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Musings: The Same Old Arguments About H.P. Lovecraft

H.P. Lovecraft was a racist.

It’s not an argument we are going to have here. He was a racist, and it’s clear as it can be from his writing that he was racist, misogynistic, and anti-Semitic.

I often hear apologists say “He wasn’t any worse than anyone else at the time.”  That’s a terrible argument. Other people being racists at the same time doesn’t excuse Lovecraft– it just shows that an appalling number of people were racist.

I’ve actually seen someone compare him to Abraham Lincoln (I’m totally willing to say that Lincoln was not an angel, and he certainly held racist beliefs. But that’s one of the most bizarre comparisons I’ve ever come across). Lincoln’s racism isn’t an excuse for anyone else’s racist beliefs, either.

Also, can we please get past the idea that people who object to Lovecraft’s racism are destroying literature? Or that any literature belongs to any one person?  Lovecraftian fiction is more popular than it’s ever been, and his racism isn’t stopping a lot of people from reading and enjoying it, or even writing it.  And authors and publishers who address the problematic nature of Lovecraft’s work are producing some amazing work. Victor Lavalle’s The Ballad of Black Tom, a response to The Horror at Red Hook, received rave reviews.  Silvia Moreno-Garcia at Innsmouth Free Press, published and co-edited She Walks in Shadows, an award-winning anthology of Lovecraftian fiction.

I’m not a fan of Lovecraft at all, but I don’t think Lovecraft’s work should be banned, or shoved under the table. Just because he wrote about shadowy creatures doesn’t mean he and his work should be hidden. He existed, and regardless of what you, or I, or anyone else, think of him,  he made tremendous contributions to horror literature, and his mythos, at least, has solidly embedded itself in mainstream culture.  As individuals, we can each decide whether his problematic attitudes toward race, women, and Jews are enough to keep us from reading his work or even loving it. But they shouldn’t be forced on anyone.

But this back-and-forth on “is Lovecraft a racist” is taking the focus away from some really brilliant writers who have already recognized that he is problematic, and are facing that head-on. Let’s see how far-reaching the diversity and creativity of today’s writers of Lovecraftian fiction can take us as we acknowledge his racist past.

 

 

Book Review: Dark Screams: Volume 7 edited by Brian James Freeman and Richard Chizmar

Dark Screams: Volume 7 edited by Brian James Freeman and Richard Chizmar

Hydra, 2017

ISBN: 9780399181948

Available: Kindle edition
 

After reading Dark Screams Volume 6, I knew I had to read Volume 7. Freeman and Chizmar have another great anthology here.

Robert McCammon weaves a tale of the “Lizardman”, who thinks he is the mightiest predator living in the Florida swamp, until he meets the real “big bad” lurking in the waters. Old Pope can drive people to madness and devour them quickly. What will become of the Lizardman when he meets the great beast?

James Renner’s story, “A Monster Comes to Ashdown Forest (in Which Christopher Robin Says Goodbye),” is both heartbreaking and terrifying at the same time. A caretaker working at a hospital at Dartmouth meets the real Christopher Robin, a seventy-five year old senile man who lived as a recluse so no one could find him and torment him about that silly old bear. There’s a very good reason why he wanted to forget the bear, the forest, and the carnage wrought beneath its trees.

Death comes to four families in “Furtherest” by Kaaron Warren. Grandpa Sheet, the old man living in one of the houses, rewards children who wander the dunes the furtherest where they find the graves of the boys who died. How far is the girl from House 1 willing to go out past the dunes?

Brian Hodge’s “West of Matamoros, North of Hell” is probably the most brutal story of the anthology. After the success of their latest album, Sebastián, Sofia, and Enrique head to Mexico for a photo shoot at a shrine to Santa Muerte, but instead they find themselves tormented and held prisoner by worshipers of the Saint of Death with others who have met the same fate. One by one, prisoners are dragged out of their dark enclosure. Unfortunately for those remaining it isn’t dark enough. Through one small window looking out to the giant statue of Santa Muerte, the prisoners witness the grisly sacrifices their captors make to their deity. However, when Sebastián and Enrique’s turns come, things are a little different.

A wolf is stalking Lieutenant Dietrich Drexler and his men through the Carpathian Mountains in “The Expedition” by Bill Schweigart. When Drexler is the only man left, he must take the news of what happened back to the Führer. Fortunately for Drexler, another fate awaits him.

Mick Garris’ story, “Snow Shadows,” revolves around a schoolteacher’s affair and a student’s infatuation that teaches a lesson in death and revenge.

While I enjoyed the sixth volume of the anthology more, Dark Screams Volume 7 was outstanding. I particularly enjoyed the story of Christopher Robin and the dark version of Pooh and the rest of the gang from the Hundred-Acre Wood. This volume is not to be missed if you have found this series. Recommended.

 

Contains: blood, brief sex, gore

Reviewed by Lizzy Walker

Book Review: Black Feathers: Dark Avian Tales: An Anthology edited by Ellen Datlow

Black Feathers: Dark Avian Tales: An Anthology edited by Ellen Datlow

Pegasus Books, 2017

ISBN: 9781861773216

Available: Hardcover, Kindle edition

This anthology of avian-themed fiction, edited by Ellen Datlow, presents a fantastic collection of short stories by some of the best authors in the horror genre. Each story features, as the anthology title indicates, birds that act as agents of death, sentinels, communicators, and more. The authors present the darkness the bird realm can represent, and present unique philosophical questions and uncomfortable answers in this collection.

Datlow has collected some of the best writers for this anthology. Authors include Sandra Kasturi, Nicholas Royle, Seanan McGuire, Paul Tremblay, Joyce Carol Oates, Richard Bowes, Alison Littlewood, Jeffrey Ford, Mike O’Driscoll, Usman T. Malik, Stephen Graham Jones, A.C. Wise, M. John Harrison, Pat Cadigan, Livia Llewellyn, and Priya Sharma.

There is not a single story in this anthology that does not linger with the reader. A struggling academic studying owls gets too close to his research subjects, much to his wife’s concern, and ending in a deadly discovery. What happens to him will change his family forever. A young girl obsessively counts the types of birds she sees throughout the day, and interprets the numbers to mean certain things will happen. She’s never wrong. A grieving widow begins to relate to the herons on her property, who help her deal with the death of her husband. The birds seemingly take care of her problems and provide her with a new sense of freedom. Rogue birds are being investigated by an occult group for helping humans cheat death. A twin returns home after her father’s death, reconnects with her sister, and finds out the terrible truth about herself after the funeral. These tales are only a fraction of what this collection offers to the reader.

While there is very little in the way of gore, there are definitely psychological horrors that the reader will encounter. Sometimes these can be more terrifying than any amount of blood and guts.

Datlow has won multiple Hugo, Locus, and Shirley Jackson awards and has received several lifetime achievement awards, including the Bram Stoker Award. She is adept at anthology selection, and I promise you won’t be disappointed with this collection. Highly recommended

Contains: brief sex, abuse, psychological terror

Reviewed by Lizzy Walker