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Book Review: Live Wire by Kyle Toucher

Cover art for Live Wire by Kyle Toucher

 

Live Wire by Kyle Toucher

Crystal Lake Publishing, 2023

ISBN-13: 9781957133324

Available: Paperback, ebook

Buy:  Bookshop.orgAmazon.com 

 

While Live Wire is the book title, it’s also an apt description of the writing: it crackles and snaps with electricity.  For a horror/thriller, this is a good one to start the summer with.  It’s also one of the nuttier ideas to come down the pike.  Transmission line towers that uproot themselves from the desert and start stomping around, wreaking havoc?  That’s one plot that certainly hasn’t been done before!

 

The book runs two threads concurrently.  In the first, former wannabe rock star Pale Brody, his young son, and a long-distance trucker named Ken Lightfeather are hunkered down at a ‘”last chance” desert gas station, riding out the worst electrical storm ever seen.  Also with them is the aging station owner, Otis Thompson.  The towers pull loose at the height of the storm, and the four of them are faced with a situation that is certainly not covered in the US Army’s Field Survival Manual.

 

The other thread covers the shadowy science and engineering firm whose experiments enabled the electrical pylons to go walkabout.  Nikki and Randy are two scientists who leave the firm in the middle of an experiment gone wrong, when it unleashes bloody carnage on the whole group.  The scientists eventually cross paths with the store group, and they band together to survive the towers from hell.  And hell (or something like it) just may be where the towers get their powers from, for they have abilities beyond just walking around and destroying things.  

 

Live Wire is an extremely engrossing book that will have readers zipping through pages, mainly due to the author’s excellent writing and sense of pace.  It’s that classic “tight but loose” style of writing: it drives the narrative and gets the story across, but doesn’t take itself too seriously.  There are a lot of hilarious asides and analogies, both from the characters and the narrator, giving the story an easy, flowing feeling that makes the pages move quickly.  The humor really shows up in the interrogation transcripts that are spaced throughout the book, as Nikki proves hilarious with her sarcastic way of belittling the investigators questioning her.  This book, at heart, is unquestionably a thrill ride, but the humor and wit of the characters help give the story a big boost.   Some readers might be a little bothered by the lack of fully detailed explanation for why things happen, but there’s enough there to keep most readers happy.  Some is left to the imagination, and the story is better off for it.

 

Bottom line: for a thriller with a bit of a horror bent to it, this one covers all the bases.  Recommended.

 

Reviewed by Murray Samuelson

 

Book Review: Man Made Monsters by Andrea L. Rogers, illustrated by Jeff Edwards

Cover art for Man Made Monsters by Andrea L. Rogers and Jeff Edwards

 

Man Made Monsters by Andrea L. Rogers, illustrated by Jeff Edwards

Levine Querido, 2022

ISBN-13: 9781646141791

Available: Hardcover, paperback, Kindle edition  Bookshop.org  |  Amazon.com )

 

Cherokee writer Andrea L. Rogers makes her YA debut with Man Made Monsters with this 18-story anthology that traces one Cherokee family across time. She starts in the 1830s with the tribe forced off their land and the monster that follows them, and carries the family through to the future with a science fiction story. There are stories of commonly told supernatural monsters, like werewolves and vampires, but also monsters from the Cherokee tradition, such as Deer Woman, one of my new favorite legends. There are also very human monsters. Suicide, domestic violence, racism, school shootings, sexual assault, and indigenous dispossession are heavy topics in this book. Cherokee artist and language technologist Jeff Edwards includes fascinating artwork that accompanies the stories in this anthology.

 

While each of the stories in this anthology have something unique about them, a few of them became my favorites. “Man Made Monsters,” written as a series of letters, concerns a man playing Dr. Frankenstein looking for a means to create life from death. With the death of her little brother looming, Suzanna takes the man’s notes and research to heart. Something common for Victorian-era Gothic novels, Rogers uses this series of letters well to drive this story. I have a soft spot for Gothic novels, and I would have read a whole volume on this storyline alone.

 

In “Homecoming,” Rabbit Wilson’s older brother Joseph is slated to come home from the war with the other wounded “Cherokee boys.” While there is a ghost in this story, the most haunting vision is when Joseph arrives home.

 

“Me and My Monster,” set in 1969, centers on the short-lived relationship between the Goat Man and Gina after he saves her from being assaulted by a bad date. While I would not consider this a horror story, their tale ends in a tragedy of sorts.

 

In “Shame on the Moon,” another story set in 1969, Jimmy King is a self-conscious teenage werewolf football player. His sister, turned into a vampire by a rich white kid from an opposing team, led to his accidental transformation by an old friend. Something locally interesting for me is the mention of the song “Wichita Lineman.” I am a transplant to Wichita, and a few friends here have talked about the song in passing. Seeing this show up, I took the time to listen to it. I reread the story then, and it seemed to add that much more desperation to Jimmy’s search.

