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Book Review: Imaginary Friend by Stephen Chbosky

Imaginary Friend by Stephen Chbosky

Grand Central Publishing, 2019

ISBN-13: 978-1538731338

Available: Hardcover, Kindle edition, audiobook

 

Acclaimed author Joe Hill promoted Imaginary Friend by saying the first fifty pages would blow you away, and I 100% agree with that. The first chapter, which takes place fifty years before the rest of the story, is absolutely hallucinatory. Jumping to the present day, the central character is Christopher, a seven-and-a-half year old boy whose mentally ill father committed suicide four years ago, and is now on the road with his mother, Kate, who is fleeing a relationship with an abusive alcoholic. Chbosky does a great job of depicting the loving, if anxious, relationship between Kate and Christopher, and I think he shows a very realistic depiction of the effects grief, and the loss of a father, can have on the dynamic between a mother and son.

Christopher struggles in school. He is mercilessly bullied by the son of the richest family in town, which also owns the retirement home where his mother works, and dyslexia prevents him from succeeding academically. One day, his mother is late picking him up from school, and by the time she arrives he has mysteriously disappeared. When he is found after six days, he can’t remember anything about that time, but everything in their lives starts looking up, from his success on a math test to Kate’s winning the lottery. But Christopher is also starting to get terrible headaches, and he is hearing the voice of someone he calls “the nice man” who wants him to build a treehouse in the woods behind the house his mother bought with her lottery winnings. Is there something supernatural going on, or is Christopher manifesting his father’s mental illness?

The story starts to run off the rails for me here. According to Chbosky, Christopher is a second grader, seven years old. But he and his peers (both friends and bullies) aren’t acting or being treated like second graders. I 100% guarantee that an overprotective single mother is not going to allow her son who was recently missing for six days to go on a sleepover without making sure that the other child’s parents were right there in the house. But that is exactly what happens. Christopher and three of his friends trick their parents into thinking that each of them is going to a sleepover at another friend’s house so they can go camping in the woods in Pennsylvania in November and tirelessly build a treehouse from complicated blueprints, stealing wood from a construction site, with rare breaks for food.

There’s an echo of It or maybe The Body here in the depiction of the four outcast boys on a mission, but the kids in those stories are living through the 1950s, when kids had a lot more freedom to roam, and in both cases, the kids in those stories were older. Some of the actions of the kids in this book would have been more believable had they been older. Chbosky, best known for his YA novel The Perks of Being a Wallflower, might have done better to age his characters up to middle school. I’m  also pretty irritated that Chbosky refers to one of Christopher’s friends, who is in a special education classroom, by the nickname “Special Ed” , given to him by the school bully, throughout the book.

The story is also weighed down by a lot of unneccessary repetition. In the first chapter, every time David Olson is mentioned, it’s as “Little David Olson”, even though it’s quickly obvious that David is a young boy. It’s sometimes difficult to tell who is talking, or if they are talking or thinking, because the use of italics, spacing, font size, punctuation, and capitalization is irregular. I’m not sure if that’s intentional,or not, because it definitely adds to the sense of disorientation that Chbosky establishes from the beginning, but it also interrupts the flow of the story. Between the repetition in language and plot and the unusual formatting, the story started to exhaust me. There is also a heavy religious element that begins to take over the story and really dragged it out (there is an unexpected plot twist that jumpstarts things, but this book could still have been 300 pages shorter and been the better for it).

Where Chbosky shines is in character and relationship development, especially between family members. Kate and Christopher are at the center of the book and I am wowed by the way Chbosky portrayed their relationship. We also get a window into the lives of characters in the books who aren’t sympathetic at all, giving us a look at their generational or family trauma. I think Chbosky went a little overboard in getting into the minds of the characters of his very large cast at times. When he’s good, he’s very, very good, but when he goes over the top (and he does sometimes) he really misses the mark.

Chbosky also does an excellent job with creating truly disturbing creatures– I will never feel the same way about deer again– and it is painful, unsettling, grotesque, and terrifying to witness some of what he describes people doing to each other and themselves, over and over. This is a true horror novel that walks the reader through hell.

Imaginary Friend has received accolades from some prestigious review sources. In his acknowledgements, he cites Stephen King as his inspiration, and I can certainly see the influence. Ultimately, though, while there’s some really good stuff here, the book is flawed enough, and long enough, that many readers unfortunately won’t make it through to the end. Recommended for public libraries.

