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Book Review: Sha’Kert by Ishmael Soledad

Sha’kert: End of Night by Ishmael Soledad

Temple Dark Publications, 2021

ISBN: 9781685132040

Available: Paperback, Kindle edition

 

 

The future.

 

The polar ice caps have melted.

 

Those who survived…(whoops, that was Waterworld.  Let me try again)

 

The future.

 

The Amish have crash-landed on a distant planet.

 

Those who survived…have adapted to a new world.

 

That’s the odd but entertaining genesis of Sha’kert, one of the more unusual sci-fi books of the past few years.  It’s a creative, enjoyable read for fans of human conflict stories, brought down only a bit by a somewhat muddled ending.

 

It’s important to note that this is not a survival story in the same style of masterpieces like Verne’s Mysterious Island and Defoe’s Robinson Crusoe.   There’s little detail concerning how the characters survive on a new world, while starting with minimal supplies.  The story’s focus is the conflict between the Amish and another family that survived the crash, consisting of Greg, his wife Louise, and their daughter Penny.  They aren’t Amish, but are the typical modern, tech-obsessed, cell phone-crazed family.   A doubting Amish youth, Henry, also contributes as a character who is sort of in the middle.  It’s the discord between old and new ways that the author concentrates on and he does a good job of it, presenting both sides without sounding preachy or political.  In the story, all the characters need each other at first to survive, but once they get established and survival is ensured, strife ensues over the possibility of outside contact.  Greg and Henry want to explore the planet in hope of finding others, while most Amish would prefer to have no contact with anything or anyone, preventing their being influenced by outside ideas.  It’s why the left Earth in the first place: dealing with outsiders was becoming unavoidable.  To the author’s credit, all the characters have viewpoints reasonably presented, and the book avoids coming off as biased towards either old or new ways.  It’s an engrossing story of personal convictions, and the problems that stem from the inability to compromise.  

 

It’s only the last quarter of the book that is a bit of a letdown.  The communication between the characters and what they are trying to convey gets somewhat confusing, and the plot wanders away from the original premise with a new religious angle that doesn’t fit with the rest of the book. The story could have been wrapped up in a neater, less metaphysical fashion.

 

Bottom line: this is a good sci-fi tale that does well when it stays on focus, and has more meaning and material worth pondering over then the standard science fiction novel.  Recommended.

 

Reviewed by Murray Samuelson.

Book Review: Live Wire by Kyle Toucher

Cover art for Live Wire by Kyle Toucher

 

Live Wire by Kyle Toucher

Crystal Lake Publishing, 2023

ISBN-13: 9781957133324

Available: Paperback, ebook

Buy:  Bookshop.orgAmazon.com 

 

While Live Wire is the book title, it’s also an apt description of the writing: it crackles and snaps with electricity.  For a horror/thriller, this is a good one to start the summer with.  It’s also one of the nuttier ideas to come down the pike.  Transmission line towers that uproot themselves from the desert and start stomping around, wreaking havoc?  That’s one plot that certainly hasn’t been done before!

 

The book runs two threads concurrently.  In the first, former wannabe rock star Pale Brody, his young son, and a long-distance trucker named Ken Lightfeather are hunkered down at a ‘”last chance” desert gas station, riding out the worst electrical storm ever seen.  Also with them is the aging station owner, Otis Thompson.  The towers pull loose at the height of the storm, and the four of them are faced with a situation that is certainly not covered in the US Army’s Field Survival Manual.

 

The other thread covers the shadowy science and engineering firm whose experiments enabled the electrical pylons to go walkabout.  Nikki and Randy are two scientists who leave the firm in the middle of an experiment gone wrong, when it unleashes bloody carnage on the whole group.  The scientists eventually cross paths with the store group, and they band together to survive the towers from hell.  And hell (or something like it) just may be where the towers get their powers from, for they have abilities beyond just walking around and destroying things.  

 

Live Wire is an extremely engrossing book that will have readers zipping through pages, mainly due to the author’s excellent writing and sense of pace.  It’s that classic “tight but loose” style of writing: it drives the narrative and gets the story across, but doesn’t take itself too seriously.  There are a lot of hilarious asides and analogies, both from the characters and the narrator, giving the story an easy, flowing feeling that makes the pages move quickly.  The humor really shows up in the interrogation transcripts that are spaced throughout the book, as Nikki proves hilarious with her sarcastic way of belittling the investigators questioning her.  This book, at heart, is unquestionably a thrill ride, but the humor and wit of the characters help give the story a big boost.   Some readers might be a little bothered by the lack of fully detailed explanation for why things happen, but there’s enough there to keep most readers happy.  Some is left to the imagination, and the story is better off for it.

 

Bottom line: for a thriller with a bit of a horror bent to it, this one covers all the bases.  Recommended.

