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Book Review: The Devil and the Dark Water by Stuart Turton

cover art for The Devil and the Dark Water by Stuart Turton

(  Bookshop.org )

The Devil and the Dark Water by Stuart Turton

Sourcebooks, 2020

ISBN-13 : 978-1728206028

Available: Hardcover, paperback

 

Stuart Turton probably wouldn’t describe his books as horror, but they are compelling, original, and dread-inducing. In a departure from the surreal Agatha Christie-like The 7 1/2 Lives of Evelyn Hardcastle, in The Devil and the Dark Sea, this story takes place in 1634, on a ship leaving from Batavia (now Jakarta, Indonesia), the center of the Dutch East Indian Trading Company, for Amsterdam, home of the company’s headquarters, a journey of about eight months during which many ships were lost as sea. Readers expecting accurate historical fiction will not find it here: in a note, Turton essentially says he did the research, but threw it out the window if he found it wouldn’t work with his story. By changing as much as he did, he’s basically written an alternate history, which would be fine except that he never identifies it as such, which is unfair to readers unfamiliar with the setting, who will think it’s solidly grounded in the historical period (I guess once someone calls your work genre-bending it’s hard to commit).

 

Passengers on the Saardam include Jan Haan, the ambitious governor general of Batavia; his wife, Sara Wessell; and their inventive daughter, Lia; his mistress, Creesjie Jens, and her sons; his chamberlain, Cornelius Vos; and guard captain Jacobi Drecht.  Also traveling on the ship is Sammy Pipps, a Sherlock-type detective and alchemist of unknown origin who has been accused of spying, and his bodyguard/case recorder, former Lieutenant Arent Hayes. Before the ship leaves, a leper warns the passengers not to leave, warning that the devil “Old Tom” will be their downfall, but the governor general is insistent on leaving for Amsterdam immediately. Complicating things by bringing religion into the mix on a ship where passengers and crew are already uneasy and superstitious, a predikant, or preacher, and his acolyte Isabel, stow away on the ship as well.

 

Just as the ship sets off, the sail is unfurled to show a symbol that Creesje, the predikant, Arent, and one of the sailors individually recognize and associate with Old Tom. Is the devil really on the ship with the passengers and sailors, are they imagining things, or is someone playing with the characters’ fears in hopes of personal gain? The predikant, a former witch hunter, claims they’ll know for sure once three unholy miracles have occurred. As the ship gets further out onto the open ocean, the unholy miracles are identified, and the weather worsens, the onboard situation gets more violent and treacherous, and it becomes clear that, real or not, Old Tom has followers among the crew. As the histories of the characters and plot twists are unraveled, and the deaths stack up, the situation becomes even more unnerving. Is the ship haunted by Old Tom, or is something else going on?

 

Turton does a fantastic job of creating a sense of mystery and dread. There is no escape from the ship out on the ocean, just people, most of whom don’t like or trust each other, adrift after a storm. Turton admits he took liberties with history for the purpose of the story, so I don’t know if sailors truly lived continually in such brutal, violent environments, but he paints a vivid picture of the dynamics. Characters who could have been one-dimensional were fully developed: Arent turns out to be the governor general’s nephew, and while Haan might have been terrible to his wife and underlings,  he clearly cherishes his relationship with Arent. Haan’s wife Sara could have been set up in opposition to his mistress, but they turn out to be close friends. Sammy and Arent, for all their similarities to Holmes and Watson, are completely different in body type, personality, background, and overarching motivation. I found the very ending unneccessarily brutal, unrealistic and extremely disappointing, and felt it marred the story in a big way,  but I felt the atmosphere, character development, and descriptive language still made this worth reading.

 

The Devil in the Dark Water reveals some very dark aspects of overseas trade and the participants in it during the 1600s. No one comes away untainted. Despite the faulty ending, it’s a tale I won’t soon forget, and I would certainly give Turton another chance.

Contains: violence, gore, murder, implied rape, brutal killing of animals, body horror, mass murder

 

Reviewed by Kirsten Kowalewski

 

 

Musings: The Adventure of the Peculiar Protocols: Adapted from the Journals of John H. Watson, M.D. by Nicholas Meyer

The Adventure of the Peculiar Protocols: Adapted from the Journals of John H. Watson, M.D.

Minotaur Books, 2019

ISBN-13: 978-1250228956

Available: Pre-order, hardcover, Kindle edition, audiobook, audio CD

 

I’m not sure what genre exactly this book fits. As a Sherlock Holmes pastiche, it by rights should be in the mystery genre. It is solidly grounded in history, although the author notes that not all the dates fit. It might be considered political fiction. But while I wouldn’t call it horror, for me, it was disturbing and terrifying. The plot concerns what is probably the last case Meyer will write for Holmes (he’s written several, starting with the brilliant The Seven-Per-Cent Solution), and begins in 1905, with Sherlock’s older brother, Mycroft, who works for the Foreign Service, approaching him to ask him to determine the authenticity of a document that a woman died to get her hands on. The document? A French translation of what is known today as The Protocols of the Elders of Zion, an anti-semitic screed that claims that there is a secret cabal of Jews meeting regularly and trying to take over the world. The first version of this document was published in the years just before the story takes place, and in the novel, its origins and authenticity are unknown.

