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Book Review: Future Fiction: New Dimensions in International Science Fiction edited by Bill Campbell and Francesco Verso

Future Fiction: New Dimensions in International Science Fiction Edited by Bill Campbell and Francesco Verso

Rosarium Publishing, 2018

ISBN 13: 978-0998705910

Available: Paperback, Kindle

 

Future Fiction is a new anthology of short science fiction from around the world. Representing African countries, China, Spain, and others, this collection seeks to bring the reader a sampling of some very fine, if mature, short science fiction. The stories here seem to approach the genre much the way The Twilight Zone did: they are dark, unique and somewhat surreal takes on what the future will be like.

 

Standouts include Nina Munteau’s “The Way of Water”, which imagines a future where water has become currency, and to run out of your cash is to literally die of thirst. Tendai Huchu’s “Hostbods” explores what it really is like to have your consciousness placed within a fresh new body. Xia Jia’s “TongTong’s Summer” is a wonderful look at caregiving for an older relative when you’re a child, during the summer, and you have a prototype android to help you. These stories really draw you in, and give you an excellent sense of science fiction, horror, and dark fantasy from around the world. The target audience is definitely most appropriate for teens and adults.  I highly recommend Future Fiction: New Dimensions in International Science Fiction, for any library looking to diversify its short story collections with quality fiction.

 

Contains: Gore, Violence, Graphic Sex, Adult Situations

Reviewed by Ben Franz

 

 

Book Review: Halloween Carnival: Volume 2 edited by Brian James Freeman

Halloween Carnival: Volume 2 edited by Brian James Freeman

Hydra, 2017

ISBN-13: 9780399182044

Available: Kindle edition

 

Spring is upon us, and that means, for me anyway, lamenting the passing of the fall and winter. In doing so, I like to read Halloween anthologies, prepping for the year’s best holiday. I originally picked these titles up on Net Galley, but I enjoyed the Halloween Carnival volumes so much that I purchased them so that I could relish the tales of the macabre throughout the year. Halloween Carnival: Volume 1 was a lovely little read, and Volume 2 is equally as good.

Five tales are contained within the pages of this book. Leading off is “Mr. Dark’s Carnival” by Glen Hirshberg. Professor R. loves Halloween, especially regarding the history of the local legend, Mr. Dark’s Carnival. Little is known about Mr. Dark, let alone the carnival itself. There are second and third hand accounts, but never, as the professor mentions in a lecture to his students, primary source accounts. The carnivals that people are invited to, by ticket only, are never the real thing—merely pranks or frat parties. Will this year be any different? He will only find out if he accepts the ticket from the body on the bridge.

“The Facts in the Case of My Sister” by Lee Thomas introduces us to young David, who loves magic, mesmerism, and hypnosis. When David’s little sister, Joyce, becomes so wracked with fear at the monsters in her closet that her screams echo the halls, he feels compelled to help her. He discovers much too late that his aid was a terrible thing to inflict on her. This story goes back and forth between adulthood and childhood and does so effectively. This is one of the strongest stories in this collection. I had to put the book down for a bit to let it sink in. I won’t ruin it, but the tension and realization of what happens because of David’s influence is dense and heartbreaking.

“Mischief Night” by Holly Newstein tells the tale of Willard, an alcoholic with a temper, and Nolan, an angry teenager from a broken home. When Nolan injures himself in his attempt to hide after a Mischief Night prank gone wrong, the two find themselves in a deadly situation.

In “The Ghost Maker” by Del James, a gangster, who is good at his job of making people disappear, answers the door to the wrong person when he’s invited to a Halloween party thrown by one of the big bosses. I think this had an interesting premise, but it wasn’t the strongest story in this collection.

“The Pumpkin Boy” by Al Sarrantonio is a chilling little story about missing children, a town legend, and the adults who struggle with their own demons while trying to make sense of the events that unfold. Jody Wendt has gone missing. Detective Len Schneider, with  perpetual doubt lingering in his mind, after he was too late during a previous case, is convinced this case will redeem him. More boys go missing in the meantime, and reports are coming in of sightings of the mysterious Pumpkin Boy.

The stories in this volume are less about gory scares than they are about psychological horror. Other than the theme of Halloween, the themes of struggle and loss permeate the tales in different ways. This is evidenced strongly in “The Facts in the Case of My Sister,” “Mischief Night,” and “The Pumpkin Boy” particularly. Recommended, especially for  fans of the Dark Screams anthologies.

Contains:

“Mr. Dark’s Carnival”: suicide

“The Facts in the Case of My Sister”: graphic description of domestic abuse

“Mischief Night”: alcoholism, death

“The Pumpkin Boy”: child abduction, child murder, gore

 

Reviewed by Lizzy Walker

Book Review: The Starlit Wood: New Fairy Tales edited by Dominick Parisien and Navah Wolfe

The Starlit Wood: New Fairy Tales by Dominick Parisien and Navah Wolfe
Saga Press, 2016
ISBN-13: 978-1481456128
Available: Hardcover, paperback, Kindle edition

The editors of The Starlit Wood challenged writers to choose a fairytale and view it through a dark crystal, choosing a new context to hang over the bones of the original story. In some cases, elements of the original stories were removed, and in others, transformed. Seanan McGuire, Catherynne M. Valente, Garth Nix, Karin Tidbeck, Naomi Novik and Stephen Graham Jones, among others, contributed, so I’m not surprised at all by the quality of writing. The originality and unsettled feelings stirred up by these stories will intrigue fairytale lovers, but you don’t have to be familiar with the fairytale behind each story to thoroughly enjoy the collection.

Outstanding stories include Stephen Graham Jones’ “Some Wait”, a tale of disappearing children and parental paranoia and disintegration that has crawled into my brain to take up permanent residence; Seanan McGuire’s “In The Desert Like A Bone”, a supernatural, magical realist Western; Karin Tidbeck’s “Underground”, which lights the way in showing how a person can be literally trapped in an abusive relationship;  Charlie Jane Anders’ “The Super Ultra Duchess of Fedora Forest”, set in a bizarre dystopia of talking animals and breakfast meats; Amal El-Mohtar’s “Seasons of Glass and Iron”, in which two women are able to set each other free; and Kat Howard’s “Reflected”, a science fantasy grounded in mirrors, snow, love, and physics.Every story in the collection plays with the tropes of fairytales from diverse sources and cultures, creating the sense of disquiet and magic that we expect from fairytales, with more darkness and dimension. Highly recommended for lovers of fairytales, short stories, and unsettling, genre-crossing tales. If you enjoy the stories of Kelly Link, you’ll definitely want to try these.

Contains: drug use, violence, abusive behavior and relationships, implied child sexual abuse.