 

Reviewed by Murray Samuelson

 

Book Review: Man Made Monsters by Andrea L. Rogers, illustrated by Jeff Edwards

Cover art for Man Made Monsters by Andrea L. Rogers and Jeff Edwards

 

Man Made Monsters by Andrea L. Rogers, illustrated by Jeff Edwards

Levine Querido, 2022

ISBN-13: 9781646141791

Available: Hardcover, paperback, Kindle edition  Bookshop.org  |  Amazon.com )

 

Cherokee writer Andrea L. Rogers makes her YA debut with Man Made Monsters with this 18-story anthology that traces one Cherokee family across time. She starts in the 1830s with the tribe forced off their land and the monster that follows them, and carries the family through to the future with a science fiction story. There are stories of commonly told supernatural monsters, like werewolves and vampires, but also monsters from the Cherokee tradition, such as Deer Woman, one of my new favorite legends. There are also very human monsters. Suicide, domestic violence, racism, school shootings, sexual assault, and indigenous dispossession are heavy topics in this book. Cherokee artist and language technologist Jeff Edwards includes fascinating artwork that accompanies the stories in this anthology.

 

While each of the stories in this anthology have something unique about them, a few of them became my favorites. “Man Made Monsters,” written as a series of letters, concerns a man playing Dr. Frankenstein looking for a means to create life from death. With the death of her little brother looming, Suzanna takes the man’s notes and research to heart. Something common for Victorian-era Gothic novels, Rogers uses this series of letters well to drive this story. I have a soft spot for Gothic novels, and I would have read a whole volume on this storyline alone.

 

In “Homecoming,” Rabbit Wilson’s older brother Joseph is slated to come home from the war with the other wounded “Cherokee boys.” While there is a ghost in this story, the most haunting vision is when Joseph arrives home.

 

“Me and My Monster,” set in 1969, centers on the short-lived relationship between the Goat Man and Gina after he saves her from being assaulted by a bad date. While I would not consider this a horror story, their tale ends in a tragedy of sorts.

 

In “Shame on the Moon,” another story set in 1969, Jimmy King is a self-conscious teenage werewolf football player. His sister, turned into a vampire by a rich white kid from an opposing team, led to his accidental transformation by an old friend. Something locally interesting for me is the mention of the song “Wichita Lineman.” I am a transplant to Wichita, and a few friends here have talked about the song in passing. Seeing this show up, I took the time to listen to it. I reread the story then, and it seemed to add that much more desperation to Jimmy’s search.

 

Sissy and Jisdu are stuck out in the cold in “Snow Day,” set in 1979. When they make it home after a difficult and painful trek, they are able to get into the old Cadillac in the closed up garage, where they turn it on, thinking the heater will keep them warm. While Jisdu sleeps, Sissy sees the ghost of her cousin, who tries to save their lives.

 

“Deer Women” is a new twist on the legend of Deer Woman. When Sali’s friend Lisa doesn’t show up for school, she and their other friend, Quanah, get worried. The trio is working on an art project centered around the legend of Deer Woman when she goes missing. After some expert sleuthing, they track Lisa who emerges from a drainpipe where she had been hiding. The girls may have discovered why other Native girls in the area have gone missing, and why it won’t happen again.

 

One of the futuristic stories, “I Come From the Water,” set in 2029, is told through multiple perspectives. In the story that comes just before this one, the band The Toadies are mentioned, and the title of this story is one of their songs, and one that happens to be favourite of mine. Rogers includes little things like this in her stories that are just genius. I recommend listening to the song after reading this one.

 

An interesting aspect of this book is that with the space in between the chapters, the reader can put together what happened with the family as the next story picks up. It’s an ingenious way to drive the overarching story. I thought it would be difficult to follow, given the massive time span, but it was surprisingly coherent, and I was never confused. It helped that at the beginning of each story, Rogers included pertinent names and dates. I think even without those added, I would have been able to follow the plot. Each story flows well into the next. Rogers is an author I will keep my eye on. She graduated with an MFA from the Institute of American Indian Arts in Santa Fe, and her work as been published in literary journals; in You Too? 25 Voices Share Their #METoo stories from Inkyard Press; in Approved: Intertribal Stories for Kids, and more.



I am not sure if the artwork created by Jeff Edwards was in their final versions as I read an ARC copy of Man Made Monsters, but I liked what I saw. Edwards is an award-winning Cherokee graphic artist and is a language activist who has worked for the Cherokee Nation for over 20 years. He attended Haskell Indian Nations University in Lawrence, KS, and deceived an Associate’s Degree in Liberal Arts and completed his Bachelor of Arts in Graphic Design at Northeastern State University in Tahlequah, Oklahoma.

 

Highly recommended.

 

Reviewed by Lizzy Walker