Home » Posts tagged "science fiction" (Page 6)

Book Review: Neptune’s Reckoning by Robert J. Stava

Cover art for Neptune's Reckoning by Robert J. Stava

( Amazon.com )

 

Neptune’s Reckoning: A Montauk Horror Story, by Robert J. Stava

Severed Press, 2020

ISBN: 9781922323644

Available: paperback, Kindle

 

Neptune’s Reckoning is an undersea thriller to be reckoned with.  It’s a sleek, well-designed craft that cuts through the competition, hitting all the right peaks.  File this book in the category of “Books that should have been nominated for a Stoker Award”.  Peter Benchley will always be the master of ocean-themed horror, but author Stava comes pretty close to matching him with this book.

 

Reclusive historian William Vanek spends his days at home on Long Island, researching shipwrecks and naval history of little significance.  An old friend of his from Navy intelligence recruits Vanek, along with extreme photographer Danielle “Dan” Cheung and shipwreck specialist Arnaud Navarre, to look into the recent discovery of a missing World War II destroyer, the USS Exeter.  The story rolls out at a pace as smooth as glass, as the three of them are drawn into a web of mysterious killings at sea and government cover-ups.  The mystery deepens, as it becomes clear the destroyer was involved in some dangerous, high level research before it sank.  It’s up to the three of them to discover the truth about the Exeter, and put a stop to who (or what) is responsible for killing boaters in the Montauk area.

 

Neptune’s Reckoning is as good as it gets for a horror/thriller novel.  The pacing is perfect; it hits the bull’s-eye between breakneck speed and slow burn.  There’s a secondary story thread involving toxic waste dumping near the Exeter that adds another factor to the story, and is just as interesting as the primary story.  All the secondary characters are critical to keeping the story flowing: they are drawn perfectly and enter and exit the narrative at just the right time.  The eco-warriors and small-time criminals make excellent foils to the main story, and are as intriguing as the main characters.  The book also does a nice job splitting the story settings between land and sea.  Each section gets enough time, preventing the book from being one-dimensional.

 

It’s worth noting that if you haven’t seen Stranger Things, doing a bit of spot research on Camp Hero, Montauk, NY, and the conspiracy theories around them helps to lend a greater understanding of the book’s background.  The stories behind Montauk are not critical to following the book, but it does help.  There’s also a nice touch of sci-fi involving the entity inhabiting the waters around Montauk.  It isn’t just a shark or oversized squid tearing its victims to shreds, it is much more mysterious-and deadly.  The reader won’t get a total explanation for everything that happens at the end of the book, and that may be a bit frustrating for readers who prefer every plot thread to be explained in full.   Everyone else will love the smooth sailing that is Neptune’s Reckoning. 

 

This is one you can’t miss, and it should find a wide audience for horror and adventure readers alike.  It’s also tailor-made for the silver screen; let’s see if Hollywood picks it up.  Highly recommended.

 

Contains: violence, limited gore, profanity

 

Reviewed by Murray Samuelson

Book Review: It Came From: …The Stories and Novels Behind Classic Horror, Fantasy, and Science Fiction Films by Jim Nemeth and Bob Madison

cover art from It Came From... by Jim Nemeth and Bob Madison

(  Bookshop.org )

It Came From:  …The Stories and Novels Behind Classic Horror, Fantasy and Science Fiction Films by Jim Nemeth and Bob Madison

Midnight Marquee Press, Inc., 2020

ISBN-13: 9781644300916

Available: Paperback

In this book, critics Jim Nemeth and Bob Madison explore genre films and the written works that inspired their creation,  Each is presented in its own section, chronologically, and the written works that inspired them. While this book primaritly covered fantasy and science fiction films, this review will concentrate on the aspects of  the horror genre presented. The authors include information on the production of the films, as well as the differences between the texts and the movies. At times they also posit the view that the film may be better than the books, a controversial opinion among some audiences.

The author of the horror section introduction argues that horror is the most difficult genre to adapt because movies “that merely provides a book’s ‘Boo!’ moments are but empty shells, lacking the underlying background and context that frequently makes the literary piece the more satisfying experience” (p. 12). He then moves to his example of The Shining. While I do not necessarily agree completely with the author, he does make some interesting points. Films included in the horror section include The Body Snatcher, Invasion of the Body Snatchers, Night of the Demon, Psycho, The Day of the Triffids, and Don’t Look Now.

Two titles receive special treatment in that they each have a significant chapter devoted to them: Dracula and Frankenstein. The authors look at “several of the best, worst, and most popular of their cinematic incarnations” (p. 11). Dracula films covered range from Nosferatu (1922) to Bram Stoker’s Dracula  (1992), while the Frankenstein films range from the first film version of Frankenstein (1910) to Victor Frankenstein (2015).

