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The Witching Hour @ Your Library

What with vampires, monsters, and ghosts taking center stage, it’s really kind of amazing how much there is out there on witches! For those of a witchy bent, here’s a brew of fictional witches of all kinds. Some of them are good witches, some are bad and even evil, and some fall somewhere in-between. Got someone looking for a spellbinding reading or movie-watching experience? Here are some suggestions. Note, these are all over the map, so take care before making your recommendation.

    The Witching Hour is the first book in the Mayfair Witches series. Sure, it’s long, and it has a gigantic, annoying expository chunk in the middle, but I still find the story addictive and, well, bewitching. Par for the course with Anne Rice, in the next books (Lasher and Taltos) the story gets pretty twisted. But for gothic and erotic supernatural horror, it’s a slam-dunk.

 

 It’s impossible to write about witches without at least a mention of  Shakespeare’s literary creations, as they toil and trouble, making predictions that can lead only to disaster. Just as with The Crucible, the play-that-shall-not-be-named has been made into a movie– actually, more than once. The most recent production stars Patrick Stewart (formerly known as Captain Picard of the Starship Enterprise) who is a brilliant Shakespearean actor and only gets better as time passes. If you really want to make required reading of this play a killer experience, there’s no better way than with a live (or filmed, anyway) performance, right at Halloween.

 

        The ultimate American fairytale is The Wonderful Wizard of Oz, and from the book, and especially the movie, come some of our most memorable depictions of witches. Who can forget the evil, green skinned, hook-nosed Wicked Witch of the West, in her black dress and pointy hat? When most of us picture witches today, or go shopping for that evil witch costume (as opposed to the sexy witch costume) her face is the one that comes to mind. The recent but mostly forgettable Oz movie spectacular did kick that look up a notch, giving the wicked witch green claws and a truly hideous expression, and was probably the most memorable part of the entire film. Taking a different perspective, Gregory Maguire penned Wicked, a novel sympathetic to the Wicked Witch’s point of view and life. Wicked has a sequel, Son of a Witch, and also spun off a Broadway musical, complete with soundtrack. Seek them out and put them togethe with some of the gorgeous new editions of The Wonderful Wizard of Oz, and you’ve got a great-looking display that will attract library users of all ages. 

 

 I’ve just discovered Kim Harrison’s Rachel Morgan books and am really enjoying them. It’s not so much that I like Rachel, but she really shows ingenuity in getting out of some crazy scrapes, and she makes friends and allies in the oddest places. Rachel, a witch, lives in Cincinnati in an alternate world where paranormal creatures have “outed” themselves and live in a separate area of the city called The Hollows, with a legal structure parallel to the human legal system. Naturally this leaves a lot of room for chaos, much of which centers on Rachel and her supernatural business partners, who are a hoot, when they’re not being dangerously lethal. Readers who are looking for a fix after finishing the Southern Vampire Mysteries might very well enjoy Kim Harrison. 

 

      Buffy the Vampire Slayer and Charmed are both great television series that had witches as either main or important secondary characters. One character arc follows Willow (one of Buffy’s two closest friends, for the uninitiated) as she grows as a witch, becomes addicted to magic, and overcomes her addiction. Season Six is the season that, while she grieves over her great love’s senseless death, she dives deeply into the black arts to seek vengeance. While not all fans of the show appreciate this season, it’s a very powerful and heart-wrenching television watching experience. Charmed follows the lives and decisions of three adult sisters who discover that they are witches and must work together to defeat evil wizards and demons. There’s no debate over whether these are good witches or bad witches, but their choices aren’t always so black and white. It’s a fun little show, but not one where you can expect chills and thrills. 

 

     The Witches of Eastwick and Practical Magic are both adaptations of literary works. The Witches of Eastwick is based on a novel of the same name by John Updike, and Practical Magic is based on a novel of the same name by Alice Hoffman.The movie of The Witches of Eastwick has a fantastic cast, with Jack Nicholson playing the devil and Susan Sarandon, Cher, and Michelle Pfeiffer playing three very bored women stuck in a small New England town, who are ready to rock and roll. Dramatic, sexy, and funny, it’s a wild ride. Completely opposite in nature,  Practical Magic is the story of two sisters who are also witches, with an unfortunate family curse that leads any man they fall in love with to an untimely death. This is a gentle, magical, and well-acted movie that definitely does not fall into the category of horror, and could be watched not only during the Halloween season but at any time of year.  Those who like Practical Magic might also like the novel The Weird Sisters

 

    There’s just something claustrophobic about small towns, whether they’re isolated in the mountains or gated communities.  Once you’re in, it’s hard to escape the supernatural… or the neighbors. That’s what happens in both Chris Bohjalian’s The Night Strangers and Susie Moloney’s Thirteen. In Bohjalian’s novel, a guilt-ridden pilot moves his family into a mountain village only to find that the unfinished basement is haunted by the deceased passengers of the plane he crashed. In addition to his personal ghosts, though, there are hidden dangers to his family from members of the local community as well. In Moloney’s book, the adult daughter of a woman who has recently died returns to settle the estate, only to find herself entangled in the lives of the people living in the suburb in which she grew up– a place where there seem to have been an unusual number of “accidental” deaths, and finds her beliefs tested by the people around her. Where are the witches in an isolated area, when a stranger moves in? Why, they’re all around you.

