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Graphic Novel Review: Bone Parish, Volume 2 by Cullen Bunn, illustrated by Jonas Scharf

Bone Parish, Volume 2 by Cullen Bunn, illustrated by Jonas Scharf

BOOM! Studios, 2019

ISBN-13: 978-1684154258

Available: Paperback, Kindle, comiXology

 

Bone Parish, Volume 2 follows the Winters family, a New Orleans crime family that created a hallucinogenic drug made from the ashes of the dead. Anyone who takes the drug, called “The Ash”, lives the memories of the deceased. The second volume opens with Grace Winters and the rest of the family attending the funeral of Wade Winters, the youngest sibling, who was killed by a rival cartel. After the funeral, Grace approaches a shadowy figure in attendance who did not approach the other mourners. He is not unfamiliar to her. After all, Andre is her deceased husband. She used the last of her late husband’s ashes for him to be able to attend his son’s funeral.

Throughout the story, Grace starts seeing herself take on Andre’s physical traits, such as seeing his reflection in a mirror where her own should be, and her eyes begin to take on the eerie purple glow that his did when he appeared to her. Her own transformation isn’t the only one occurring with the use of Ash. Other cartels are employing their own people to attempt creating their own strains of the drug, but the results are not the same as the Winters’ product. The “test cases”, typically any drug addict they pick up off the street, are attacked by the memories of the dead who want to go on living. The physical side effects the users experience can only be described as Cronenbergian. While all of this is occurring, Wade’s death has created new rifts. Grace pushes daughter Brigitte to keep creating “The Ash”, especially considering other drug families are trying to create their own strains. Brae constantly berates Grace, Brigitte, and Leon about Wade’s death, the latter of whom he believes is at fault, and about the family business. He is less than prudent and levelheaded when he meets a mysterious woman painted with a Día de Muertos skull, and gets in bed with the enemy, as well as hiring a biker gang for personal protection. Leon, despite his older brother’s tirades and everything else in play that is picking apart already tenuous familial bonds, still believes his late father’s words, that family is the only thing that matters. The question remains, just how much strain can those bonds handle before they are torn apart?

As with the first volume of this series, I am not surprised that Bone Parish, Volume 2 has been nominated for a Stoker Award. Bunn has become one of my favourite writers in the horror genre. He weaves a good yarn, and the artists who are paired with him create fantastic visuals. Scharf’s artwork adds significantly to Bunn’s story. Highly recommended.

Contains: body horror, drug use, gore, murder, sexual content

 

Reviewed by Lizzy Walker

 

Editor’s note: Bone Parish, Volume 2 is a nominee on the final ballot for this year’s Bram Stoker Awards in the category of Superior Achievement in a Graphic Novel.

Posted on April 18, 2020 by , Reply

Book Review: Invisible Chains by Michelle Renee Lane

Invisible Chains by Michelle Renee Lane

Haverhill House Publishing, 2019

ISBN: 978-1-949140-03-3

Available: Hardcover, paperback

 

Jacqueline, an enslaved Creole growing up on a Louisiana plantation in Michelle Renee Lane’s Invisible Chains, learns all too soon what it means to be black and female. She is beaten, raped, and terrorized but manages to survive by using the secrets of Vodun her mother taught her and by tapping the powers of the vampire and werewolf who assist her on the flight toward what she hopes will be a rescue.

Even though monsters help Jacqueline, she is still threatened by them and in constant danger, even from love. Lane uses these relationships, including a flirtation with the vampire, to highlight the suffering, marginalized groups depicted in this novel. This includes enslaved people and monsters but also mixed race people, Spanish Jews, Irish immigrants, circus performers, Gypsies, seers and couples in interracial relationships. People who are considered different by the larger white society are powerless and can survive only by appeasing and imitating their oppressors or using magical or supernatural powers against them.

Although the book often moves quickly from one terrifying event to the next, Lane effectively traces Jacqueline’s growing sense of her own talents and strengths. Jacqueline learns that each horrific experience enhances her abilities as a conjurer and intensifies her understanding of herself, thus making it possible for her to voice her demands and choose what she needs to live. She also learns that she must protect her mind and soul most of all and that she has a certain power in knowing the future in which her true freedom will never be a reality. However, she continues to be brave, heroic, and unstoppable. Recommended.

Contains: Graphic violence including rape and torture; sexual situations

 

Reviewed by Nova Hadley

Editor’s note: Invisible Chains was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Novel.

Posted on April 12, 2020 by , Reply

Book Review: The Good Demon by Jimmy Cajoleas

Life would have to be pretty awful and lonely for a person to agree to be possessed by a demon, but Clare has had a pretty traumatic life, and her demon not only takes her away but protects her from danger. Several years after she discovered her addict father dead from an overdose, her secret is revealed, and her stepfather, an abusive alcoholic, has the demon, who Clare calls her Only, exorcised by an evangelical preacher and his son, Roy.  Bereft, Clare is on a mission to retrieve and reintegrate with her Only, the one being who truly knows and loves her, but clues left by the demon instruct her to make friends with Roy, and despite their rocky beginnings, Clare and Roy become friends.

The One Wish Man has the power to grant Clare’s wish, but there is always a price.  In her eagerness to reunite with her Only, Clare chooses to overlook some obvious red flags: a cardinal crucified upside down at the entrance to the One Wish Man’s property, a nightmarish walk to his house, a stolen scroll of human skin, and others. As Clare’s investigations reveal a rottennness and lust for power at the center of town that is more than its terrible place in history (the Trail of Tears, the KKK, and tornadoes, among other disasters). Clare has to decide how far she can trust her Only, and whether her Only’s love is worth enough to sacrifice the new relationships she is building.

The Good Demon takes place in the deep South and has some great Southern Gothic trappings, and the trope of rottenness under the surface of a small town plays out well here. Clare is an unreliable narrator, and there’s a strange feeling of unreality enfolding her story. Oddly for a book set in the South, outside of Clare’s brief mentions of the town’s history with slavery, the KKK, and Native American genocide in the context of “terrible things happen here”, there aren’t actually any identifiable African-American characters and the book doesn’t really touch on race, which would pretty much flavor everything there. Of course, we are seeing all of this from Clare’s point of view, which is pretty narrow, since her life appears to be basically doing nothing at home, stealing from the secondhand store, or going to the library, and rarely encountering people other than her mother and stepfather, who spend much of their time drunk and arguing, so maybe she is really just that isolated from her community. The more time you spend with her, the more you can see why Clare wants her demon back so badly, and that any child would be in that position may be the saddest and most terrifying thing of all. Recommended for YA collections.

Contains: occultism, body horror, sex, gore, mild violence, attempted rape, references to suicide, drug and alcohol abuse.

 

 

 

 

Posted on January 11, 2020 by , Reply
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