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Book List: The Hunger Games and Battle Royale

With the news that a prequel to The Hunger Games by Suzanne Collins is upcoming, Monster Librarian brings forth a blast from the past, compiled by Dylan Kowalewski in 2012 just before the first movie was released, with reviews by Jim Cobb and Michele Lee.

The Hunger Games and Battle Royale

The Hunger Games by Suzanne Collins is an incredibly popular dystopian young adult series that has crossover appeal that very few other books have had, as both adults and teens love the books, and tomorrow The Hunger Games movie will open at theaters across the country.

Before Suzanne Collins had teens dueling to the death, there was another dystopian novel that had teens battling each other for survival, called Battle Royale.  Battle Royale was written by  Koushun Takami and was originally published in 1999.  The book is set in an alternate world in Japan, where a totalitarian government, in order to terrorize the population, renders a school bus full of middle school students unconscious, only to relocate them on a small island where they are given random weapons and are forced to battle each other until there is only one survivor. It has also been made into a well-regarded, controversial film that has been compared to A Clockwork Orange with a not-so-wonderful sequel, and a manga series.  Battle Royale is explicit in its violence, much more so than The Hunger Games, and that’s unexpected to many fans of Collins’ books who have heard that The Hunger Games is based on Battle Royale, but it has devoted fans of its own. Since the film was released, “battle royale” has taken on a new meaning– a fictional narrative or mode of entertainment (such as a video game) where a group of people are told to kill each other off until there is just one survivor.

So if you are a fan of The Hunger Games with a strong stomach, you might want to take a look at Battle Royale.

Speaking of  The Hunger Games, Jim Cobb of  Survival Weekly reviewed the first two books for us and Michele Lee reviewed the third and last one, Mockingjay. if you haven’t read the books yet now is the time to stop by your local library and pick up a copy!

The Hunger Games by Suzanne Collins

Scholastic Press, 2010

ISBN-13: 978-0545310581

Available: New and Used

In the not-so-far-off future, the United States has been decimated by disaster and war. It is now a country called Panem, and is broken into twelve districts. There were at one time thirteen districts, but one of them tried to rise up against the government, referred to as the Capitol, and was annihilated. Katniss, our main character, is from District 12, the poorest district. The reader may infer that this district is located in an area corresponding to Appalachia. Capitol citizens may enjoy fine food and drink, but those who live in District 12 subsist on dog, wild game, and grains.

Each year, two delegates (one boy, one girl, aged 8-18) are chosen by lottery from each district to compete in the Hunger Games. The Games are held in a different environment each year and are televised to the masses across the country. It is a battle to the death among the delegates. Think Lord of the Flies meets The Running Man.

During the current lottery, Katniss’ young sister, Prim, is chosen. As allowed by the rules, Katniss immediately volunteers to take her place. Katniss knows sending Prim to The Hunger Games is nothing but a death sentence. Her intention in volunteering has nothing to do with wanting to compete. Rather, she is trying to save her sister.

Katniss is a hunter who has spent years learning the ways of the woods– tracking, fishing, trapping, woodcraft. Her mother is an herbalist who has taught her what plants heal and how to use them. To feed her family, Katniss has taken down all manner of wild game… but can she kill another human being?

The characterization in this book is phenomenal. You feel the emotional conflict within Katniss every step of the way. The other characters have distinct personalities that are realistically portrayed. Some are sympathetic, others not so much. Readers find themselves rooting for certain characters and hoping others are taken down quickly.

The action sequences are well planned and executed. They are both exciting and brutal. These might be kids, but they are kids who want to win at any cost.

This is one of my favorite reads this year. It is written for the young adult crowd (grade 7 and up). The book is the first in a trilogy, with the third book set to hit bookstores in a few weeks.

Highly, highly recommended.

Reviewed by Jim Cobb

 

Catching Fire (Hunger Games Series #2)by Suzanne Collins

Scholastic Press; 1 edition, 2009

ISBN-13: 978-0439023498

Available: New and Used

Catching Fire is book two in the Hunger Games trilogy. It begins a short time after the end of the first book. Katniss and Peeta, our star-crossed lovers, have returned to District 12 victorious. They are given new homes for their families, as well as wealth and status. For a brief period, all is well. Katniss also learns of a rumor about District 13. All her life, she has been told District 13 was uninhabitable, due to being destroyed by the Capitol in a war whose end result was the creation of the Hunger Games. She is now told there are indeed people living in District 13, people who are working to overthrow the Capitol.

