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Women in Horror Month: Book Review: Fractured Tide by Leslie Lutz

cover art for Fractured Tide by Leslie Lutz

( Bookshop.com | Amazon.com )

Fractured Tide by Leslie Lutz

Blink, 2020

ISBN-13 : 978-0310770107

Available: Hardcover, Kindle edition, audiobook

 

Seventeen-year-old Sia is essential in her mother’s business of chartering trips for tourists wanting to scuba dive. A newbie scuba diver she has been assigned to help navigate a shipwreck is lost, and in her search for him, she senses an underwater threat. When she finds and retrieves her charge, it is too late.  Her mother calls another charter boat, full of high school students, to take Sia, her brother Felix, and the other passengers back.  Just as they’re moving to the second boat, the engines of both boats die, and they are cut off from any radio or cell phone contact, unable to contact the Coast Guard, and running out of water in the middle of the ocean. Then the creature Sia sensed in the shipwreck rises and uses its deadly appendages to sweep everyone over the side and destroy the boats. Sia, Felix and two of the students from the second charter, the only survivors, wash up on a desolate island with almost no food or water, trapped there by the giant sea monster blocking their escape. Sia and the other survivors are pretty well-developed, but not especially likable or cooperative given that if they can’t work together they are probably all going to die.

At first this looked like a straightforward killer animal story, but then it morphed into a survival narrative with science-fictional elements as well (it’s been compared to Lost). Yet there were a lot of things that didn’t make sense for any of those kinds of stories. The creature didn’t discriminate in its destruction of the boats, so it’s odd that the few people Sia has some kind of relationship with (her brother, the boy she thinks is cute, and his ex-girlfriend) are the only survivors. Sia is telling the story in a series of diary entries that she starts writing to her father, who is in prison, in a notebook she discovers shortly after washing up on the island (the story occasionally switches from first to second person as she directly addresses him, which can be confusing) and, in addition to being trapped on the island geographically, and by a killer sea monster, the survivors also seem to be trapped in time. Is this all going on in Sia’s head, or some of it, or is it all really happening? It was confusing, and not at all what I expected.

The parts with the sea creature were terrifying, as were the descriptions of running out of water or getting lost in the dark while scuba diving, and the effects of time repeating on all the characters and their actions took the story into the realm of the bizarre and hallucinatory by the end, but the story didn’t flow naturally– it really was a fractured narrative– and that detracted from my ability to really sink into the story. I’m not sure what I really think of how it worked, but I did love the author’s vivid imagination and description of the thrill and exhiliration Sia felt scuba diving, even in the most dangerous places, under the sea, and the author’s examination of what the thoughts might be of a teen in a tricky family situation with an incarcerated parent. Recommended.

 

Reviewed by Kirsten Kowalewski

 

Posted on February 5, 2021 by , Reply

Book Review: The Mercies by Kiran Millwood Hargrave

cover for The Mercies by Kiran Millwood Hargrave

The Mercies by Kiran Millwood Hargrave  (  Bookshop.org | Amazon.com )

Little, Brown, and Company, 2020

ISBN-13 : 978-0316529259

Available: Hardcover, CD,  Audible audiobook, Kindle edition

 

Sometimes there is a very fine line between historical fiction and horror, and that is the case with Kiran Millwood Hargrave’s The Mercies, a story more chilling than the remote fishing village where it takes place. In 1617, a freak storm at sea killed nearly every man in the village, leaving the women, mostly widows, to take on many of the men’s previous roles, such as fishing, to prevent their starvation and ensure their survival during a long, cold season where the ground was so frozen they couldn’t even dig graves for their husbands. When a commissioner chosen for his skill as a witch hunter arrived, he was assigned to root out the indigenous people, the Sami, who the Christian governor, or lensmann, believed were sorcerers. However, his attempts to govern the women in the village were not entirely successful, and the women who refused to give up their independence were accused and convicted of causing the storm that killed their husbands through witchcraft, then burned.

Past the initial horrific event of the storm, this is a compelling story of women trying to stay alive and survive their grief, most working together even when there are divisions due to personality and beliefs. Those divisions become a chasm too far to cross when a minister, and then the commissioner, arrive to re-establish cultural and religious norms.

Maren, a capable young woman navigating the increasing conflict between her mother and her Sami sister-in-law, and Ursa, the commissioner’s timid, young wife, are the point of view characters, and their awkward relationship is important to both the plot and character development. Ursa is in the difficult position of wanting to belong and help the women who have been helping her, especially Maren, while her husband is tearing the community apart, Maren and Ursa have developed affection for each other, despite Ursa’s complicity in her husband’s horrifying persecution and execution of .Maren’s friend Kirsten and Maren herself. The hysterical accusation and brutal descriptions of torture and execution, as brief as they are, is unbelievably difficult to read as we see and feel it through Ursa’s and Maren’s individual experiences. The description of the village women encouraging a woman about to burn to breathe in the smoke so she’ll suffocate to death before she burns is heartbreaking.

According to Hargrave, historically. fifty-two women were convicted and burned to death in these witch trials. Today women may not be facing accusations of illegally using witchcraft to maliciously attack the men in control, but the sense of dread I felt in reading The Mercies suggests that there is an agenda out there premised on controlling women’s actions, thoughts, and feelings, hasn’t gone away.

 

Contains: sexual assault, torture, violence, domestic abuse, murder, miscarriage, sexual situations, references to genocide, graphic descriptions of public execution.

