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Book Review: Borderlands 6 edited by Thomas and Olivia Monteleone

Borderlands 6: The Anthology of Imaginative Fiction, edited by Thomas and Olivia Monteleone

Samhain Press, 2016

ISBN-13: 978-1619234987

Available: Paperback, Kindle edition

 

In 1989, Thomas Monteleone, already a stellar author in several genres, decided to publish an anthology series that bucked the trends. He compiled a collection of unique stories that stretched the parameters of horror and weird fiction. There are no tired tropes or recycled plots here. Monteleone was interested in publishing great stories, not just big names, and many of the best tales came from the minds of previously unknown writers, many of whom became rising stars. After a 12 year hiatus, Borderlands 6 follows suit, and succeeds just as well as the previous five volumes. Some stories will leave readers with a sense of wonder, and others with the best sort of unsettling feeling.

There are some big names: Jack Ketchum, David Morrell, Steve Rasnic Tem, Gary Braunbeck, and new sensation Paul Tremblay all make an appearance, as does John McIlveen, whose novel Hannawhere was a Stoker nominee this year. Braunbeck’s satiric take on “mart-type-box stores” is chilling in its pure weirdness. However, the success of the Borderlands anthologies comes from sharing hidden gems, and this volume is no different. Many of the best stories are by relative newcomers. “Cocoa”, by Bob Pastorella, is the oddest tale here, and lingers in the memory; “The Dress”, by Peter Salomon, is similar in its strangeness, and has a twist that is both organic and perfect; “The Palace Garbage Man”, by Bradley Mitchell Zerbe, feels both medieval and modern in its unique take on evil; and “In God’s Image”, by Sean B. Davis, a story that feels like a warped episode of The Twilight Zone hung around in this reviewer’s darkened imagination for days.

Olivia and Tom have done a fine job here in continuing the Borderlands legacy. Highly recommended for all fans of short fiction looking for something new and different.

Reader’s advisory note: This anthology may be a good way to introduce new authors to horror readers looking for a change.

Reviewed by David Simms


You Might Be In A Horror Novel If…

The 25 Best Gothic Horror Books

You are in an abandoned mansion in the middle of nowhere.

You are a governess, left alone with oddly acting or obviously evil children.

You are isolated from the rest of the world by weather, geography, and/or another outside force beyond your control.

You do not trust the evidence of your own senses.

 

You might be in The Turn of the Screw by Henry James,

or This House Is Haunted by John Boyne

 

It is stormy, dark and gloomy.

You are the captive of a scheming and sadistic governess, teacher, caretaker, or relative.

You are trapped in the walls, a basement, a closet, or an attic.

There is a hedge maze, Escher-style stairs, or carnivorous beast on the property.

Authorities are absent or unable to help you.

 

You might be in Flowers in the Attic by V.C. Andrews,

or Misery by Stephen King

Your house is a former asylum or school, built over a graveyard, or the site of a cold-case murder.

You have specifically been told not to open a door.

Ghosts are either menacing you, possessing you, or asking you for help.

An inanimate object starts talking to you.

Someone is leading you through dark, underground tunnels or catacombs.

Your nightmares seem very, very real.

 

You might be in Down A Dark Hall by Lois Duncan,

or the stories of Edgar Allan Poe

 

It is bright and sunny, and everyone is very, very, happy.

 

You are uneasy without obvious reason.

You are uneasy with obvious reason.

Everyone in town is related to (or at least knows) everyone else.

There is a terrible secret in your town’s past (or present).

A disturbing community ritual, probably involving demon worship, is scheduled for the near future.

You are offered a favor in exchange for your soul.

You find a book or journal that clearly will summon an ancient evil.

 

You might be in  The Thirteen  by Susie Moloney

or The Stepford Wives by Ira Levin

 

A classified, experimental government program has gone awry.

An inexplicable and incurable virus has infected the majority of the population.

A malicious mythical creature attempts to eat you, assimilate you, or seduce you.

A vigilante or cult-like group is bent on destruction.

 

You might be in The Strain by Chuck Hogan and Guillermo del Toro

or The Fireman  by Joe Hill

 

Giant, mutated creatures are approaching.

Ominous, tentacled creatures appear on the scene.

The narrator or main character is showing clear evidence of insanity.

 

You might be in Maplecroft by Cherie Priest, Clickers by J.F. Gonzalez,

or the works of H.P. Lovecraft.

 

People are dying in brutal, horrifying, appalling ways.

Someone, or something, wants to eat you for dinner.

 

You might be in Succulent Prey by Wrath James White,

or Monster Island by David Wellington

 

Your perceptions are unreliable or distorted.

You can’t trust your memories.

You can’t trust the media.

