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Book Review: Conquer (John Conquer Series, Book 1) by Edward M. Erdelac

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Conquer (John Conquer Series, Book 1) by Edward M. Erdelac

Independently published, 2020

ISBN: 9798579334848

Available : Paperback, Kindle edition

 

Harlem, 1976: an era of bad clothes, bad habits, and bad music.  From this scene emerges John Conquer, private investigator, and the baddest brother around.  How bad?  Well, “didn’t he kung-fu Frankenstein off the marquee at the Apollo, and bust him to pieces with John Henry’s hammer?  Didn’t he go fishin’ and catch the Creature from the Black Lagoon, and throw him back because he was too small!  He played ball with Dr. J in Rucker Park, and let him win!”  Conquer is a folk hero to Harlem, and his exploits have grown into legend among the locals.  These are his stories.

 

Conquer consists of seven short stories, three were previously published in Occult Detective Quarterly in 2017.  The stories are consistently entertaining, if a bit formulaic at the beginning of each story.  They usually start with Detective Lou Lazzaroni of the NYPD being assigned a case.  Lou realizes that the cases have a supernatural bent to them, and that’s where John Conquer steps in.  Although he’s a standard PI, Conquer also has a deep knowledge of voodoo, hoodoo, and all kinds of occult stuff, as he was partially raised in Louisiana, America’s capital of pagan weirdness.  It’s up to Conquer to solve the cases and save the day.

 

Author Erdelac has done a nice job writing a horror period piece: his portrayal of the late 1970s feels quite authentic, both in terms of setting (ox-blood leather coats, linoleum, lava lamps, etc.) and dialogue.  The dialogue feels very accurate with its terminology and phrasing, and does a good job transporting the reader back to another time in American history.  After Conquer is brought onto each case, the author shifts gears and shows a strong flair for creativity.  Readers might assume that voodoo automatically means zombies, but only one story actually has the undead.  Instead, Erdelac does a nice job cross-pollinating various African and Asian mythologies into the story.  Examples include a Slip-Skin Hag (or ‘boo hag’), a Popobawa (a bat-wing creature) and a monster based on Dahomeyan beliefs that defies easy categorization.  He did an excellent job researching these creatures for the book, but there are times when a little more explanation would have helped.  Unless you’ve read Wade Davis’s The Serpent and the Rainbow, terms like bokor, vodoun, veve, and Papa Legba are likely to sail over the heads of most readers, sending them scrambling for Wikipedia.

 

The stories are fast with no wasted time. Conquer dives right into the action, destroying villains with often-creative methods, such as cigarettes laced with sage for exorcising demons, and a pocket-coating powder that renders pickpockets immobile and subject to Conquer’s commands.  Part of the character’s appeal is that he doesn’t just blast away with his Colt Python, but often relies on his own magic methods to beat the baddies at their own game.  Special mention must be made of a fantastic secondary character, in the form of the ghost of a dead pimp that haunts Conquer’s car, and speaks to him through the radio.   This also allows Conquer to control the car through voice command, when the ghost agrees.  It’s like a bizarre 1970s version of the television show Knight Rider, and the back and forth squabbling provides unexpected and welcome hilarity.

 

Overall, Conquer is a welcome horror novel throwback to another era.  Let’s hope for more from Conquer and company in the future.  Recommended.

 

 

Contains:  violence, profanity

 

Reviewed by Murray Samuelson

Women in Horror Month: Drive, She Said: and Other Stories by Tracie McBride

cover art for Drive, She Said by Tracie McBride

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Drive, She Said and Other Stories by Tracie McBride

IFWG Publishing Australia, 2020

ISBN-13: 9781925956689

Available: Paperback, Kindle

 

This book contains eighteen short stories of horror and dark fantasy written by the author. The tales feature women as protagonists, doomed heroines, and villains. While all the stories in this collection are well executed and well written, a few of them stood out above the others for me.

 

The tale “Breaking Windows” treats possession as a virus transmitted somehow through sight. Treatment is an ocular prosthesis that are programmed with demonic spectrum detectors. Jess’ partner, Leo, opts to get them implanted and he does his best to persuade her to do the same. As the statistics look grimmer, and a pregnancy test comes out positive, Jess must make her choice.

 

In “Ugly”, Janine has a growth on her face that, after treatment, continues to grow…and grow…and grow. This story in particular has some gruesome body horror involved.

 

In “The Changing Tree”, Sten, Liath, and the other boys of age are counting the days until ‘Changing Day’. The priestesses who guard the Changing House don’t allow anyone in the grounds unless they are chosen. All that Sten knows is that the chosen walk in boys and walk out as women. All of the women of the village had the same origin. What unfolds is a touching story of the two friends as they grapple with the changes of identity, gender, and sexuality.