 

       So now let’s talk movies. The Craft is a mildly scary movie targeted at teens, with four misfit girls discovering they have supernatural powers and one of them deciding to use them for evil purposes. It has Neve Campbell and Fairuza Balk, and probably would appeal to fans of Charmed.  Hocus Pocus is about three witches resurrected by a teenager who spend most of their current Halloween also trying to capture children’s souls. While that sounds positively horrific, the child-chasing witches are played by Bette Midler, Kathy Najimy, and Sarah Jessica Parker, so it’s entertaining as well. This might be a little much for younger children, but the comedy and horror balance out nicely to make this one work as a good Halloween movie for families with older children.

 

               On to scarier stuff. These you won’t want to watch with the faint of heart or queasy of stomach. The Blair Witch Project, is, well, the Blair Witch Project, a movie that’s well-known by now. Supposedly an actual film taken by college students on a trip through the woods as they explore the legend of the Blair Witch, it’s shaky looking and the camera is unreliable as a storyteller, making it incredibly creepy. I don’t know how scary people find it today, but it had me shaking in my seat when I first saw it in the theater. The last movie, Suspiria, is about an American dancer who arrives at her new ballet school to find that it houses a coven. Suspiria is an Italian horror film by filmmaker Dario Argento, who is not well-known here but is considered a master in horror filmmaking. It is extremely vicious, violent, and gory, with a creepy soundtrack, unsettling atmosphere, bizarre colors influencing the set, and disturbing camerawork. In other words, if you have someone looking for an average, mainstream movie, this is not the ticket. But if you have a hardcore horror fan walk in looking for something different, this is it. 

Really, there’s a witch for everyone, be it from fantasy, paranormal fiction, comedy, children’s books, non-fiction, or horror in its various permutations (and you can see from this list that there are a lot of those). Have a great time connecting readers and viewers with the right witchy title for the Halloween season, or, really, at any time of year!

              

 

 


 


 

The H-Word. Part 3

And now… The tipping point for me. The article that made me want to shake somebody at the Wall Street Journal. Did you know this summer is…

 

THE SEASON OF THE SUPERNATURAL!

 

Yep.  “Real” authors are now coming out of the closet. The genre fiction my creative writing professor, Clint McCown, banned us from writing in his class because it wasn’t “real” or “literary” is suddenly okay.  Except, wait! Let’s not call it horror fiction when literary writer Glen Duncan writes about a werewolf with “a lusty appetite for human flesh”.  Nope- it’s “a high concept literary novel.”  It just HAPPENS to have a man-eating werewolf as the narrator.  Hmm… How can the literary establishment avoid the stigma of writing genre books? Certainly, those books, populated with werewolves, zombies, ghosts, and vampires, couldn’t possibly be horror fiction. Of course not. It’s “supernatural literary fiction”. I’d like to thank Glen Duncan’s publicist for taking the time to offer us here at MonsterLibrarian.com, a horror fiction review site, a review copy of The Last Werewolf.

The Wall Street Journal did briefly acknowledge the horror genre, but none of the books in this article were mentioned as part of the horror genre. And, while I understand that different imprints have different audiences, I was appalled at Knopf’s attitude that “we don’t do those kinds of books”.  It’s so disrespectful to readers’ preferences, and readers are the lifeblood of any publishing house.  The author of the Journal’s article tried to justify the popularity of these titles by counting Homer, Shakespeare, Dante and Milton as writers in the literary tradition who tossed gods, monsters, and the undead into the mix, but those guys cared about telling a story, not whether it was “literary”.

And that’s why my five year old is begging me to tell him about Odysseus and the Cyclops for the billionth time, and preparing for the zombie apocalypse (in spite of my attempts to protect him from all things zombie). The stories and the monsters are just that good. There’s no reason to be afraid of the H-word. There are a LOT of good storytellers out there. Even if they write “those books”, that’s no reason to write them off, or treat their readers with contempt.

Look, the horror community is not as organized as the romance community. RWA has hard data on sales and on who their readers are.  Writers in the horror genre don’t. And it would be hard to collect… are there ANY major publishers who publish horror since Leisure went by the wayside? But horror readers, writers, and books are here, and it’s foolish for publishers, mainstream authors, and book critics to write them off.  Horror fiction. Not “paranormal”, not “supernatural”, not, “thriller”, “science fiction”, “fantasy”, “dystopian” or “lowbrow”.(although it can be any of those things as well). It’s okay to read and write horror fiction with pride. No one should have to defend that choice.

No matter what anyone else doesn’t say.