Posted on September 19, 2020 by , Reply

Book Review: Gemina (The Illuminae Files_02) by Amie Kaufman and Jay Kristoff, illustrated by Marie Lu

Gemina (The Illuminae Files_02) by Amie Kaufman and Jay Kristoff, illustrated by Marie Lu

Knopf Books for Young Readers, 2016

ISBN-13: 978-0553499155

Available: Hardcover, paperback, Kindle edition, audiobook

Gemina is the sequel to Illuminae. Illuminae is framed by a trial in which a dossier of information is submitted as part of an investigation into a megacorporation’s criminal activity. The dossier begins by telling a story about a commando attack on an illegal civilian mining colony owned by the Wallace Ulyanov Corporation (WUC) on Kerenza IV, a planet out in the middle of nowhere, by a competing megacorporation, BeiTech. A Terran Authority ship, the Alexander, that arrived in response to a distress call, and two other ships, the Hypatia and the Copernicus, escaped with many of the refugees on board. However, their ability to communicate and to travel with any speed was handicapped by damage to the ships, and especially the incredibly complex AI, called AIDAN. When AIDAN was rebooted, its perceptions of what was best for the ships caused serious damage and destruction, and the death of many of the refugees. At the end of Illuminae, the Alexander and the Copernicus have both been destroyed through a combination of a bioweapon Beitech released before the residents of the colony fled and AIDAN’s frequently homicidal choices, and the Lincoln has also been destroyed. The primary characters from that book are teenagers Kady and Ezra. Kady is an anti-authoritarian hacker genius who is able to set up a partnership with AIDAN. Ezra is her ex-boyfriend, who has been drafted as a fighter pilot.

Gemina picks up with Hypatia limping through space toward a jump point, a wormhole that would allow them to get to a jump station, Heimdall, which sits in the midst of a number of jump points and makes transit from one place to another through the jump points faster and easier. They’re desperately hoping that Heimdall is picking up their radio transmissions and coming to the rescue. Unfortunately, a BeiTech spy is embedded in the communications staff at Heimdall, and has been destroying any transmissions, so no one on Heimdall has any idea that any ship is on the way, or even that anything happened on Kerenza IV. A transmission did, however, make it through from the crippled BeiTech ship, the Lincoln,  alerting top executive Leanne Frobisher that BeiTech’s coverup isn’t as complete as she thought it was.

On Heimdall, Hanna Donnelly, the station commander’s daughter, is chatting up her drug dealer , Nik Malikov, while she prepares to make a splash at a Terra Day celebration she will be attending with her handsome, romantic, boyfriend, Jackson. Hanna may look like a fashionable, spoiled, and very privileged girl, but she’s also highly trained in strategy and martial arts (this apparently is how she spends quality time with her dad). Nik, in the meantime, has also been contacted by someone who wants to move a box of contraband into the station. A member of a family famous for their criminal dealings, he lives on the station without documentation so he can’t be easily tracked. The box arrives late, and Nik leaves to sell Hanna “dust,” the designer drug of the moment, so he’s not there when the box opens to reveal a heavily armed commando team hired by BeiTech to prevent the escape of the Hypatia, that starts its reign of terror on the station by killing almost every other member of Nik’s family.

The commandos storm the atrium, where the majority of Heimdall’s residents are celebrating Terra Day, and kill Hanna’s father. Hanna, waiting for Nik to show up, is saved because he’s late getting to her. Of all the people on Heimdall, they are the only two who have the combined luck and skill to combat the killers that have overtaken the station. It’s a deadly game of cat-and-mouse, complicated by the emotions, perceptions, and decisions of people who are not what they seem. There are stone-cold killers, spies, hackers, lovers, literal bloodsucking monsters (lanima, the source of “dust”), and evil corporate executives; there are betrayals, grief, confusion, anger, and fear; there is weird science, love, and hope in the face of horror.

Hanna and Nik, along with Nik’s hacker cousin Ella, discover the plan to eliminate the Hypatia and eventually the Heimdall, get through to the Hypatia, and with the help of Kady Grant and the remains of AIDAN on the Hypatia, manage to save many lives on the Heimdall, nearly destroy reality, save the universe, and escape through the wormhole to rendezvous with the Hypatia. Unfortunately, the wormhole is destroyed in the process, leaving the survivors of both Kerenza IV and the Heimdall far from home, and with limited options.

As with the first book, Gemina’s storytelling is unconventional, involving screenshots of messages and chats, emails, transcripts of video clips (with commentary) text designed as part of illustrations, showing movement or space, soliloquies by AIDAN, and artwork from Hanna’s journal (the journal artwork was created by Marie Lu) Page design is such an essential part of the way the book is written that I don’t think the story could be told effectively in a more traditional way. I highly recommend reading a hardcover edition: paperback won’t have the same detail and Kindle and audiobook cannot possibly do this justice.

Gemina suffers from an issue that affects many “middle” books in trilogies: while it doesn’t end in the middle of a sentence, it does end rather suddenly, leaving the reader with an unsatisfactory feeling of “wait, what happens next?” It’s also a very different book from Illuminae, much more of a horror/science fiction thriller. Hanna, Nik, and Ella are all very strong characters who developed considerably beyond their original stereotypical presentations during the story, and they’re up against the commandos, with few adults to monitor them, instead of the considerably more operatic first book with its mass murders, evacuations, space battles, military crackdowns, bioweapon-infected cannibals, and homicidal AI, in which Kady and Ezra are very much treated as teens in need of supervision. Yet the ending seemed anticlimactic, more written to lead into the third book than to finish the second. I enjoyed meeting Hanna, Nik, and especially snarky, tough, Ella (it’s great to see a disabled character portrayed as multidimensional and valued as a person) and am interested in seeing how the interactions of the people from the Heimdall and those of Kerenza IV play out in volume 3. Recommended.

 

Posted on January 25, 2019 by , Reply
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