Contains: Violence, gore, body horror, child abuse, sexual situations, domestic violence, suicide, references to child sexual abuse, bullying

 

Book Review: The Moore House by Tony Tremblay

The Moore House by Tony Tremblay

Twisted Publishing, 2018

ISBN-13: 978-1949140996

Available: Hardcover, paperback, Kindle edition

 

The haunted house tale is a tough one to take on as a writer. Not much can measure up to Shirley Jackson and Richard Matheson, although Mark C. Danielewski’s House of Leaves  had an original spin. In The Moore House, Tony Tremblay accomplishes the task of breathing new life into the trope, by doing what so many others fail to do: create memorable characters that rise above the expected to become something special.

Tremblay’s characters include three nuns and a priest, all of whom have taints on their persons that color them in multiple dimensions. The nuns have all been excommunicated and the priest battles his own demons. The four have been tasked with working in a paranormal investigative group that’s part of the Catholic Church as they hope to reconcile their sins.

The four have been assigned to check out The Moore House, a structure with a murderous past. The town of Goffstown, New Hampshire has been plagued by strange occurrences around this dwelling. They are instructed not to go inside, as their empath skills can be easily employed outside the walls, but the house has other plans.

What ensues is different than most haunted house novels. Like Hill House, the Moore House becomes a central character. To explain how would spoil the fun but the comparisons to The Exorcist are not far off here. The stories are not similar, but the ingredients will resonate with those fans of the great novels that preceded this one.

The bottom line is that The Moore House actually does terrify. Tremblay’s writing is unobtrusive and lean, allowing the characters and plot to breathe, move, and lull the reader into a sense of comfort, before crushing it. Recommended reading and well-deserving of its place on the final ballot for this year’s Stoker Awards.

 

Reviewed by Dave Simms

Editor’s note: The Moore House is a nominee on the final ballot for the 2018 Bram Stoker Award in the category Superior Achievement in a First Novel. 

Book Review: Freaky Franky by William Blackwell

Freaky Franky by William Blackwell

Telemachus Press, 2017

ISBN: 978-1-945330-94-0

Available: Paperback, eBook

 

Freaky Franky by is a gory, yet moralistic, tale about the increasingly popular, cult religion of Santa Muerte. Santa Muerte’s origins include elements of pre-Columbian  gods, European symbols of death and plague, and Catholicism.  It is said to have tens of millions of devotees in Latin America, especially Mexico and the American Southwest, among the disadvantaged, poor and downtrodden.  In Mexico, Santa Muerte is said to be popular among members of rival drug cartels.  The Roman Catholic Church and several Protestant denominations condemn its practice.

 

The Lady’s symbol is a female skeleton dressed in a robe, which usually carries a globe and scythe.  Devotees light candles and give offerings of tobacco smoke, alcohol, money and food.  The Lady grants wishes for love, wealth, health and protection.  However, she also grants wishes for vengeance and power over others.

 

Freaky Franky begins with seemingly unrelated horrific murders in Mexico and Prince Edward Island (PEI).  Equally gory murders and a violent sexual assault follow in the Dominican Republic.  Soon it is clear that the common thread is that worshipers of Santa Muerte are to blame.  In particular, Franklin, an expat who fled from a tragic childhood in Prince Edward Island, is responsible for much of the mayhem in a Dominican resort town.

 

However, in this story the Lady grants wholesome wishes as well.  A Mexican doctor in PEI uses Santa Muerte to cure Franklin’s nephew.  Anita, Franklin’s estranged sister, travels to the Dominican Republic to reconnect with him.  She prays to the Lady to help a young vacationing couple and turn Franklin away from doing evil.  Devotees can use Santa Muerte for good or for evil.  However, the novel makes it clear that those who use it for evil will be severely punished in their mortal life and in their afterlife.  Franklin struggles between these choices.  Can he be saved?

 

The plot is initially confusing until the common thread of Santa Muerte becomes clear after the first few chapters.  Thereafter, it moves along well.  The characters are mostly one-dimensional.  However, Franklin and Helen, Anita’s bullied friend, are interesting when they waver between using the Lady for evil and good.

 

Contains: graphic sex, sexual assault, violence and gore.

 

Reviewed by Robert D. Yee