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Book Review: Arterial Bloom edited by Mercedes M. Yardley

Arterial Bloom edited by Mercedes M. Yardley ( Bookshop.org | Amazon.com )

Crystal Lake Publishing, 2020

ISBN-13: 9781646693108

Available: Paperback, Kindle, comiXology

 

Arterial Bloom is another great anthology from Crystal Lake Publishing, edited by Bram Stoker Award-winning author Mercedes M. Yardley. This is the first anthology with Yardley at the helm, and she curated some beautiful and horrific tales. A unique feature of this particular anthology is that it does not rely on a cohesive theme to direct the tales in its pages. I was dubious at such a risky decision, especially as this is Yardley’s first anthology as an editor. However, it is clear she is in touch with the genre. The anthology contains 16 stories. Rather than discuss all of them, I will highlight the ones that were particularly enthralling.

In “The Stone Door” by Jimmy Bernard, three sisters must keep a bike equipped with a lever system operating in order to keep a monster behind a door. The door must remain closed. When one of the sisters falls ill, they worry about how much longer they can keep this up. “Dog (Does Not) Eat Dog” by Grant Longstaff is told in a post-apocalyptic world where two old friends find themselves at a dangerous crossroads. Linda J. Marshall’s “Kudzu Stories” entwines three separate lives where they come to different ends when the kudzu gets entangled in the human condition. In “Welcome to Autumn” by Daniel Crow, a mysterious bandaged stranger posing as a journalist visits the wife of a brilliant artist who has gone missing under mysterious circumstances. “The Darker Side of Grief” by Naching T. Kassa tells the story of George, a young boy who grieves his recently deceased mother and finds himself haunted by something that calls itself his mother. On top of that, George and his sister Mindy have a new babysitter, Carla Runningdeer. He’s heard all of the rumors about their new caretaker’s violent tendencies and wonders if they are true. Ken Liu’s “In the Loop” tells the story of a young girl watching her father turn into an abusive monster who eventually kills himself. He had been a drone strike operator for the military and suffered from severe PTSD. She signs up with a company whose representative tells her they are making software to completely replace humans at the controls, something that Kyra believes will free others of experiencing the tragedy and guilt of wartime. She develops the algorithm for their drones to recognize threats, but when two of those drones kills a group of children, things get messy.

Other authors include Christopher Barzak, Armand Rosamilia, Jennifer Loring, Kelli Owen, Jonathan Cosgrove, Steven Pirie, Dino Parenti, Todd Keilsing, and Carina Bissett, all of whom contributed powerful stories. Yardley did an excellent job selecting stories that resonate with the reader, despite not having a theme behind them. I also didn’t find myself questioning character motivations or wondering why a story was included. Yardley has a good eye for horror, and I hope she continues as an editor as well as a writer. Highly recommended.

Contains: domestic violence, implied child abuse, discussion of prostitution, murder of a child, PTSD, suicide

 

Reviewed by Lizzy Walker

Book Review: The Twisted Book of Shadows edited by Christopher Golden and James A. Moore

The Twisted Book of Shadows edited by Christopher Golden and James A. Moore

Twisted Publishing, 2019

ISBN-13: 978-1949140156

Available: Hardcover, paperback, Kindle edition

 

Christopher Golden and James A. Moore, inspired to create a diverse and varied horror anthology, teamed up with Haverhill House’s Twisted Publishing imprint to create a collection that did not include the heavy hitters of horror. They wanted to highlight stories by new authors, and give as many authors as possible a fair chance. They also wanted to be able to pay the authors more than a pittance. To that end, the editors created a GoFundMe crowdfunding project in October 2016, asked for submissions, and required a blind submission process. Out of the 700 stories they received, 19 were selected, also by a unique and diverse editorial committee, for the anthology. I noticed that ten, over half, of the stories are written by women.

In Melissa Swensen’s “The Pale Mouth”, the world must remain vigilant in constant lighting, and no shadow may be permitted indoors or out. Layla, as the Primary of her household, has responsibilities in taking care of the home. Every lightbulb is monitored and has a life counter. If any light is found to be out or defective, it is her fault. But the darkness is so tempting.

“Cake” by M.M. De Voe tells the story of a frazzled mother in second-person perspective. You can’t seem to get your spouse to help keep an eye on the children, and your beautiful toddler daughter has a knack for obtaining sharp objects. Surely, your two sons are to blame. Who could accuse that perfect blonde child who can’t even reach the counter of doing such a thing as getting the butcher knife, or getting a hold of the sharp cleaver, or locking the front door with you on the other side?

Eóin Murphy’s “The Birthing Pool” gives us a tale of Lovecraftian folk horror. A couple is expecting their firstborn child. Jim takes Sarah to the small fishing community of Danog to see his Aunt Sylvia for her final birth class. What happens is beyond Sarah’s comprehension. A town of cultists, ready to sacrifice their own firstborns at the birthing pool, is also ready to welcome Sarah’s sacrifice. However, Sarah isn’t one to back down, and Jim certainly deserves his comeuppance.

I have a soft spot for stories that include Alaska as a setting since it is my home state. In “Midnight Sun” by Andrew Bourelle, Alginak is the last of his people. Oil pipeline construction are destroying the land. He always seems to run into the same camp of white construction workers who don’t stop at the destruction of land, but also in killing the local wildlife, some of which he has befriended. Bourelle’s rich use of the Alaskan landscape is superb, and Alginak’s story is intense.

P.D. Cacek’s “Mirror, Mirror” centers on a mother’s obsession with watching over her terminally ill baby and her husband’s concern for her wellbeing. When he is finally able to convince her to rest, he makes a series of terrible mistakes.

That’s only a handful of the great stories in this anthology. I would like to see more collections curated in such a way where lesser known writers have the opportunity to publish their work. There are so many new voices, at least to me, in this volume that I want to continue reading. I do hope they all continue their craft. I’m glad to see that this has been nominated for a Stoker Award.

Highly recommended.

 

Reviewed by Lizzy Walker

Editor’s note: The Twisted Book of Shadows  is a nominee on the final ballot of this year’s Bram Stoker Awards in the category of Superior Achievment in an Anthology.

Short Fiction Review: “Mutter” by Jess Landry

“Mutter” by Jess Landry (in Fantastic Tales of Terror: History’s Dark Secrets edited by Eugene Johnson)

Crystal Lake Publishing, 2018

ISBN-13: 978-1644679685

Available: Paperback, Kindle edition

 

“Mutter” is the hands-down favorite of most reviewers in this star-filled anthology. They are dead on with this opinion, as the story is written with a fine style that draws attention to it from the first paragraph. In this Crystal Lake collection, authors retold major events in history, usually with a supernatural element, or at least a strong sense of horror. Many evoke the best of The Twilight Zone series, with takes on societal and historical notions that should be dealt with, yet are often swept under the rug. Landry does something special with her pair of characters, who board the Hindenburg, and ultimately have a role in how the zeppelin crashes on that fateful day. The characters make the horrific gears go, and her execution here is perfect. Hopefully, readers will be seeing a lot more of Landry’s work in the near future.

 

Reviewed by Dave Simms

 

Editor’s note: “Mutter” is a nominee on the final ballot of the 2018 Bram Stoker Award in the category of Superior Achievement in Short Fiction. Typically Monster Librarian does not review anything shorter than novella-length, but we are making an exception for the Stoker Awards.