Home » Posts tagged "science fiction" (Page 9)

Book Review: Exhalation: Stories by Ted Chiang

Exhalation: Stories by Ted Chiang

Alfred A. Knopf, 2019

ISBN 978-1-101-94788-3

Available: Hardcover, Kindle edition

 

The answers to some of the most intriguing questions about human thought and behavior are so complex that they have remained central to storytelling for hundreds of years. Ted Chiang’s Exhalation is a fascinating collection of science fiction short stories that raises many ideas related to these questions through thought-plots, reporter-narrators, and both ancient and modern elements of storytelling.

 

Chiang’s ability to spark the imagination and engage the reader in deep thought leads to entertainment of the highest order. The opening story, “The Merchant and the Alchemist’s Gate” is reminiscent of the Arabian Nights and tells overlapping tales of time travel that show the interconnectedness of people’s stories with a surprising twist on the definition of alchemy. The title story “Exhalation” and “Dacey’s Patent Automatic Nanny” focus on the human elements of robots and machines and what they share with their human creators. Readers are introduced to a robot society about to be extinguished as the narrator ponders the end of time and to the creator of a mechanical nanny who hopes to raise rational children by eliminating the emotional aspects of child rearing. “The Lifecycle of Software Objects,” the longest story, engages the reader in the lives of digital entities and their owners, including discussions about setting emotional boundaries for these “digients,” parental strategies for the owners, and determining digients’ maturity and readiness for certain experiences.

 

Two other stories show characters reflecting on the serious developments in life that have come about through technological innovation. “The Truth of Fact, The Truth of Feeling” considers the negative effects of assistive technology on people who have access to videos of their entire life. In a parallel plot line in the same story, a character from Tivland is being taught to write for the first time and struggles with the contrast between the culture’s prized oral tradition and their doubts about the quality and truth of written stories. “Anxiety Is the Dizziness of Freedom” takes a look at paraselves who can be contacted for a limited time through prisms and suggests the fallout that might occur if we see our lives lived out in other versions that might not conform to our picture of ourselves. The examination of truth in storytelling continues in “Omphalos” in which an archaeologist who examines the first creations of God, trees without rings and mummies without bellybuttons, defines science as a search for truth and purpose but develops doubts that lead to a crisis of faith. Finally, in “The Great Silence,” the narrator reflects on the divine as it manifests in sound or the loss of sound that is the extinction of a species. Interestingly, it is a parrot that points out the human process leading to greatness as a creative force originating in myths, imagination, and aspirations.

 

This collection of stories is so effective because it taps into what is familiar and applies it to what is unfamiliar, thus revealing the layers of thought which are at work in any human endeavor but particularly in those involving science and what Chiang calls the “technology of writing.” The stories are a goldmine of allusions to scientific, literary, and religious thought such that the more a reader can bring to them, the richer the experience of reading. By bringing the craftsmanship and truth that he writes about to his own storytelling, Ted Chiang creates a collection that deserves to be read more than once. Highly recommended

 

Reviewed by Nova Hadley

Editor’s note:  Exhalation: Stories was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Fiction Collection.

Book Review: Oware Mosaic by Nzondi

Oware Mosaic by Nzondi

Omnnium Gatherum, 2019

ISBN-13: 978-1949054163

Available: Paperback, Kindle edition

 

I am always excited to see Afrofuturist writing getting positive recognition, so I was really looking forward to reading Oware Mosaic.  The novel is set in Ghana in 2025, following worldwide natural disasters caused by climate change and a nuclear war leading to  a “Final Event” that created radioactive areas and caused mutations in the animals in Ghana.  Instead of cell phones and computers, people have neural implants that serve as communication, entertainment, and information searching devices. Seventeen-year-old Feeni is an “ennie”, an “enhanced human” who “gains sustenance from blood” but is not a vampire. Ennies are persecuted, killed, and trafficked by anti-ennie humans.  Feeni grew up in abusive foster homes, although she is now living with her own family, a close-knit group that can get crowded. Her escape is an immersive online game, House of Oware, where she plays the character of a forensic scientist. Real-life cases are sometimes assigned to her online character, and she finds herself investigating a hit-and-run she was responsible for and covered up.

Despite my really wanting to love this, there is a serious flaw in this book that made suspension of disbelief for this book impossible for me. The book is set in 2025 (it is not an alternate reality, as it references Obama’s election and the recent television show Uncle Grandpa,  among other things), and a majority of the characters have neural implants. There is absolutely no way so many people would have such a piece of technology surgically implanted in the next five years. Nzondi is inconsistent and sometimes unrealistic in the way he presents Feeni and the way she moves, dresses, and talks, and some of his cultural references are confusing. I enjoyed the interactions with family members and out in the community, which created a much-needed rounding out of the Ghanaian setting (and he did this really well), but it also slowed the story down, and it’s unclear where the plot is going. There is the germ of a good story in here but it needs much more work for that to emerge. Based on what I read, though, I don’t think I can recommend this as YA horror. Is this science fiction? Post-apocalyptic fiction? Crime fiction? A combination? If Nzondi decides to reshape the story, I will be interested to see how he does it.

 

Editor’s note:  Oware Mosaic was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.

 

Book Review: Eight Minutes, Thirty-Two Seconds by Peter Adam Salomon

Eight Minutes, Thirty-Two Seconds by Peter Adam Salomon

PseudoPalms Press, 2019

ISBN-13: 978-1093780673

Available: Paperback,  Kindle edition, audiobook

 

 

Eight Minutes, Thirty-Two Seconds has a fascinating concept, and turns out to be more relevant to our times than I’m sure the author expected. Taking place in the near future, I’d say this is more a sci-fi thriller than horror. Our protagonists are L and M, the only two occupants of a gigantic bunker on an Earth where all life appears to have been destroyed. Neither L or M have any memory of their lives prior to waking up in the bunker, and the parameters of the AI in charge are set to make it almost impossible to discover what happened and who they are. Their only escape is a drug that flatlines them for eight minutes and thirty-two seconds. During that time they “jump” into the minds of one of six gifted teenagers secretly working together on a complex, mysterious, and fatal project.  L and M are only able to get short glimpses, though, and have difficulty remembering what they’ve seen once they’ve been “brought back”. It takes an extended flatlining on M’s part, and rapid repeats of inducing her death on L’s part, to piece together the six teenagers’ terrifying plan and the consequences of its results.

While the idea is interesting, and puzzling the pieces together was enough to keep me reading, the lack of character development in this book is a serious flaw. Because L and M don’t have memories, and don’t seem to have much interest in even exploring much of the bunker, it is hard to get a sense of who they are and what they’re like. It’s unclear why they have to die repeatedly to learn about the past or why flatlining would specifically take them to random parts of these specific teens’ lives. Outside of all being genius-level intelligent, it’s also not really clear why these teens would choose to work together. While their leader is clearly alienated from humanity, others seem to have positive relationships, and their willingness to participate was confusing to me.  Although I ultimately found it to be unsatisfying,  I appreciated Salomon’s creativity,  and there were enough unexpected moments to keep me reading it all the way through in an afternoon.

 

Editor’s note:  Eight Minutes, Thirty-Two Seconds  was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.