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Musings: Clown in a Cornfield by Adam Cesare

 

cover art for Clown in a Cornfield by Adam Cesare  (  Bookshop.org |  Amazon.com )

Clown in a Cornfield by Adam Cesare

HarperTeen, 2020

ISBN-13 : 978-0062854599

Available: Hardcover, Kindle edition, audiobook

 

Clown in a Cornfield has the cover art, title, and pacing I’d expect from a pulp paperback from the 1970s-1980s, but a very contemporary feel. It takes place in a small, rural town in Missouri. Quinn Maybrook has just moved from Philadelphia to Kettle Springs, where her father has taken over the town doctor’s practice to give both of them a fresh start after her mother died by drug overdose. A year prior to the events of the book, Cole Hill and his friends livestreamed a prank for their YouTube channel that led to the accidental death of Cole’s younger sister, and shortly before the story begins, Cole attempted to burn down an abandoned factory owned by his father’s company, Baypen. Baypen’s mascot is a clown, Frendo, and it might as well be Kettle Springs’ mascot, as well.

Quinn’s first day at school gets a rocky start when she is caught in the crossfire between Cole and his friends and the science teacher as he angrily ejects them from his classroom, but she soon finds herself included in the group. Quinn discovers that almost everything they do is to get an on-camera reaction. A dangerous prank at the town’s Founder’s Day parade causes a lot of anger in the community, especially from the sheriff, who holds a lot of power and is a very convincing man.

The teens have planned a party in a barn in the middle of a cornfield on the farm of a family who has left on vacation, and despite the damage, a huge crowd arrives to drink and dance. That’s when Frendo, the clown, shows up, and events quickly escalate into a large-scale, fast-paced, violent, and bloody massacre.

Small, rural towns in mid-America tend to be very conservative, very white, and attached to traditional values. They are mostly financially depressed, mainly because nearby manufacturing has failed and family farming isn’t very profitable. Gun ownership, especially for hunting, is common. And communities are usually small enough that their identities center on high school sports, including the mascots. I’ve worked in a really small, rural town, and every day when I got off the highway exit I drove past miles and miles of corn. Cesare really captures the character of these communities, and while some characters are relatively stock, such as the sheriff, others are well-fleshed out.  I especially was impressed with the portrayal of Rust,  who could easily have been a cariacature of a gun-happy redneck but instead was a nuanced, thoughtful, and resourceful character. There’s also positive representation of gay characters, and an interesting Asian “mean girl”.

My daughter didn’t feel that the motivation for the massacre was believable, but having watched the events of the past week play out, I can now fully believe that clowns could turn in a violent and deadly way on people they feel alienated from if they believe there is a threat to their way of life. Clown in a Cornfield moves along quickly and may appeal to reluctant readers. Slasher fans and teens looking for a terrifying, gory story will find it here. Highly recommended for grades 9+.

Contains: extreme violence, gore, murder, body horror

 

 

Book Review: Burn Our Bodies Down by Rory Power

cover for Burn Our Bodies Down by Rory Power

Burn Our Bodies Down by Rory Power

Delacorte Press, 2020

ISBN-13: 978-0525645627

Available: Hardcover, Kindle edition, audiobook, audio CD  (  Bookshop.org  | Amazon.com  )

Seventeen-year-old Margot, trapped in a disturbing codependent relationship with her abusive mother, finally finds an escape after discovering she has a grandmother living just outside Phalene, a small town only a few hours away. Arriving in Phalene, Margot quickly meets Tess, daughter of a wealthy landowner whose property is next to Margot’s grandmother’s farm, and Tess’ friend Eli. Tess and Eli tell Margot her grandmother has a reputuation as an eccentric, but offer to walk her to her grandmother’s house. On the way, the three teens discover the property is on fire, and Eli carries a girl out of the fire who is identical to Margot in looks and age, but who Margot has never seen before. The police are suspicious and take all three to the station to question them, but are clearly focused on Margot, especially because this isn’t the first fire to take place on her grandmother’s property, and the two girls are so identical it’s hard to believe Margot doesn’t know her.