On a personal level, I cannot even begin to tell you how it made me feel to read of fictional characters I have known and loved since I was a teenager discuss whether this could be authentic. (spoilers start here) Of course, Sherlock quickly deduces that it is a fraud (because it makes no logical sense that a secret cabal would announce itself) but Mycroft informs him that in fact Jews have been meeting yearly in Basel, Switzerland (this is the Zionist Congress, spearheaded by Theodor Herzl, which is working towards establishing a Jewish homeland in Palestine). Could this be related?

Zionism and the historical foundation and location of Israel in Palestine are touchy subjects and Meyer handles them well, sending Holmes and Watson to interview a number of Jews in England who have differing viewpoints, who include Chaim Weizmann, the future first president of Israel, and writer Israel Zangwill, who favors assimilation. Continued discussions between Holmes and Watson, and Watson’s own musings, on the authenticity of the document and the likelihood that Jews might actually be involved in some kind of conspiracy, were enough to make my stomach ache even though they were in agreement before long that the document was a fraud intended to stir people to anti-semitic acts, and well before the friends traveled to Russia to root out the truth firsthand. On reading a passage by Mark Twain, which presumably is supposed to be complimentary, Watson realizes it could be read the opposite way as well, and notes:

Having seen portions of the Protocols, a dark corner of my mind found itself wondering if the Jews were as noble and noteworthy as Twain described them. I confess I have never given Jews much thought… But now, in the stillness of the night… I was mortified to find myself wondering if, despite all logic and probability, there might not be some grain of truth in the Protocols… The scurrilous pages had already begun their insidious work, tunnelling their way into my poor, addled brain.

Of course, history tells us that Holmes and Watson, despite their thrilling and mind-altering adventure here, failed to keep the lies from spreading. It’s quite clear from the author’s repeated statements about lies being accepted as facts and people believing what is most comfortable to believe, especially when they need a scapegoat, that his story has been significantly shaped by the current presidential administration. As a reviewer, I think this made a considerable difference on how Holmesian the story actually was. Holmes rarely made the kinds of deductions he typically does in his stories, or referred to his expertise: he was much more emotional and less creatively resourceful. Watson, of course, is Watson, the faithful chronicler, but he also interjects himself into the narrative more frequently.  The long separation between the two left the relationship somewhat rusty as well.  While still grounded in Holmes’ world, it almost feels like this is less a story of Holmes and Watson and more a warning for us, the readers now…. certainly, a timely one. Meyer is a brilliant writer for carrying the story off. Here, Sherlock discovers, the world is smaller than he thought, and the political is very personal.

I think Meyer’s choice to focus on The Protocols of the Elders of Zion was interesting and unusual, and he brought some mostly unknown history and historical figures to light for many readers (I really loved how grounded in history and how vivid and real the setting and historical characters were). But while I recognize the need for the discussions of the possibility that this was an authentic document, I worry that, as with Watson’s thoughts following his experience with the Protocols, readers will instead take the opposite message away from the book.

Contains: references to murder and rape,  threats of violence, anti-semitic remarks.

Graphic Novel Review: A Study in Emerald by Neil Gaiman, art by Rafael Albuquerque

A Study in Emerald by Neil Gaiman, art by Rafael Albuquerque

Dark Horse, 2018

ISBN: 978-1-50670-393-0

Available: Hardcover, Kindle edition, comiXology edition

A Study in Emerald is a Lovecraftian/Doyle mystery featuring a brilliant detective and his partner as they try to solve a murder. The investigation follows the investigators, named only as the Detective and the Major, from the Whitechapel slums to Queen Victoria’s palace as they attempt to find the killer of a member of the blood royal. The story follows almost all of the same plot points as the original Holmes story, A Study in Scarlet. There are numerous twists and turns in Gaiman’s story from the moment the Major approaches the front door of the Baker Street residence. It also becomes clear that this world is one where the Great Old Ones have prevailed. Cultists are in power, as are the entities themselves. The royals, after all, bleed green. This graphic novel was adapted from Gaiman’s short story of the same title: http://www.neilgaiman.com/mediafiles/exclusive/shortstories/emerald.pdf.

Readers who enjoy Holmes crossovers with a dash of Lovecraftian horror should pick this up, as well as read the original source material. The story is unique in several respects, especially regarding a few of the big reveals that happen through the investigation. I think the only disappointment I have in this volume is that it ended so quickly. I would have loved to have read more. Albuquerque’s beautiful, rich illustrations are the perfect accompaniment to Gaiman’s tale of a great detective and his companion searching for a killer in an alternate Victorian setting.

Recommended.

Reviewed by Lizzy Walker