science gone awry | Musings of the Monster Librarian

The Invisible Man @ your library

No, not Ralph Ellison’s Invisible Man. This one. I understand that it can get confusing. Certainly, the reviewers on Amazon seem confused.

Why yes, I do love this picture.

The Invisible Man is often overlooked, and he’s not only important culturally, but has morphed in some pretty cool ways (link). So I thought I’d shine a light on him, so to speak, and share some information, and some resources, about this unusual monster. Note, if you’re going to be making a homemade Halloween costume for an 8 year old boy who loves monsters, as I am, this is an easy one.

Every single one of the items pictured below is related in some way to the Invisible Man. Want to find out how?

What with Teen Read Week’s theme this year of “Seek the Unseen” it seems like the perfect time to give some visibility to a human monster often lost in the crowd: the Invisible Man. While the Invisible Man doesn’t have the iconic status of vampires, zombies, man-made creatures, and werewolves, he has, in his invisible way, insinuated himself into popular culture.

As with Frankenstein, The Phantom of the Opera, and Dr. Jekyll and Mr Hyde, the Invisible Man has literary origins, first appearing in a novella of the same name by the famed H.G. Wells. And as with Frankenstein and The Strange Case of Dr. Jekyll and Mr. Hyde, The Invisible Man is a cautionary tale about the perils of pride, in taking science just a step too far in the direction of a nightmare. In the novel, Griffin, a scientist who has discovered the secret of invisibility, and tested it on himself, arrives in a small town hoping to complete experiments that will allow him to reverse the process. Obsessed and ambitious even at the beginning, he becomes more and more detached from humanity and willing to commit destructive and amoral acts, until finally he is killed and becomes visible again. The novella was made into a Universal horror film in the 1930s, and since then he has been represented in a number of different ways: as an increasingly psychopathic and violent monster(in the League of Extraordinary Gentlemen, for instance); as a redemptive figure unrelated to the Wells novel except for possessing the power of invisibility(such as the one in the Sci-Fi channel series The Invisible Man); and as an entertaining member of ensemble-related monster movies such as Mad Monster Party and Hotel Transylvania. Queen even introduced him into the world of music with their song “The Invisible Man”. Yet, while he continues to resurface, it doesn’t seem to me that he is especially noticeable (par for the course, I suppose). Many of the tropes of invisibility that appear throughout popular culture (including Harry Potter’s Cloak of Invisibility) can be attributed to The Invisible Man, though, including tween and teen novels (a few are pictured above) and media (Out of Sight, Out of Mind is a favorite Buffy episode of mine) I will take a moment to note that the original movie has really awesome special effects– here’s a link— so this is also an opportunity to pull out books on that topic! As you prepare to seek the unknown for Teen Reed Week you might consider him, and ask teens to consider this: if you had the power of invisibility, what would you do? Where would you go? What kind of person would you want to be?

The Horror of Science Gone Awry

An article in The Guardian suggested that the absence of the supernatural monster from books generally considered horror fiction could be the end of the genre. I must respectfully disagree. While Becky Siegel Spratford, considered the expert on reader’s advisory in horror fiction, suggests that supernatural forces must be present for a book to be considered part of the horror genre, here at MonsterLibrarian we have always taken a broader view of what constitutes horror fiction (some would argue, I’m sure, that our definition is too broad). In fact, when we started out, with a much smaller number of genre divisions, one of the categories we had was “science gone awry”. It can be as terrifying as any supernatural creature, that’s for sure. We’ve since integrated the titles from that category into other subgenres, because it’s now such a common source of monstrosity. I confess that the books I remember as most terrifying from my own teenage years included not just Stephen King’s early works, but science fiction stories such as Asimov’s “Nightfall”, and medical thrillers, like Robin Cook’s Godplayer and Mutation. The natural world at its most frightening, and the dangerous obsessions of the mad scientist intent on altering, extending, or creating life–these are the stuff of terror, fear, and dread. And they have been for ages.

The advancement of science and the expansion of our world have changed us, and the source of our fears is now much more often the evil we do to each other and to the world around us, and how it rebounds to us. That’s not to say that we have abandoned our fears of attack from outside or supernatural forces, but mad science is hardly new to the horror genre. Critique of social, economic, and political issues isn’t new to the genre either, and the existence of that critique in a text doesn’t determine whether it’s horror–the emotional punch to the gut does that. Horror does not have to be, as the author of the Guardian’s article suggests, drawn from ancient fears and folktales, or from gothic novels. If it’s not somehow situated in the real, or at least the believable, then the fantastical elements are unlikely to succeed. In spite of the occasional moaning and groaning that horror is dead, it’s not. Like so many of the iconic monsters of the genre, as long as there are things to fear, it will rise. And, to answer the question the author poses of where we will find books that really scare us now… well, in a genre as broad as horror, there is a place for everyone to get their literary chills. And if you’d like some recommendations, we at MonsterLibrarian.com are happy to oblige.