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Book Review: The Return by Rachel Harrison

cover art for The Return by Rachel Harrison

The Return by Rachel Harrison

Berkeley, 2020

ISBN-13 : 978-0593098677

Available: Hardcover, paperback, Kindle edition, audiobook Bookshop.org  |  Amazon.com 

 

Rachel Harrison is now on the radar as one of the most interesting new voices in horror/suspense. The Return was one of 2020’s few surprise stories. Others published quality debuts, yet Harrison’s rose to the top for this reviewer. It’s not flashy, bloody, or full of unique devices. It’s simply a great story told very well– and that’s good enough for most horror fans.

 

Julie disappeared from her front porch two years ago and only two people believe she’s still alive: her close friend Elise and her husband Tristan.

 

Two years later, Julie abruptly reappears in the same spot, with no recollection of what happened.

 

Elise and Julie and two additional close friends celebrate Julie’s return some time later, with an escape to a themed getaway. Once there, the quartet of friends attempt to reclaim their tight bonds from before the disappearance. Something is very off about the place, which Harrison handles well, alluding to without ever becoming heavy handed in the description. Julie seems “off” as well. Something has changed within her, something that happened while she was gone.

 

Harrison’s storytelling carries the show in The Return. The dialogue, wit, and character interaction flow with ease, and the suspense and darkness deepen. Harrison displays the skills of a veteran with writing that is neither showy nor cliche.

 

Full of twists and well-developed characters, The Return is one of the Stoker nominees most recommended.

 

 

Reviewed by David Simms

 

Editor’s note: The Return is a nominee on the final ballot for this year’s Bram Stoker Awards in the category of Superior Achievement in a First Novel. 

Book Review: Ghost Wood Song by Erica Waters

cover art for Ghost Wood Song by Erica Waters

Ghost Wood Song by Erica Waters

HarperTeen, 2020

ISBN-13 : 978-0062894229

Available: Hardcover, Kindle edition, audiobook  ( Bookshop.org  | Amazon.com )

 

 

Shady Grove grew up in a haunted house, and her father owned a violin that could raise ghosts, but it disappeared when he died in a car accident when she was twelve. Like him, Shady is a talented bluegrass fiddle player, but she’s never gotten over her father’s death, and is obsessed with the violin.

 

After her father’s death, Shady’s mother remarried to his best friend, Jim. Shady, her troublemaking older brother Jesse, her toddler half-sister Honey, her mother, and Jim live in a trailer on the edge of town. Jim is an alcoholic with an anger management problem, and he and Jesse are always clashing.

 

Shady and her friends Orlando and Sarah enter a music competition at a local cafe. They discover Jim’s son Kenneth is also participating, as are his friend Cedar and Cedar’s sister Rose. Shady is impressed by Cedar and Rose’s playing (and a little by Cedar himself) but is unsure about asking to play with them out of loyalty to Sarah and Orlando. Jim and his older and more respectable brother Frank show up as well. Kenneth gets into an altercation with Jesse that ends with Kenneth in the emergency room. Jim and Jesse end up in a fight, Jesse storms out, and the next morning Jim is found dead, killed with a hammer. The logical conclusion is that Jesse did it in a fit of anger, but Shady refuses to believe that Jesse could be responsible and decides the only way to find out for sure is to find her father’s violin and raise Jim’s ghost for the true story. But there is a dark and terrifying price to pay for playing the violin.

 

Set in small-town Florida, Erica Waters tells this Southern Gothic tale of grief, guilt, shame, anger, and family secrets, with gorgeous prose. Her poetic language flows through wild areas, jolting both characters and readers with electrical shocks from emotional events. Hauntings unsettle, and Shady’s violin pulls her deep into shadows that may lead to her destruction… or to discover what her family has been hiding all these years.  Waters describes the setting in such a way that I could see stepping right in to the forest or climbing into the attic of Shady’s former house.

 

In addition to the ghosts, the mystery of Jim’s death, and the secrets of the house she grew up in, Shady has to navigate relationships. She has deep feelings for her best friend Sarah, but is getting mixed signals. She’s also attracted to Cedar, who loves the same music, and is waiting for Shady to figure out how she really feels. Sarah and Rose are both lesbians, but with very different personalities, and it’s nice to see varied representation there. While it’s more common to see gay and lesbian protagonists in YA fiction, bi protagonists (and characters) are less frequently seen. With bi erasure a problem in society as well as fiction, I was glad to see bisexual representation.

 

Ghost Wood Song is a beautifully, darkly told story filled with moments of terror and deep feelings of love, grief, obsession, and fear, most certainly worth its place on the Stoker ballot and an excellent contender for the award.

 

Contains: attempted suicide, violence, murder

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: Ghost Wood Song is a nominee on the final ballot for this year’s Bram Stoker Awards in the category of Superior Achievement in a Young Adult Novel. 

Book Review: Tome by Ross Jeffrey

cover art for Tome by Ross Jeffrey

Tome by Ross Jeffrey

Independently published, 2020

ISBN-13 : 979-8647504074

Available: Paperback, Kindle edition Amazon.com )

 

Ross Jeffrey has penned a thrilling, brutal Stoker finalist that pulls zero punches yet has the class of a Ketchum story.  Juniper Correctional facility, a blight on human’s blistered history, has long housed the worst of the worst, the people who operate below the level of human beings.

The story belongs to pair of characters who are both steered by Juniper, the machine that churns and spits out souls: Warden Fleming sits on one end of the spectrum, hoarding secrets that boil beneath the prison surface, and Frank Whitten, a guard who refuses to give up the last strand of light within him.

The story spirals inward up on itself, devouring everything in its path. Juniper is pure hell incarnate, infesting its inmates, guards, and others with a darkness that is more pitch than anything supernatural. It’s not for the squeamish: Jeffrey aims for the jugular, without much subtlety, yet somehow, still manages to build an effective, claustrophobic atmosphere to constrict our deepest insecurities. Juniper as a setting becomes the main character between the pages, an effective and frightening tool that likely scored this nomination.

For fans of brutal, effective horror, with echoes of Edward Lee, Richard Laymon, and Jack Ketchum, Tome will not disappoint. Recommended.

 

Contains: Extreme gore and violence, body horror, racism

 

Reviewed by David Simms

Editor’s note: Tome is a nominee on the final ballot of this year’s Bram Stoker Award in the category of Superior Achievement in a First Novel.