My primary criticism of the book is focused more on the overall contents rather than specific chapters. The authors interject their own opinions into the chapters in a way that can be a bit heavy handed. For instance, when it comes to science fiction, one of the authors makes it abundantly clear that he does not like the gritty, darker, current sci-fi storylines. Additionally, while it seems that each chapter is written by an individual author, it is difficult to tell who wrote which one.

This could be a good resource for anyone interested in exploring the literature upon which genre films are based, as long as readers are aware that the authors’  strongly expressed opinions are interspersed throughout.

Recommended with reservations.

 

Reviewed by Lizzy Walker

Book Review: SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz

A note from the editor:

We are midway through October and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $195 we need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now, our review of SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz.

cover art for SLAY: Stories of the Vampire Noire

SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz (   Bookshop.org  | Amazon.com )

Mocha Memoirs Press, 2020

ISBN-13 : 978-1735219554

Available: Hardcover, paperback, Kindle edition

 

The late L.A. Banks’ Vampire Huntress series, and her ability to transform common tropes of vampire fiction into stories that reflected the African-American experience, inspired many of the authors in SLAY: Stories of the Vampire Noire. Anthology editor Nicole Givens Kurtz continues that tradition here by showcasing Black writers and their imaginings of vampires, slayers, and hunters through their stories, giving Black readers the opportunity to be seen in vampire fiction that takes on the standard Eurocentric tropes and transforms them in a way that is uniquely relevant to Black people and also provides a window for other readers into what they have been missing because of the limited perspective of most vampire fiction. The stories come from all over the African diaspora, but the majority of them are by authors from the United States and Britain. Authors take various approaches to the concept of vampirism, inspired by Black culture, mythologies, history, and experiences, but there is nothing boring here. Interspersed between stories are beautifully calligraphed obituaries.

In the section of stories from the United States and Britain, strong stories include “Dessicant”, by Craig Laurance Gidney, takes place in a badly-kept up low-income apartment building that has red dust in the vents that is making its occupants sick and draining them of fluids. The negligent landlord can’t be reached and the protagonist, a Black trans woman ostracized by other residents, has to find a way to combat the dust, or whatever it is, on her own. “The Retiree”, by Steven Van Patten, is a funny, heartbreaking story that will give readers a new perspective on what goes on in a retirement home In “The Dance”,  by L. Marie Wood, the protagonist is surprised to learn there is more to her sexuality than she realized. In “A Clink of Crystal Glasses Heard”, by LH Moore, Neeka and her friends have a coming-of-age ceremony planned by their mothers that is not what they expected. “Diary of a Mad Black Vampire”,  by Dicey Grenor, puts the reader in the head of a bored, lonely and vicious Black vampire who finds herself intrigued by a fragile-seeming albino white girl. “The Last Vampire Huntress”, by Alicia McCalla, remixes the story of Kendra the Vampire Slayer, with Kendra the reluctant, prophesied, last vampire huntress who must accept her destiny and kill her vampire boyfriend after he attacks her friends. “Unfleamed”, by Penelope Flynn, tackles race and violence in the Victorian era with its take on the Dracula story. “Di Conjuring Nectar of di Blood” , by Kai Leakes, is a gorgeously written historical story of love and generational trauma. In “Snake Hill Blues”, set in 1927,  conjure woman Mamma Lucy eliminates a vampire who has been preying on dancing girls. I hope this author will bring her back in other stories!

The stories from African authors are also strong.  A few that stuck out to me included Oghenechovwe Donald Ekpeki’s “Attack on University of Lagos Law Faculty”, an entertaining story narrated by a pompous, egotistical law student who finds himself in the surprising position of vampire slayer, and “His Destroyer”, by Samantha Bryant, is a powerful rendering of the Passover story from the point of view of  the avatar of the Angel of Death. “Quadrille” is an engaging and occasionally darkly humorous story about friendship narrated by a vampire who has become a reporter in conflict zones in order to cover up his feeding habits, abetted by a djinn and a shapeshifter.

A last section contains stories about the future. These stories aren’t really horror, but they are compelling. In “Bloodline” scientists make a terrible mistake, enhancing a vampire’s powers.  “Message in a Vessel” is a science fiction story about the consequences of human enslavement to vampires, and “Blood Saviors” is a more fantasy-oriented tale in which an investigator for the vampires’ council discovers that a vampire has been enslaving and draining earth elementals to make a rejuvenating serum for humans, whose blood has become polluted, leading to vampires getting sick.

This is a great collection overall, with fresh takes on vampire lore that I really haven’t seen elsewhere, informed by Black experiences and perspectives. There’s enough here to love that it has taken me much longer than I expected to write this review. If you love vampire fiction or horror anthologies, and want to support Black authors, publishers, and readers of horror you should definitely pick this up. It’s a great way to discover some really talented Black writers, if you haven’t already. Highly recommended.

Contains: Animal killing, body horror, blood-drinking, torture, scientific experimentation, mutilation, murder, gore, violence, sexual situations, racism, sexual assault, rape, dehumanization, insects, genocide.