As part of their duties as Hunger Games victors, Katniss and Peeta are to tour the entire country of Panem, visiting each district in turn. On the day they are to depart, Katniss is confronted by President Snow. He is not at all happy with how the Hunger Games ended, and believes there is a resistance movement sweeping through the districts that has chosen Katniss as their symbol of rebellion. President Snow explains to Katniss she must prove to the entire country her defiance in the Hunger Games was not an act of rebellion but instead driven by her love of Peeta.

During their victory tour, Katniss witnesses firsthand both acts of defiance among the populace and the Capitol’s iron-fisted way of dealing with those acts.

The next Hunger Games is a Quarter Quell. This occurs every twenty-five years and allows the Capitol to introduce some sort of twist to the event. This time around, it is determined that the participants will be chosen from all living previous Hunger Games victors. Katniss and Peeta are headed right back into the arena, with every opponent being someone who has survived previous Hunger Games.

Twists and turns abound in this book, but it does suffer from what I call “middle book syndrome.” In almost every trilogy, the middle book is the weakest of the three. The first book is usually exciting in that there is a goodly amount of world-building. The reader learns who to root for and who to despise. The second book often is not much more than a lead up to a dazzling conclusion in the third volume.

In this particular case, Catching Fire does contribute to the overall story. It is well-written and the characters are fleshed out well. But the reader, knowing there is another book coming, might feel this book goes a bit slower than necessary. Certainly by the time the actual Hunger Games begin, the reader is almost out of patience.

Overall, the book is a good follow up to the first volume, but it does move slowly. Recommended for all those who loved the first Hunger Games book.

Reviewed by Jim Cobb

 

mockingjay

 

 

 

 

 

Mockingjay by Suzanne Collins
Scholastic, 2010
ISBN-13: 978-0545663267
Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

Ye gods, what a mule kick in the heart this book is. Katniss has seen the destruction of her town and most of the people she knew. She’s faced the Arena twice for the amusement of her world, and had to kill, and face her own death. Now she lives in the tunnels of District 13, being forced to become the star of the revolution.

Once again she’s trading her own well-being for that of others, but District 13’s president is determined to keep Katniss on a much tighter leash. War brings out a side of Gayle Katniss doesn’t like and Peeta, left behind in the Arena break out, is being tortured into playing Katniss’ opposite, moral booster for the Capitol and President Snow.

Even once rescued, Peeta has been so twisted by trackerjack venom and psychological reconditioning that he tries to kill Katniss more than once. Katniss, trying to deal with how very broken she is, has no real support, and at times it seems no one even cares about her, just The Mockingjay.

War isn’t prettied up at all for readers, which is a mixed blessing since there’s no real diluting of either battle, nor Katniss’ emotional trauma. Collins doesn’t even pretend that Katniss, or Peeta, or Gayle are valiant defenders of anything. They are people picking sides and fighting for what they feel is right, but in the process the tragedy they cause is just as real as the harm they endure spurring them to fight.

While it isn’t pretty, Mockingjay is an amazingly soulful story, sure to resonate with readers, teens and adults a like. Definitely a recommended read, but with a caveat for caution for anyone with trigger issues.

Reviewed by Michele Lee

Monster Movie Month: Guest Post by Becky Siegel Spratford- Marketing Horror All The Year Through

Well, we’ve reached the end of Monster Movie Month. If you’ve been following along, you have a lot of background information, resources, and recommendations for both movies and books at your fingertips, on topics from Asian ghosts to killer rats. So how do you use all this to get horror movies and fiction into the hands of likely readers? We asked Becky Spratford, author of The Reader’s Advisory Guide to Horror, Second Edition (reviewed here), which includes an entire chapter on marketing horror, to share her expertise, and she wrote us this guest post.

 

 

Marketing Horror All the Year Through

By Becky Spratford

 

One of the biggest questions I get from my fellow librarians is how they can best market their horror offerings throughout the year.  Of course it is easy to get patrons to notice horror in October.  Every other marketer in the world is priming the public for all things scary, so when people walk in the library, they are horror hungry zombies, looking for their next meal.  We have to do little more than place the horror books within their line of sight, and patrons snatch up the books by the handful.

 

Ah, but the rest of the year we do not have the entirety of mass media working for us; we have to try just a little bit harder. But as daunting a task as it may seem, marketing horror to your patrons during the other 11 months of the year, is not as difficult as you might think. I have 2 easy ways you can seamlessly incorporate horror into your general work marketing books at your library.