 

Sissy and Jisdu are stuck out in the cold in “Snow Day,” set in 1979. When they make it home after a difficult and painful trek, they are able to get into the old Cadillac in the closed up garage, where they turn it on, thinking the heater will keep them warm. While Jisdu sleeps, Sissy sees the ghost of her cousin, who tries to save their lives.

 

“Deer Women” is a new twist on the legend of Deer Woman. When Sali’s friend Lisa doesn’t show up for school, she and their other friend, Quanah, get worried. The trio is working on an art project centered around the legend of Deer Woman when she goes missing. After some expert sleuthing, they track Lisa who emerges from a drainpipe where she had been hiding. The girls may have discovered why other Native girls in the area have gone missing, and why it won’t happen again.

 

One of the futuristic stories, “I Come From the Water,” set in 2029, is told through multiple perspectives. In the story that comes just before this one, the band The Toadies are mentioned, and the title of this story is one of their songs, and one that happens to be favourite of mine. Rogers includes little things like this in her stories that are just genius. I recommend listening to the song after reading this one.

 

An interesting aspect of this book is that with the space in between the chapters, the reader can put together what happened with the family as the next story picks up. It’s an ingenious way to drive the overarching story. I thought it would be difficult to follow, given the massive time span, but it was surprisingly coherent, and I was never confused. It helped that at the beginning of each story, Rogers included pertinent names and dates. I think even without those added, I would have been able to follow the plot. Each story flows well into the next. Rogers is an author I will keep my eye on. She graduated with an MFA from the Institute of American Indian Arts in Santa Fe, and her work as been published in literary journals; in You Too? 25 Voices Share Their #METoo stories from Inkyard Press; in Approved: Intertribal Stories for Kids, and more.



I am not sure if the artwork created by Jeff Edwards was in their final versions as I read an ARC copy of Man Made Monsters, but I liked what I saw. Edwards is an award-winning Cherokee graphic artist and is a language activist who has worked for the Cherokee Nation for over 20 years. He attended Haskell Indian Nations University in Lawrence, KS, and deceived an Associate’s Degree in Liberal Arts and completed his Bachelor of Arts in Graphic Design at Northeastern State University in Tahlequah, Oklahoma.

 

Highly recommended.

 

Reviewed by Lizzy Walker

Book Review: Interface by Scott Britz-Cunningham

cover art for Interface by Scott Britz-Cunningham

 

Interface by Scott Britz-Cunningham

Keylight Books, Nov 1, 2022

ISBN: 9781684428816

Available: Hardcover, paperback, Kindle edition

(  Bookshop.org  Amazon.com )

 

Interface is a good old-fashioned thriller with a sci-fi bent to it.  If your idea of horror is what people have become due to cell phones and information/social media overload,, this is perfect for you.  Author Cunningham has put together a rollicking, fun ride in the possible future, with some pretty profound insights about the dumbing down of society thanks to the Internet, mixed in.  This is good stuff, and it’ll make you think.

 

 

It is the near future, and everyone over the age of 14, by law, is connected to the Interface.  Imagine everything your cell phone can do hard-wired into your brain through a tiny implant.  You can do anything online through the power of thought.  Instant news feeds, file shares, non-verbal communication: all without pressing a button.  Trouble strikes when isolated cases of individuals going mad and killing people start., Detective Yara Avril suspects that the Interface implants may be the cause.  The rest of the book is a madcap run as Yara, and sleazy yet intrepid reporter Jericho Jones, pursue the truth and try to prevent further deaths, while every power of what’s left of the government opposes them.  

 

 

There’s really nothing to find fault with in the book.  The pacing is fast, and the characters do an excellent job representing their factions, while blurring the lines between good and evil.  Egon Graf is the head guy for the government, which needs the Interface to stay in power.  Opposed to him is his brother Taiki, who is bent on taking down the Interface, which he created years before.  The story does a nice job playing on the axiom “the ends justify the means”, when it comes to how much murder can be justified to prevent the future idiocy of humanity.  The author’s vision of the  future is scary: it’s a future ruled through human emotion, not logic. Why have politicians debate and vote when the public can just vote online, regardless of whether they understand anything?  No need for criminal trials, just throw up a quick infomercial online detailing the case, and let the people decide their fate.  It’s a scary thought, and maybe not that different from where we are today..  

 

 

It’s worth noting that for a thriller, there is some pretty deep thought in the dialogue sections.  The insights into social media and being “connected” are well thought out, the kind of material you can ponder on your own long after you finish the book.  I wound up bookmarking five or six different pages along the way to go back to and re-read, it’s that well done.  People will enjoy this book for the ride, but it’ll linger with them long after the ride’s over.  

 

Bottom line: don’t miss this one.  Recommended

 

Reviewed by Murray Samuelson