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Book Review: More Deadly Than the Male: Masterpieces from the Queens of Horror edited by Graeme Davis

More Deadly Than the Male: Masterpieces from the Queens of Horror edited by Graeme Davis

Pegasus Books Ltd., 2019

ISBN-13: 9781643130118

Available: Hardcover, Kindle, audiobook, audio CD

Buy: Amazon.com

 

More Deadly Than the Male gives us 26 tales of terror written by women between 1830-1908. Some of my favorite Gothic and horror tales were written around this time period. Davis has selected some great stories in this anthology by well-known, and some not as well-known, women authors. In addition to select stories, Davis includes brief biographies with information about the authors’ lives and challenges they faced as women writers, and about the stories themselves. While I enjoyed all of the stories in More Deadly Than the Male, there are several that stand out. Some of my favorite tales include the following.

 

The volume opens with Mary Shelley’s “The Transformation,” in which Guido, seeking revenge, makes a deal with a monstrous being to trade bodies. What will become of the man trapped in a monster’s body?

 

In “Lost in a Pyramid, or the Mummy’s Curse” by Louisa May Alcott, Evelyn begs Forsyth to tell her how he came to be in possession of an ancient and strange gold box. He tells a tale of exploration, colonization, greed, hubris, and the mummy of an ancient sorceress and mysterious seeds found in the box.

 

Edith Nesbit’s “The Mass for the Dead” is a haunting story about a couple who change their history because of a vision. Jasper mourns that the woman he loves, Kate, is to marry someone else. When she reveals she is not marrying for love, but for wealth, he still insists that she should break her engagement. Out of familial obligation, she refuses to end the engagement in order to help her father with his finances. When she shares her vision of a mass for the dead with Jasper, they believe it to be a sign of her impending marriage. Later, when he reveals his own vision to Kate, they find they may have misinterpreted the vision entirely.

 

“The Vacant Lot” by Mary E. Wilkins-Freeman is a lovely ghost story. The Townsend family has decided to move to Boston, and the man of the house has purchased a home for a more than reasonable cost, originally $25,000 for a mere $5,000. The family wonders what the catch is with such a low dollar amount. After a month goes by, they find out. There are strange happenings in the vacant lot next door, and shadows moving about with nobody to cast them.

 

Other authors include Charlotte Perkins Gilman, Mary Austen, Elizabeth Gaskell, Edith Wharton, Eliza Lynn Linton, Margaret Oliphant, Vernon Lee, Mary Louisa Molesworth, Ada Travenion, Edith Wharton, and more.

 

It’s not new or controversial to say that horror is subjective. When we read the Gothic or older horror tales of the past, we may not be frightened, we may not get the spine tingles we are looking for or may scoff at the fainting or other what we would deem as “quaint behaviors” of the heroines. Descriptions tend to be much longer and go too far for modern audiences. I, for one, love Gothic and older horror stories, thanks to my late grandmother Phyllis, so these early stories were great to read. I just recently heard about a subgenre called “cozy horror,” and I believe these would qualify. Also, not only would this be a good addition to a Gothic fiction collection, but it would also be an interesting addition to a Gothic novels course.

 

Highly recommended

Reviewed by Lizzy Walker

 

Book Review: Welcome to the Splatter Club, Vol. 1, edited by K. Trap Jones

Welcome to the Splatter Club, Vol. 1, by various authors, edited by K. Trap Jones

Blood Bound Publishing, 2020

ISBN: 9781940250434

Available: Paperback, Kindle edition  ( Amazon.com )

 

The main thing Welcome to the Splatter Club has in common with its sequel (Welcome to the Splatter Club, Vol. 2, previously reviewed here) is the high level of originality.  The thirteen stories are quite loopy, and are all over the place for plotlines.  However, it is an uneven collection: as good as the ideas are, a number of the stories don’t have enough bang and pop to keep the reader interested and the pages flipping at a quick speed.  The first half of the book is clearly the better half. The best stories include:

 

“23 to 46”: the most original, the most entertaining, and also the funniest.  The sperm housed in Matt’s balls suddenly start talking to him, and make his life impossible for the rest of the story.  They are mad he isn’t reproducing, and Matt has no interest in kids.  This is a hilarious romp that gives new meaning to the term ‘body politics.’