 

Lara and Maxine are sisters who share a dark secret in “Slither and Squeeze”. The story opens on a subway with Lara trying to calm down an old homeless man who is yelling about a snake, disrupting other passengers. After she gets him calmed down, the sisters have a conversation about what to do about the situation. He witnessed the Change, something the sisters can’t abide. However, they are at odds about what to do: kill him or leave him as his words are only the drivel of a deranged old man.

 

In “Life in Miniature”, Michael is picked up by a middle-aged woman, thinking this will be some kind of favours traded for a meal and a shower kind of thing, but discovers too late that she has a more specialized use for him. She has so many realistic dolls in the house, but they do not look quite right around the faces.

 

This is just a small offering that Tracie McBride offers in her book. She has a concise way of writing her short stories that did not leave me wanting more at the end. I don’t want to say she ties everything up nicely at the end. That does not quite fit. It’s more like she provides just enough in each tale for the reader to digest. I will definitely be picking up more of McBride’s work. Recommended.

Contains: blood, body horror, sex

 

Reviewed by Lizzy Walker

Book Review: The Best Horror of the Year, Volume 12, edited by Ellen Datlow

cover art for Best Horror of the Year, Volume 12 edited by Ellen Datlow   (   Bookshop.org | Amazon.com )

The Best Horror of the Year, Volume 12, edited by Ellen Datlow

Night Shade Books, 2020

ISBN: 9781597809733

Available: Paperback, Kindle edition

 

The Best Horror of the Year anthologizes short stories by a variety of writers, previously published during 2019, chosen by well-known editor Ellen Datlow. It is an almost even mix of excellent, decent, and forgettable stories: out of the 22 stories, seven are outstanding, seven are skippable, and the other eight are satisfactory, middle-of-the-road stories.

The majority of the stories are written from a first person point of view.  Of the stories written in the third person, many of them are written in the present tense.  This book is best suited for those who like variety, both in story ideas and writing style.  Readers who prefer third person narratives in the past tense may not find what they’re looking for, but everyone else will probably find something here to enjoy.  Let’s take a look at some of the best ones:

Scariest: “The Hope Chest” by Sarah Read and “The Puppet Motel” by Gemma Files are both winners that get genuinely creepy right towards the end.  The first one is a bizarre story of a dead grandmother returning (sort of) through a dress form.  The second is a wonderfully chilling story of a rental room that may have access to another dimension.  Like “The Hope Chest”, it piles on the scare factor at the end.  The best in the book for true fear is “My Name is Ellie” by Sam Rebelein.  It has the classic cabin in the woods, but this is beyond any other one you have read.  Little people, human sacrifices, body parts… they all contribute to the terror. This is the one to keep you awake at night when you hear the house creak.

Most Unusual: “I Say (I Say I Say)”  by Robert Shearman. Remember all the jokes you heard growing up concerning an Englishman, a Scotsman, and an Irishman?  This turns those joke personalities into actual people who live on a different plane of existence, and get summoned from time to time to perform the jokes we all know.   It’s not scary, but it’s very original, and very good.

Best Thrill Rides: “The Senior Girls Bayonet Drill Team” by Joe R. Lansdale and “The Butcher’s Table” by Nathan Ballingrud.  The first one makes a story out of the girls’ team’s bus ride to their next match, where the object is to kill the opposing team members with bayonets.  This is a nice portrayal of psychology where each game played may be the last, and puts a twist on the craziness of high school sports.  “The Butcher’s Table” is the longest story, and possibly the most overall fun.  Set in the 1800s, it concerns pirates escorting Satan worshippers across the Caribbean to the shores of Hell, where they plan to dine with Satan.  So silly that it’s great fun, and it’s nice to finally have a horror story with pirates, as they are a character type that is rarely used anymore.

Best Thriller and Chiller:  “Below” by Simon Bestwick.  This story about two young English lads who fall into a pseudo-town below the Earth’s crust brings out the claustrophobic feelings that films like The Descent tapped into so well.  The scare factor is there, but it’s also just flat-out exciting as the two boys race through the underground trying desperately to find an escape. This is possibly the most well-rounded story out of the collection.

The stories above probably make the book worth the price of admission, and there are still the eight perfectly reasonable stories not covered here to go with it.  It’s enough to overlook the seven stories that simply don’t cut it.  Editor Ellen Datlow also provides a detailed summary of the horror fiction genre and awards winners of 2019. The Best Horror of the Year, Volume 12 will be a good addition for most horror readers to add to their collection, and a good purchase for libraries wanting to keep current on the trends and authors at the top or rising to the top of the horror genre.

 

Contains:  violence, profanity

 

Reviewed by Murray Samuelson