, owned by Thandie, who immediately hires Mina to work there for the summer. Libby has a girlfriend, Della (this relationship is wonderful), and two roommates, Jared (who also works at the haunted house) and Lucas, an artist. Despite a difficult relationship with Libby, Mina finds herself accepted into this group of older friends, who tour her around New Orleans, sharing its gruesome stories and history as well as its vibrant (and sometimes bizarre) current atmosphere. Marie Laveau, vampires, serial killers, fortune tellers, and more, fascinate Mina as she explores the city.  Shortly after she arrives, though, she discovers a co-worker murdered in the haunted house, one of several girls killed in ways described in stories from New Orleans’ past, by someone who may be a copycat of the serial killers John and Wayne Carter (or a vampire, or both, because this is New Orleans). As the friends investigate the murders, Jared and Mina quickly become romantically involved. Soon, however, events leave teenage Mina alone to navigate the city and save whoever she can.

Cons of this book: I wasn’t thrilled to see a seventeen-year-old girl romantically involved with a college-aged boy, although I appreciated that Mina at least had agency in her relationship with Jared.. I also didn’t think it was great that a high school girl was spending time in a bar, although given the setup of the story I don’t think it was unrealistic. However, as the police are significantly involved with Mina, Libby, and their friends, I had trouble believing that they would allow a minor with no adult supervision to wander New Orleans.

Having visited New Orleans, what I love most about this book is the way it brings New Orleans to life. It’s a love letter to the city, not just a setting but almost a character. Mina’s love of horror, which not only includes her own favorite movies, books, and enthusiasms, but holds her family together, from her mother’s Laurell K. Hamilton books to her sister’s job in a haunted house, is also a beautiful thing to see and I think there are many, many girls who will relate to her and have a blast joining her on this rollercoaster ride of horror, crime, romance, friendship, and betrayal.  Recommended.

Contains: Murder, torture, sexual situations, blood-drinking.

 

Reviewed by Kirsten Kowalewski

Book Review: SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz

A note from the editor:

We are midway through October and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $195 we need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now, our review of SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz.

cover art for SLAY: Stories of the Vampire Noire

SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz (   Bookshop.org  | Amazon.com )

Mocha Memoirs Press, 2020

ISBN-13 : 978-1735219554

Available: Hardcover, paperback, Kindle edition

 

The late L.A. Banks’ Vampire Huntress series, and her ability to transform common tropes of vampire fiction into stories that reflected the African-American experience, inspired many of the authors in SLAY: Stories of the Vampire Noire. Anthology editor Nicole Givens Kurtz continues that tradition here by showcasing Black writers and their imaginings of vampires, slayers, and hunters through their stories, giving Black readers the opportunity to be seen in vampire fiction that takes on the standard Eurocentric tropes and transforms them in a way that is uniquely relevant to Black people and also provides a window for other readers into what they have been missing because of the limited perspective of most vampire fiction. The stories come from all over the African diaspora, but the majority of them are by authors from the United States and Britain. Authors take various approaches to the concept of vampirism, inspired by Black culture, mythologies, history, and experiences, but there is nothing boring here. Interspersed between stories are beautifully calligraphed obituaries.

In the section of stories from the United States and Britain, strong stories include “Dessicant”, by Craig Laurance Gidney, takes place in a badly-kept up low-income apartment building that has red dust in the vents that is making its occupants sick and draining them of fluids. The negligent landlord can’t be reached and the protagonist, a Black trans woman ostracized by other residents, has to find a way to combat the dust, or whatever it is, on her own. “The Retiree”, by Steven Van Patten, is a funny, heartbreaking story that will give readers a new perspective on what goes on in a retirement home In “The Dance”,  by L. Marie Wood, the protagonist is surprised to learn there is more to her sexuality than she realized. In “A Clink of Crystal Glasses Heard”, by LH Moore, Neeka and her friends have a coming-of-age ceremony planned by their mothers that is not what they expected. “Diary of a Mad Black Vampire”,  by Dicey Grenor, puts the reader in the head of a bored, lonely and vicious Black vampire who finds herself intrigued by a fragile-seeming albino white girl. “The Last Vampire Huntress”, by Alicia McCalla, remixes the story of Kendra the Vampire Slayer, with Kendra the reluctant, prophesied, last vampire huntress who must accept her destiny and kill her vampire boyfriend after he attacks her friends. “Unfleamed”, by Penelope Flynn, tackles race and violence in the Victorian era with its take on the Dracula story. “Di Conjuring Nectar of di Blood” , by Kai Leakes, is a gorgeously written historical story of love and generational trauma. In “Snake Hill Blues”, set in 1927,  conjure woman Mamma Lucy eliminates a vampire who has been preying on dancing girls. I hope this author will bring her back in other stories!

The stories from African authors are also strong.  A few that stuck out to me included Oghenechovwe Donald Ekpeki’s “Attack on University of Lagos Law Faculty”, an entertaining story narrated by a pompous, egotistical law student who finds himself in the surprising position of vampire slayer, and “His Destroyer”, by Samantha Bryant, is a powerful rendering of the Passover story from the point of view of  the avatar of the Angel of Death. “Quadrille” is an engaging and occasionally darkly humorous story about friendship narrated by a vampire who has become a reporter in conflict zones in order to cover up his feeding habits, abetted by a djinn and a shapeshifter.

A last section contains stories about the future. These stories aren’t really horror, but they are compelling. In “Bloodline” scientists make a terrible mistake, enhancing a vampire’s powers.  “Message in a Vessel” is a science fiction story about the consequences of human enslavement to vampires, and “Blood Saviors” is a more fantasy-oriented tale in which an investigator for the vampires’ council discovers that a vampire has been enslaving and draining earth elementals to make a rejuvenating serum for humans, whose blood has become polluted, leading to vampires getting sick.

This is a great collection overall, with fresh takes on vampire lore that I really haven’t seen elsewhere, informed by Black experiences and perspectives. There’s enough here to love that it has taken me much longer than I expected to write this review. If you love vampire fiction or horror anthologies, and want to support Black authors, publishers, and readers of horror you should definitely pick this up. It’s a great way to discover some really talented Black writers, if you haven’t already. Highly recommended.

Contains: Animal killing, body horror, blood-drinking, torture, scientific experimentation, mutilation, murder, gore, violence, sexual situations, racism, sexual assault, rape, dehumanization, insects, genocide.