A significant part of the book has to do with Margot’s developing relationship with her grandmother. At first, her grandmother is loving and welcoming, if inflexible, but early on Margot realizes that her grandmother is also being evasive and, at times, outright lying to her. The reader will see clearly the similarities between the behaviors of Margot’s grandmother and mother; it becomes clear early on why Margot’s mother never wanted to speak about her family. Margot also begins a close friendship with Tess, which has the marks of the beginnings of a crush on her, but this is never followed through on. Margot, Tess, and Eli are determined to solve the mystery of the girl who died and how that might be related to the earlier fire, and Margot as well wants to learn about her family’s past. There is clearly something going on that her grandmother is hiding, and a diary Margot finds contains clues as to what led to her mother’s behavior and some of the reasons she may have passed the trauma of her own childhood on to Margot.

The science-fictional twist at the end leads to some particularly gruesome body horror, and thoughtful readers may still find themselves disturbed by the long-term consequences of not eliminating all of the loose ends. Burn Our Bodies Down punches up the action faster than Wilder Girls but meanders in the middle, until it reaches its fast-paced and gory conclusion. Power has done a great job of showing the effects generational trauma and the difficulty of breaking that cycle. Even in relationships that haven’t sustained the kind of damage as the family in this book, there are very few girls who want to grow up to be just like their mothers, and Burn Our Bodies Down does an excellent job of portraying a time of life when most girls are separating to explore and form their own identities.

Book Review: The Good Demon by Jimmy Cajoleas

Life would have to be pretty awful and lonely for a person to agree to be possessed by a demon, but Clare has had a pretty traumatic life, and her demon not only takes her away but protects her from danger. Several years after she discovered her addict father dead from an overdose, her secret is revealed, and her stepfather, an abusive alcoholic, has the demon, who Clare calls her Only, exorcised by an evangelical preacher and his son, Roy.  Bereft, Clare is on a mission to retrieve and reintegrate with her Only, the one being who truly knows and loves her, but clues left by the demon instruct her to make friends with Roy, and despite their rocky beginnings, Clare and Roy become friends.

The One Wish Man has the power to grant Clare’s wish, but there is always a price.  In her eagerness to reunite with her Only, Clare chooses to overlook some obvious red flags: a cardinal crucified upside down at the entrance to the One Wish Man’s property, a nightmarish walk to his house, a stolen scroll of human skin, and others. As Clare’s investigations reveal a rottennness and lust for power at the center of town that is more than its terrible place in history (the Trail of Tears, the KKK, and tornadoes, among other disasters). Clare has to decide how far she can trust her Only, and whether her Only’s love is worth enough to sacrifice the new relationships she is building.

The Good Demon takes place in the deep South and has some great Southern Gothic trappings, and the trope of rottenness under the surface of a small town plays out well here. Clare is an unreliable narrator, and there’s a strange feeling of unreality enfolding her story. Oddly for a book set in the South, outside of Clare’s brief mentions of the town’s history with slavery, the KKK, and Native American genocide in the context of “terrible things happen here”, there aren’t actually any identifiable African-American characters and the book doesn’t really touch on race, which would pretty much flavor everything there. Of course, we are seeing all of this from Clare’s point of view, which is pretty narrow, since her life appears to be basically doing nothing at home, stealing from the secondhand store, or going to the library, and rarely encountering people other than her mother and stepfather, who spend much of their time drunk and arguing, so maybe she is really just that isolated from her community. The more time you spend with her, the more you can see why Clare wants her demon back so badly, and that any child would be in that position may be the saddest and most terrifying thing of all. Recommended for YA collections.

Contains: occultism, body horror, sex, gore, mild violence, attempted rape, references to suicide, drug and alcohol abuse.