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Graphic Novel Review: When I Arrived at the Castle by Emily Carroll

Cover art for When I Arrived at the Castle by Emily Carroll

When I Arrived at the Castle by Emily Carroll

Silver Sprocket, 2024 (previously published by Koyama Press in 2019)

ISBN-13: 9798886200409

Available: Paperback, Kindle edition

Buy:    Bookshop.org | Amazon.com

 

On a dark and stormy night, a cat woman arrives at the mysterious Countess’ castle on an unspoken mission. The Countess mentions that this attractive visitor is not the first to come on this mighty errand. She is offered a warm bath after being out in the rain for so long, for which she accepts, and this is interrupted by loud knocks on the door. The cat woman ventures out to search out her prey, peeking through a keyhole, where she sees the Countess shedding her skin. When the Countess catches her at the door, a violent and erotically driven confrontation happens between the noblewoman and the cat.

 

I appreciate Carroll’s attention to Gothic literature tropes in her sequential art. The structure of the story flows in such a way that the eyes do not have time to rest most of the time. The frenetic pace blends with the reader’s sense of unease as the cat woman explores the castle and is dragged along the halls by the Countess, and when the final battle ensues.

 

Something else I enjoy about Carroll’s work is her use of color, as she uses the most bold selection almost as another character itself. In the case of When I Arrived at the Castle, she uses black, white, and red. The red acts as solid backgrounds, text bubbles, the text itself, outlines of various figures, doors, flooring, skin, blood, and more. Spending a few minutes exploring the red in the pages was an interesting exercise in reading images without words.

 

If you are looking for a standalone Gothic horror graphic novel for your collection, you can’t go wrong with When I Arrived at the Castle. If you have not picked up Carroll’s Through the Woods, I encourage you to do that, as well. Recommended.

 

 

Reviewed by Lizzy Walker

Book Review: The Midnight Girls by Alicia Jasinska

The Midnight Girls by Alicia Jasinska

Sourcebooks Fire, 2022

ISBN-13: 978-1728209753

Available: Hardcover, paperback, audiobook, Kindle edition.

Buy:   Bookshop.org   |  Amazon.com

 

 

The Midnight Girls takes place in a fantasy kingdom based on the Kingdom of Poland at the end of the 18th century, which was torn apart by wars with Russia, Lithuania, and Poland.

 

Three sister witches terrorize the forest, each with a servant girl who desperately wants to please them. Black Jaga’s servant is Zosia, with the power of Midnight. Red Jaga’s servant is Marynka, with the power of Midday. White Jaga’s servant is Beata, with the power of Morning. The girls compete to seize the hearts of princes for their witches. Zosia, hidden away, is most successful. Marynka is desperately in competition with her as she is punished when she fails and receives affection when she succeeds. Beata quietly claims the spoils while Marynka is distracted. The descriptions of the servant girls’ powers and especially of their literally ripping hearts out of people”s bodies were really hard for me to read.

 

All three girls are sent to the city during Karnaval season to claim the pure heart of Prince Josef, a source of powerful magic when eaten. In their competition, Marynka and Zosia inadvertantly keep saving the prince in order to gain the opportunity to claim his heart. It would be funny but it is deadly serious. In spite of their antipathy, they develop a close connection. Zosia plans to run away after taking this last heart and asks Marynka to come with her.

 

Prince Josef wants his kingdom to rebel and fight the tsarina of Rusja in order to preserve Lechija’s national identity and freedom from its oppressors, while the king is tired of fighting and willing to make concessions. His life is complicated by the return to court of Kajetan, his closest friend, who supported his family and turned against him on the battlefield. Both Zosia and Marynka and Josef and Kajetan harbor strong and contradictory feelings for one another. Josef and Kajetan’s story had unexplored potential. Marynka and Zosia feel more like they are characters from a folktale, and as one would expect in a folktale, are relatively one-dimensional. Their rivalry and romance are the primary focus of the story, so the political situation Josef and Kajetan were navigating, while intriguing, didn’t get much attention. The Midnight Girls has a similar feel in places to Katherine Arden’s.The Bear and the Nightingale, but that book balances these elements better.

 

This was a clever premise with great world building, and it wasn’t an easy book to read. Regardless of their home environment or your investment in the story, these girls really are monsters. They don’t try to justify their actions. It is really something that Jasinska has humanized them.

