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Book Review: 21st Century Demon Hunter by Charles D. Lincoln

21st Century Demon Hunter by Charles D. Lincoln

Burning Bulb Publishing, 2019

ISBN: 978-1-948278-17-1

Available: Paperback, Kindle edition

 

With main character Juliette Johannes, first time author Charles D. Lincoln may have created the most entertaining antihero the horror genre has ever seen.  By day (when she isn’t too hung over) she’s one of many faceless bicycle delivery people pedaling their way through New York City.  At night, she spends her time swilling, stoning, snorting, and screwing her way through the Manhattan nightclub scene.  Waking up in a strange bed with no memory next to a strange guy (or girl) is a weekly occurrence for her.  Due to family lineage, she’s also an on-call destroyer of demons that hide on Earth and occasionally decide to stir up trouble.  In this story, monsters exist all over the place, but only a small group of humans are aware of them, and have dedicated their time to keeping the rest of humanity safe.  When the demons start stirring up more trouble than usual, Juliette and her two sisters, Samantha and Persephone, get pulled into a web of murder and deceit that wrecks various sections of New York City. It’s a 400-page odyssey of mayhem and hilarity that is completely over the top, and works in every possible way.

Two things elevate this book above the competition: the originality of the plot and the unconventional but highly amusing characters.  God and humans against Satan and his minions  is a trope that has been used frequently, but author Lincoln wisely throws out the conventions that usually come with such a story.  Instead of “good vs. evil”, the conflict is set up as the forces of order against the forces of chaos, with neither side being truly good or bad.  Rather than a single “spirit realm”, Lincoln  has created nine different realms populated with all sorts of demons of varying strength.   This helps prevent the story from becoming predictable: it allows for a lot more variety in the types of fiends that appear in the book, as well as plot flexibility.  Some creatures are almost harmless and actually cute (the killer demon koalas come to mind) and some are as tough and nasty as anything since Lovecraft’s Cthulhu demons first graced the printed page.  21st Century Demon Hunter is a perfect example of how to take an old idea and reinvent it into something truly original.

The plot is excellent, but the true strength is in the characters.  It’s almost impossible not to find them interesting, because they are so unconventional.  Juliette is a prime example.  She shows up to exorcisms drunk,  treats powerful demons like annoying children that need a good spanking, and berates them for their lack of imagination in scaring people. When a demon vomits on her, she pukes right back on him.  It’s why she’s so entertaining; she’s unlike any other exorcist ever created.  The other characters are just as off the wall.  For instance, Christopher and Serenity are a brother-sister vampire team, who happen to talk like Cockneys and are usually more into watching the stock market then draining humans of blood.  With the characters in the book, abnormal is the normal, and it holds the reader’s interest all the way to the end.

Horror and humor are two sides of the same coin, and 21st Century Demon Hunter strikes the absolute perfect balance between the two.  The excitement will have you flipping the pages as fast as possible, while laughing out loud at the same time.  An unusual, original work not to be missed.

 

Contains: graphic violence, graphic sex, drug use, profanity, racial slurs and stereotypes

 

Reviewed by Murray Samuelson

Editor’s note: 21st Century Demon Hunter is also a streaming series on Amazon Prime Video.

Posted on October 8, 2019 by , Reply

Book Review: The Ghost Hunter’s Daughter by Caroline Flarity

The Ghost Hunter’s Daughter by Caroline Flarity

East Side Press, 2019

ISBN-13: 978-0996845007

Available: Paperback, Kindle edition

 

Anna Fagan lives in a haunted house, but that’s the least of her problems. Her father, Jack, is well-known for his ability to “clear” spirits from the objects they haunt, but since the traumatic death of her mother, his ability is fading and he’s picked up the habit of hoarding, aggressively. He stores holy water in the refrigerator, and “cleared” objects in the basement, where Anna is forbidden to go (the results of Jacks’s hoarding exposed when Anna breaks into the basement later in the story is one of the most appalling things in the book: previously haunted objects are the least of the problems).  Now the lack of space has led Jack to rent an office to reinvigorate his business. He has hired a new investigator, Geneva Sanders, a scientist who has invented a new way to see the electrical activity that indicates that ghosts and supernatural forces are at work.

