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Musings: Clown in a Cornfield by Adam Cesare

 

cover art for Clown in a Cornfield by Adam Cesare  (  Bookshop.org |  Amazon.com )

Clown in a Cornfield by Adam Cesare

HarperTeen, 2020

ISBN-13 : 978-0062854599

Available: Hardcover, Kindle edition, audiobook

 

Clown in a Cornfield has the cover art, title, and pacing I’d expect from a pulp paperback from the 1970s-1980s, but a very contemporary feel. It takes place in a small, rural town in Missouri. Quinn Maybrook has just moved from Philadelphia to Kettle Springs, where her father has taken over the town doctor’s practice to give both of them a fresh start after her mother died by drug overdose. A year prior to the events of the book, Cole Hill and his friends livestreamed a prank for their YouTube channel that led to the accidental death of Cole’s younger sister, and shortly before the story begins, Cole attempted to burn down an abandoned factory owned by his father’s company, Baypen. Baypen’s mascot is a clown, Frendo, and it might as well be Kettle Springs’ mascot, as well.

Quinn’s first day at school gets a rocky start when she is caught in the crossfire between Cole and his friends and the science teacher as he angrily ejects them from his classroom, but she soon finds herself included in the group. Quinn discovers that almost everything they do is to get an on-camera reaction. A dangerous prank at the town’s Founder’s Day parade causes a lot of anger in the community, especially from the sheriff, who holds a lot of power and is a very convincing man.

The teens have planned a party in a barn in the middle of a cornfield on the farm of a family who has left on vacation, and despite the damage, a huge crowd arrives to drink and dance. That’s when Frendo, the clown, shows up, and events quickly escalate into a large-scale, fast-paced, violent, and bloody massacre.

Small, rural towns in mid-America tend to be very conservative, very white, and attached to traditional values. They are mostly financially depressed, mainly because nearby manufacturing has failed and family farming isn’t very profitable. Gun ownership, especially for hunting, is common. And communities are usually small enough that their identities center on high school sports, including the mascots. I’ve worked in a really small, rural town, and every day when I got off the highway exit I drove past miles and miles of corn. Cesare really captures the character of these communities, and while some characters are relatively stock, such as the sheriff, others are well-fleshed out.  I especially was impressed with the portrayal of Rust,  who could easily have been a cariacature of a gun-happy redneck but instead was a nuanced, thoughtful, and resourceful character. There’s also positive representation of gay characters, and an interesting Asian “mean girl”.

My daughter didn’t feel that the motivation for the massacre was believable, but having watched the events of the past week play out, I can now fully believe that clowns could turn in a violent and deadly way on people they feel alienated from if they believe there is a threat to their way of life. Clown in a Cornfield moves along quickly and may appeal to reluctant readers. Slasher fans and teens looking for a terrifying, gory story will find it here. Highly recommended for grades 9+.

Contains: extreme violence, gore, murder, body horror

 

 

Book Review: Night of the Mannequins by Stephen Graham Jones

cover art for Night of the Mannequins by Stephen Graham Jones

Night of the Mannequins by Stephen Graham Jones (  Bookshop.org  |  Amazon.com )

Tor.com, 2020

ISBN-13 : 978-1250752079

Available: Paperback, Kindle edition

 

Night of the Mannequins is a short book, a rocket-fuel ride from beginning to end. It is narrated by teenage Sawyer, one of an offbeat, close-knit group of friends who have known each other forever and are about to graduate high school and go their separate ways. Stephen Graham Jones does a genius job with Sawyer’s narrative voice: it really feels like he is talking right to you. After they’re thrown out of a movie theater where their friend Shanna works, the friends come up with the idea of sneaking a discarded mannequin in to prank Shanna and the manager. Instead, the prank fizzles, the mannequin disappears, and Sawyer is certain he saw it walk out of the theater. After one of the Shanna is killed, along with her family, when a truck plows into her house, Sawyer is convinced the mannequin is the culprit and that he and his friends and their families are all in danger of death by mannequin. He is certain he has seen the mannequin and that the mannequin is stealing and eating Miracle-Gro to turn into a gigantic monster. Sawyer decides he has to act before the monster mannequin can. Jones takes us far down the rabbit hole in this surreal and disturbing tale as Sawyer’s perceptions become more and more skewed,  especially once he starts covering his face with a mannequin mask.

We don’t get to know the other friends well, but Sawyer’s feelings for them seem genuine, so you feel for them and their families when gory tragedy strikes. And wow, does it strike. Sawyer describes it in detail, and Jones does not pull his punches.

This is not intended to be a YA book but it very easily could appeal to YA horror readers looking for a bite-sized read. It’s short, fast-paced, and, unusual in YA horror these days, has a teenage boy as protagonist. With Night of the Mannequins you could hook someone who loves slasher movies but hasn’t shown much interest in reading.  Recommended for ages 15+