Snow White | Musings of the Monster Librarian

Book Review: You Can’t Kill Snow White by Beatrice Alemagna, translated by Karin Snelson and Emilie Robert Wong

You Can’t Kill Snow White by Beatrice Alemagna, translated from French by Karin Snelson and Emilie Robert Wong

Unruly, 2022

ISBN: 978-159270381

Available: Hardcover

You Can’t Kill Snow White puts a spin on the traditional story of Snow White by telling it from the Queen’s point of view. Alemagna reminds us of the darkness of the original Grimms’ tales and attempts to recapture and extend it by exposing the Queen’s evil plans, demented intentions, and murderous mind. We see her relishing the liver and lungs of the boar killed in place of Snow White that she believes are her victim’s and celebrating how “alive” and “renewed” she feels after feasting on them.

Although the idea of focusing on the Queen as narrator has great potential for enhancing the terror of the story and forcing the reader to feel the fear that children are protected from by modern re-tellings, Alemagna’s version does not go far enough. The fact that the focus on the queen cannot be maintained because she is not present at key points, like when the huntsman decides not to murder Snow White, causes breaks in the build up of tension. These breaks become longer and more difficult to bridge when the dwarves enter the picture and we are told by the queen that her heart is filled with “unspeakable pain” and she is full of “dread.” Are we meant to sympathize with her or to see her as so damaged that she is dangerous? Either way, the lack of development of the character does not shed much more light on her than we have had in the past.

It seems that rather than creating a new take on the story of Snow White, Alemagna has used it as an opportunity to showcase her art. The illustrations are plentiful and create a dark moodiness in a palette primarily of murky browns, reds, blues and golds with jolts of reds and pinks. The dwarves are Eastern European folkloric type figures, mainly bearded. The human beings typically suggest nightmares with elongated bodies, impossibly long hair, gaping mouths, and giant hands. There is much frenetic movement: sweeping, gorging, and screaming that is a much stronger portrayal of emotion and much more effective at eliciting it from the reader than the writing is able to do.

You Can’t Kill Snow White is published by Enchanted Lion Books under their new picture book imprint, “Unruly,” intended for older readers and adults. These publishers are on the right track by engaging the many readers who have, even since childhood, loved the way in which illustrations add depth and beauty to storytelling. What better way to draw out our deepest fears than to experience on the page the horrible pictures we can only imagine from descriptions?

Reviewed by Nova Hadley

Graphic Novel Review: Neil Gaiman’s Snow, Glass, Apples by Neil Gaiman, illustrated by Colleen Doran

Snow, Glass, Apples by Neil Gaiman, illustrated by Colleen Doran

Dark Horse, 2019

ISBN-13: 9781506709796

Available: Hardcover, Kindle edition, comiXology

Adapted from Gaiman’s short story in the collection titled Smoke and Mirrors, Snow, Glass, Apples is a dark fairy tale version of Snow White. The Queen, terrified of her monstrous stepdaughter, has her heart set on saving her kingdom from a creature hell bent on devouring everyone in her path. This is not the Snow White tale we are familiar with. While the young girl appears innocent and sweet, she harbors a thirst for blood, and no one is safe from her appetite. Even her father, the King, is not safe from his own flesh and blood.

The most interesting part of Gaiman’s story is his take on who and what the Queen is and how she can scry. She is an enigma herself, but she is certainly not the evil queen we are familiar with in various media. She’s complicated, to put it mildly. As mentioned above, Snow is not the softhearted young lady depicted in stories and film. She is cold, calculating, devious. She’s also a seductress as see when the Queen asks her mirror about what is attacking the Forest Folk.

The artwork in this book is beautiful. It’s easy to get lost in the highly detailed panels. Doran’s work is reminiscent of Harry Clarke’s artwork. In fact, there is a nod to one of the artist’s famous pieces in the 1923 edition of Poe’s Tales of Mystery and Imagination. She writes about his influence in her artwork in the sketchbook included in this volume.

This is a fairy tale not meant for children. Adult themes are found throughout the story. It is heavy on sexual content, and there is implied incest between Snow and the King, her father. While it is an uncomfortable subject, it helps illustrate how hedonistic and animalistic this version of Snow White is. I would recommend this to readers who like alternative versions of fairy tales, with the understanding that, despite the bright colours Doran uses in her artwork, the content is far darker than expected. Recommended

Contains: blood, gore, implied incest, nudity, sexual content

Reviewed by Lizzy Walker

Editor’s note: Neil Gaiman’s Snow, Glass, Apples was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Graphic Novel.