 

Reviewed by Kirsten Kowalewski

Plain Bad Heroines by Emily M. Danforth illustrated by Sara Lautman

Cover of Plain Bad Heroines by Emily M. Danforth

Plain Bad Heroines by Emily M. Danforth illustrated by Sara Lautman

William Morrow & Company, 2020

ISBN-13: 978-0062942852

Available: Hardcover, Kindle edition, audibook, audio CD ( Bookshop.orgAmazon.com )

 

 

Emily M. Danforth, author of the YA novel The Miseducation of Cameron Post, stretches her boundaries in this unsettling, haunted novel that reveals a buried history of queer romance and horror and some seriously creepy hornets.

The story moves smoothly from events in 1902 that led to the deaths of three students at the Brookhants School for Girs, tied to an uninhibited and shocking memoir by openly bisexual feminist Mary McLane, to a present day where author Merritt Emmons has written a book about the deaths that is about to be made into a sapphic “Blair Witch” style horror movie.

Two of the girls who died were co-founders of a club called The Plain Bad Heroines, which admires Mary’s unapologetic attitude, are found dead in the woods with a copy of the book,  attacked by a swarm of hornets in an orchard of rotting fruit. The third acquires it after their deaths and is literally poisoned by reading it near a plant in the campus greenhouse where she is caretaker. The headmistress confiscates it, convinced that it is cursed. As the students abandon the school, both the headmistress and her relationships begin to disintegrate, and trapped almost alone in a snowstorm, it’s hard to tell how much of a grip on reality she has left.  She’s also left remembering her college days, where a love affair led to her eventual inheritance of Brookhants, chosen by her husband because of its reputation as a spiritually important location, in a very strange manner.

The horror movie based on Merritt’s book will star the popular actress Harper Harper and the less well-known actress Audrey Wood. Merritt initially is starstruck by Harper and they hit it off; her interactions with Audrey are more negative. The movie will be filmed at the actual Brookhants School and on the grounds, adding atmospheric creepiness.  Once the filming starts, it seems nothing can go right– it’s almost like the production is cursed. This leaves Harper, Audrey, and Merritt, a lot of time for exploration on the Brookhants estate. Black apples, rotting vegetation, and ominous swarms of hornets in the woods ratchet up the tension, and eventually the story behind the Brookhants curse is revealed.

This is a doorstop of a book. After its tense begining, it slows down for some time and, had I not known there would be a payoff, I might have set it down. I think a large chunk of the Hollywood segment could have been easily eliminated  to slim it down. This is where a lot of the present day characters’ personalities are established, and Merritt’s romantic interests start to develop, but it is just too drawn out.

Danforth isn’t subtle about centering lesbian and bisexual characters. It is even a point of contention in the casting of the movie, where Merritt objects to Audrey playing a lesbian role, assuming she must be straight, to have Audrey come out and say she’s bisexual. The headmistress’ memories of inheriting the school are all related to the romantic love she and her partner had for each other. even as she turns on her.

Plain Bad Heroines is also about as metafictional as you can get; it’s a fictional story inspired by a book by a real person, containing illustrations and images of what I’m pretty sure are news articles about the book, that a fictional author has written a fictional nonfiction book about, that is being made into a fictional movie being filmed found-footage style, as if it is nonfiction. Both the director and Harper Harper use social media to affect the narrative, so Harper’s Instagram posts document the movie shoot and all of its “cursed” problems for her followers, creating a Blair Witch effect of convincing the audience for the movie that the haunting is real. Even the people around Audrey and Merritt are in on the gaslighting, so that none of them know whether they can trust each other or reality. It’s clever, and the unreliability of the people around them and the way the reader knows the three women are being manipulated is distracting, but it doesn’t detract from the sense of atmospheric creepiness, dread, and tension, with hornets and rotting vegetation always around. You will never feel the same about hornets after reading this book.

Danforth actually has an author’s note where she discusses her discovery of Mary Maclane in researching hidden sapphic history, and that she wanted to bring that to light through Plain Bad Heroines. I never had heard of her and I found this fascinating. Unlike The Miseducation of Cameron Post this is not a YA novel, although it might be appreciated by some older YA readers, but certainly it is an original book with plenty of dread and some well-drawn lesbian and bisexual characters that will draw in readers of historical and metafictional horror, Hollywood, and haunted houses. It won’t be for everyone, but this book will certainly find its audience. Recommended.

 

Contains: violence, murder, body horror, sexual situations, insects