 

“The Woman in the Ditch”: A rural area legend, the blond woman only appears swimming in the ditch alongside country roads when there is enough rain, and of course it only happens in certain years.  What does she want?  Go to her and find out…but it may not be what you desire.  This could almost be a dark version of a Disney fairy tale.  

 

“Code Black”: Tired of juveniles committing heinous crimes and getting away with them due to an overly liberal justice system?  So are the people of Trapper Valley, especially when a kid unleashes a monster from the Abyss.  However, this town has Code Black…which will do what the justice system won’t.  

 

“Dickey Dykstra”: Ever wanted to beat the tar out of your boss, just because he’s a total jackass?  So does a certain employee, but his boss, the aforementioned Dickey, has problems WAY bigger than being a dick at work.  Let’s just say they involve hobbyhorses, and prepare yourself for the unexpected.  When Dickey’s secret comes to light, he makes Leatherface seem like a normal, well-adjusted human being.

 

“The Big Bad Boy”: We all know that Twinkies, Snowballs, and Ho-Hos are never going to be found in the FDA’s food pyramid for a balanced diet, but what happens when they really will kill you?  One poor convenience store clerk is going to find out.

 

There are a few other good ones, but there’s also a chunk of stories that just don’t quite do it.  When it’s good, it’s quite good, but the lackluster ones are frustrating.  If you’re on the fence about buying this, just go for Vol. 2 in the series instead, which is a “can’t miss” collection of stories.

 

Reviewed by Murray Samuelson

 

 

 

Into the Forest: Tales of the Baba Yaga edited by Lindy Ryan with a foreword by Christina Henry

Cover art for Into the Forest; Tales of the Baba Yaga edited by Lindy Ryan

Into the Forest: Tales of the Baba Yaga with a foreword by Christina Henry, edited by Lindy Ryan

Black Spot Books, 2022

ISBN-13 ‎978-1645481232

Available: Paperback, Kindle edition, audiobook, audio CD  Bookshop.orgAmazon.com )

 

This anthology collects stories inspired by the Slavic folk character Baba Yaga, a child-eating witch with iron teeth who lives deep in the woods in a house with chicken feet, rides in a mortar and pestle, and can either help or hurt visitors, especially women, for a price, and depending on her whim. All the stories are by women writers of horror.

 

Standout pieces include Stephanie M. Wytovich’s vivid poem “Dinner Plans with Baba Yaga”; Gwendolyn Kiste’s “Last Tour into the Hungering Moonlight”, a real estate pitch that draws neighborhood women into the woods; Sara Tantlinger’s “Of Moonlight and Moss”, a fairytale that isn’t; “Wormwood” by Lindz MacLeod, and “Flood Zone” by Donna Lynch, both with the witch as justice-bringer, in very different ways; “Sugar and Spice and the Old Witch’s Price” is a dread-inducing counterpart to Kiste’s earlier story; “Herald the Knight” by Mercedes M. Yardley is Baba Yaga’s love story; Jill Baguchinsky’s “All Bitterness Burned Away” is an interesting reversal of Hansel and Gretel; “A Trail of Feathers, A Trail of Blood” by Stephanie M. Wytovich is a heartbreaking story that explores the true meaning of sacrifice; “Baba Yaga Learns to Shave, Gets Her Period, and Comes Into Her Own” by Jess Hagemann reflects the teenage girl’s experience of being trained to conform;  EV Knight’s memorable and powerful “Stork Bites”, in which Roe vs Wade has been dismantled, leaving an unusual method of illegal abortion, with disturbing consequences, as the only resort for ending a pregnancy; “Where The Horizon Meets the Sky” by R.J. Joseph is a sort of “Monkey’s Paw” tale; the vivid and gruesome “Maw Maw Yaga and the Hunter” by Alexandrea Weis; and the descriptive, poetic stories “Baba Yaga in Repose” by Heather Miller and “Shadow and Branch, Ghost Fruit Among The Lullabies” by Saba Syed Razvi.

There is a lot of variety in approach and interpretation. If you have an interest in Baba Yaga, witches, folklore, or supporting women writers, this is a collection to enjoy. Recommended.

 

Reviewed by Kirsten Kowalewski