You might be in A Head Full of Ghosts by Paul Tremblay

 

You have a feeling of bone deep terror.

That unending sense of dread just won’t go away.

You hear a loud “slam” and things go dark…

 

You’re probably trapped in a horror novel. Let’s hope that your reader decides to open up the book again, and gives you a chance to escape!

 

 

Editor’s note: not all books are appropriate for all readers.. and I wouldn’t wish any of you to be trapped in any of these! 

 

 

 

Women in Horror Month: 5 Books By Women Writers That Horror Readers Might Not Know (But Should)

Far be it from me to dictate an entire canon of works (at least today) but there are definitely some books by women authors that deserve to be known better than they are, and they often get shorted because the story of Mary Shelley and Frankenstein is pretty amazing, so everybody writes about her. There are lots of great women writers who aren’t Mary Shelley, though, and I can only claim to have read a few of them, despite my intention to do better. Here are some books you might have heard of but passed on for some reason– or maybe they are unknown to you.

1.) Beloved by Toni Morrison.

Toni TheMorrison is a great American writer, so I hope most people at least recognize her name. Beloved was made into a movie, so it’s you may at least know of that. The story concerns Sethe, an escaped slave, living in Ohio many years after her escape, in a house haunted by a ghostly child.  To say more than that is to give away what was (to me, anyway) the breathtaking, visceral shock of some of  the book’s later events. Morrison uses a nonlinear writing style, and the events move back and forth in time, so this is not a quick, light, beach read. But it is certainly one that will leave an impact.

2.)  The Keep by Jennifer Egan

The Keep is a nested story, with a story about a character situated in a Gothic trope– visiting an acquaintance who is renovating a castle with Gothic terrors and trappings, which is also a playground for bored people who want to imagine they are living in the Gothic… and all of this is framed by yet another story. The Keep does not tie up all of its loose ends, so if that bothers you, be warned. It’s really hard to describe this in just a few sentences without giving up some of the surprises in the plot, but suffice it to say that it is suitably creepy and unsettling. I’d save this for when you have plenty of time.

3.) The Castle of Los Angeles by Lisa Morton

The Castle of Los Angeles won a Stoker award in 2010, and was mentioned in the second edition of The Readers’ Advisory Guide to Horror. Two of our reviewers chose to review it independently of each other, and both of the reviews were glowing. Despite her reputation as a horror writer, though, it is possible that you might not have come across this book, because it was published by a small press, Gray Friar Press, that does not (to my knowledge) seem to exist anymore. Cemetery Dance has republished it as an ebook, but hard copies appear to be only available used, so you would probably have to be looking for it specifically, or be blessed with serendipity, to come across it. The Castle of Los Angeles  takes place in a haunted theater, the Castle. While it uses many Gothic tropes, Morton makes them her own, and her eccentric mix of characters and their reasons for living in the Castle make it a unique contribution to the haunted house genre. It is a treasure for lovers of quiet horror.

4.) Doomsday Book by Connie Willis

If you are purely a horror reader you might not have come across the brilliant Connie Willis, who is primarily known as a science fiction writer. Among her other works, she has written a loosely connected series of books about historians in an alternate future who use time travel in their research. In Doomsday Book, history student Kivrin’s research trip to the Middle Ages is derailed when the tech running the machine collapses, having entered incorrect coordinates that send her to the time of the Black Death. The tech turns out to have contracted an unknown and deadly disease that spreads rapidly through the area, and the time travel lab is quarantined due to suspicion that the disease escaped from the past when Kivrin went through, trapping her there. This isn’t horror in the traditional sense, but the reader is a witness, through Kivrin, to the despair and terror caused by the Black Death. The parallel plot of the quarantine during the spread of the unknown disease in the future is more science-fictional, but Willis does not pull her punches, and she doesn’t seem to have compunctions about killing off characters you’ve grown to care about. The story builds over the course of the novel, and it is exhaustive in its detail, so you have to be patient, but it is so worth poking your toe outside the horror genre to delve into the horror and consequences of the spread of an epidemic disease.

5.) Nameless: The Darkness Comes by Mercedes M. Yardley

While she has published short stories and novellas before, this is Mercedes Yardley’s debut novel, and the first book in her Bone Angel trilogy. It’s relatively new, having just been released in December. We just reviewed it here, and when I asked my reviewers for a book by a top woman writer in the horror genre, this is the one that was suggested.  Luna, the protagonist, can see and speak to demons. When her niece is kidnapped by Luna’s brother’s ex-wife, a demon named Sparkles, the game is on! Described as “whimsical”, “gritty”, and “macabre”,  this novel, while technically an urban fantasy, gets high marks from lovers of horror as well.

 

I hope you’ve had a great month of reading women horror writers this month– but don’t stop now! Enjoy!