Anna is also suffering from grief and guilt over her mother’s death, but at school, she has other problems. With the exception of her friends Doreen and Freddy, Anna is mocked by other students with the nickname “Goblin Girl”. Izzy, the school sleazebucket, has decided she’d make a perfect target for his meanness and slut-shaming, while also throwing disgusting homophobic slurs at Freddy. Anna, focused on getting her crush, Craig, to notice her, while trying to manage her family problems and an uptick in paranormal activity, misses out on the serious problems Doreen and Freddy are dealing with. As levels of hostility and violence rise in town, Geneva theorizes that unusual solar flares are being harnessed by a malevolent spirit who is using them to feed on people’s anger and pain.

Flarity’s choice to make Anna the point-of-view character works beautifully here. There is so much going on in this book, especially in the larger picture of things, and yet we see that world through the self-centered tunnel vision of a teenager– which is perfect for a teenager in a YA novel. Our view widens with hers, and we see the story pull together as she does. Getting the story from Anna’s point of view means we are up close to her character growth.

This book reminds me a lot of Lois Duncan’s YA books, except that her books didn’t have the broader supernatural conspiracy behind this story. I’m not sure how many boys would choose to read this, but I hope they will, because there are parts that should really make them think. How many people say and do things without thinking, especially when they are angry or feeling hopeless, that regret it later?

Recommended.

 

Contains: suicide, suicidal ideation, mental illness (hoarding), self-harm, animal cruelty, bullying, abusive adults, violence, cyberbullying. rape culture, distribution of provocative images of a minor.

Posted on October 7, 2019 by , Reply

Book Review: The Remaking by Clay McLeod Chapman

The Remaking by Clay McLeod Chapman

Quirk Books, 2019

ISBN-13: 978-1683691532

Available: Hardcover, Kindle

 

The Remaking is a meta-supernatural thriller that follows a true crime paranormal case revived by various means every twenty years. The book starts in 1951, with the telling of a campfire tale, “Witch Girl of Pilot’s Creek”, that occurred in the 1930s. For ten years, Jessica and her mother, Ella Louise, lived in the woods surrounding Pilot’s Creek, Virginia. They did not live within the town itself, since they were ostracized by the citizens of the town, as well as by their own family: Ella had no use for the societal game, and Jessica was born out of wedlock. Ella ran an apothecary from her cabin, and while the townspeople avoided the family in public, they were not above patronizing Ella when in need of a cure. But when a well-known customer died, Ella was immediately accused of witchcraft and both mother and daughter were burned at the stake. Because of the superstitions and paranoia of the townspeople, Jessica, thought to have magical abilities, was entombed in a steel-reinforced coffin surrounded by a fence of white crosses.  Ella was buried in an unknown location.

In 1971, someone who was present at the telling of the campfire story has grown up to become a film director. He casts Amber Pendleton as Jessica in his horror movie. Amber’s overbearing mother thinks this will be a great opportunity for her, and make her a star. The tensions and stress on set drive Amber to run into the woods, where she comes face to face with something nobody believes happened. Fast forward to 1995, and Amber is trying to make ends meet by doing the horror convention circuit. A young, up-and-coming director with money approaches Amber to play the part of Ella in his remake of the film that cost her an early career. She reluctantly agrees. She becomes the star of her own witch hunt after something happens to the new Jessica actress on this set.

The book then switches to 2016, with a popular form of media, the true crime podcast. An enthusiastic, greedy, journalist hunts down Amber (who has, strangely enough, moved to Pilot’s Creek), to get her side of the story. Amber thinks telling her story might just be her best bet to redeem herself. Of course, there’s also a chance that it will just add to the neverending cycle of the nightmare of Jessica and Ella.

I thoroughly enjoyed this book. An interesting aspect of the book for me was that it was always ambitious, heartless men at the core of each of the retellings of Jessica and Ella’s story. There was no heart in the development of the original film, nor the remake, only prestige and greed. Both directors were convinced that Jessica was demanding that her story be told, only to become so firm in their own vision that they missed the point. Amber immersed herself in both roles, and was chastised and abused for her intuitive reactions to her characters, first as the young Jessica, and in the remake as Ella Louise. She is blamed for creating her own drama and trauma, and ultimately put on actual trial for an incident that occurred during the filming of the remake. Then the podcaster aims to debunk the sightings of Jessica and Ella, as well as dig as much information out of Amber as he can to debunk that, too. Chapman’s characters and layout of the story are great. The Remaking is a fast and engaging read. I would recommend this for those who like true crime (it was based on the true story of a mother and daughter who were burned for being witches) and unique storytelling experiences. Highly recommended.

 

Reviewed by Lizzy Walker

Posted on October 5, 2019 by , Reply
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