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Book Review: Unbury Carol by Josh Malerman

Unbury Carol by Josh Malerman

Del Rey Books, 2018

ISBN-13: 978-0399180163

Available: Hardcover, paperback, Kindle edition, audiobook

 

Josh Malerman is arguably the best new writer horror has witnessed in the past decade. His debut novel, Bird Box, was truly original and was recently made into an outstanding movie by Netflix. Black Mad Wheel added a musical touch to the weird and supernatural, Goblin tied six mind-bending tales together into a town that Ray Bradbury and Charles Grant would love, and the recently released Inspection is an intriguing dystopian look at gender roles, education, and parenting.

Unbury Carol takes a sharp left turn into a world familiar to Joe Lansdale and John Wayne. The plot of this Gothic-tinged historical horror novel with a hint of romance whisks readers back to the Old West in the 1800’s, complete with cowboys, stagecoaches, and saloons filled with whiskey, cards, and women.

Carol Evers has a unique medical condition. She can’t stop dying. Literally. She periodically falls into a coma so deep that doctors believe she’s dead. Only a few people are aware of the illness: her awful husband, Dwight; her two friends; and her long-lost love, the outlaw James Moxie.

When the coma hits, Carol freefalls into a dark world she’s named Howltown, a place where she’s not alone, but as in life, cannot move. Dwight decides to go after her fortune and declare her dead. A telegram makes its way to Moxie, twenty years gone from Carol’s life but still pining for her. Moxie hits the infamous Trail, where unspeakable, legendary horrors occur daily, blazing his own path, to save Carol before she is covered by six feet of fresh dirt. He is unaware that a deadly hired gun is hot on his tail, a sadistic man who leaves a path of burned destruction behind him. Meanwhile, Carol fights her own battle within Howltown, struggling to awaken, to move, to let the world know of her husband’s diabolical plans. On the periphery, Rot, an intriguing supernatural character, taunts both Moxie and Carol in their efforts to remain in the land of the living.

This novel begins as a slow burn like the best Western films of the sixties, and slowly catches fire, grasping hold of readers with a strong narrative that feels like what you’d get in a Clint Eastwood movie, if he traded drinks with Stephen King. This book will likely draw some comparisons to some of the greats, but deserves its own category and acclaim.

Unbury Carol is easily one of the best and most original novels readers will love in 2018.

Editor’s note: Unbury Carol is a candidate on the final ballot for the 2018 Bram Stoker Award in the category of Superior Achievement in a Novel. 

 

Don’t Trust Disney!

Usually when someone comments on Disney movies it’s either “They’re wonderful” or “they’re awful”.

I can run with both. You can’t escape Disney now. It’s so huge and encompasses so many brands and types of media that half the time you don’t even know you have a Disney product in your hands. I think a lot of us feel nostalgia for the first time we saw a Disney movie (especially if you are old enough to remember the time before VCRs and DVDs, when you had to wait seven years for the movie to come back to the theater so you could see it again). Some of the messages Disney, through its many faces, aggressively promotes, are uncomfortable and even sources of outrage. But something you rarely hear about in the discussions of Disney movies is that they are really scary. As in, fear-inducing. You cannot take your kid to a Disney movie with the belief that it will be all sunshine and flowers. Unless some of the flowers are roses with really vicious thorns, or the garden is on fire. Someone over at FEARnet started a discussion on movies that scared the members as kids. The first one he recalled was Sleeping Beauty. It’s true, Maleficent is terrifying, and I’ve never forgotten her (on a side note, it’s amazing to me how many people said they had watched IT or The Exorcist between the ages of 5 and 10). The shadows from the Frog Princess gave my son nightmares. And Ursula from the Little Mermaid… yikes. And those are just the animated movies.

Anyway, the folks at FEARnet did a short interview with an archivist at the Disney Archives where she showed off some of the props from a few of the past Disney movies. It’s really interesting to watch, and it does make you think. Who decides a movie is a children’s movie, anyway? If you are planning to take your child to a Disney movie, you might want to check out a trailer first, and try to evaluate whether the fright factor is one your child can handle.  Even my monster-loving kid has been known to run from the room or hide under a pillow during Disney films. Just because it’s a “princess movie”, a “children’s movie”, or a “family film”, you can’t trust Disney to make the decision an easy one.