 

First, let’s talk about traditional library displays.  Most of you out there probably put up a big horror display in October.  But why aren’t you doing it other times of the year?  The most common answer is that you think your patrons aren’t thinking about horror outside of October.  But in the last few years this is not necessarily true.

 

Let’s take the first 6 months of 2012 as an example.  In April, we saw the release of The Cabin in the Woods, a terrific and popular haunted house movie.  In May, there was the Johnny Depp vampire soap opera Dark Shadows and in June, the king of mash-ups, Seth Grahame-Smith helped to bring his bloody, smart, and amusing novel, Abraham Lincoln Vampire Hunter to the screen.  Each of those movie releases had their own marketing campaigns that resulted in buzz about them among the general public.  For each, a small display could have easily been created.

 

You begin by putting up a graphic of the movie poster on regular 8 ½  by 11 paper (just do a Google image search for the movie) next to a handful of books.  Then you grab some books that are connected with the movie.  So for Cabin in the Woods, you could pull out some haunted house books, vampire books for Dark Shadows, and some comic horror novels for Abraham Lincoln Vampire Hunter.  Displays do not need special shelving.  Just put books out anyplace where you have space.  For example, at the Berwyn Public Library, we put these small, current event displays up on our desk, on a top shelf that we keep clear to rotate with impromptu displays, and even on small side tables in our seating areas.

 

These current event displays not only show your patrons that you understand their interests, but they also make a trip to the library easier for them.  Patrons are daunted by the large number of books on our shelves, so anything we can do to pull out good books for them, makes them less intimidated and more willing to browse.  And, displays linked to current media darlings are a sure fire crowd pleaser.

 

But how do you choose the books?  Here is where I can help.  In my new book and on its companion website, I have a lot of lists that would help you to identify titles that you could highlight.  I am even fine with you using my annotations, as long as you cite where they are from.  In the book I have entire chapters on haunted houses, vampires, and comic horror that include long annotated lists of popular titles available at most public libraries.  On the website, RA for All: Horror, I use tags on each post.  You just need to choose a tag, like vampires, and all of the relevant posts come up.  There are literally hundreds of options at your fingertips.

 

Another way you can work horror into your displays throughout the year is to simply include a few horror titles in the mix in your larger, more planned displays.  For example, we have done displays featuring coming-of-age stories at our library.  Since this is such a popular theme in novels, on the display we included books from every genre.  There was literary fiction, science fiction, fantasy, suspense, and horror, just to name a few.  As I argue in my new book, a coming-of-age theme is huge in all horror.  In most horror novels, the protagonist has to overcome his own shortcomings, face his inner demons, and grow up before he can defeat the physical monster in front of him.  So what horror books can be included on a “Coming-of-Age” display? Any you want.

 

What about a display on gardening? I have lots of “plants of terror” titles to suggest to you in  my book or on the blog, but here are two of my favorites– The Ruins by Scott Smith and The Caretaker of Lorne Field by Dave Zeltersman.

 

This plan works with just about any theme.  If you just make an effort to incorporate horror into all of your displays, I am sure you will find a tale of terror to fit most displays.  The moral here is to consciously mix all genres into your displays.  You will have more fun, and you will make a wider range of patrons happier.

 

My second tip for marketing horror all year also plays off of the media.  I mentioned a marketing strategy for one-time movie releases, but what about the excitement we are seeing for popular horror television series throughout the year?  Again, let’s stick with just the first 6 months of 2012 and talk about two of the most popular series on television, period– AMC’s The Walking Dead and HBO’s True Blood (okay, technically True Blood is paranormal, not pure horror, but trust me, I will address that in a moment).

 

The Walking Dead ran on TV in the winter and spring, while True Blood is currently running this summer.  For each series I took a different marketing approach at the library.  For The Walking Dead, I focused on a web campaign of all things zombie.  On my blog, I ran many Walking Dead inspired posts and worked hard to incorporate book suggestions in these posts.  I did this throughout the run of the show, culminating with a display of zombie books in the library during the week leading up to the finale.

 

True Blood was a little more difficult, since its fans are mostly those who like paranormal stories.  In paranormal, the main thrust of the story is NOT to invoke fear, as it is in horror.  The scares come, but they are not the overall point of the work.  As a result, some horror fans do not like paranormal and vice versa.  But, that doesn’t mean NO horror fans like True Blood.  To address the wide range of appeal in the TV series and the book series, a few years ago, I created this list of Sookie Stackhouse read alikes broken up by appeal.  I considered all of the reasons you may like the series and included plenty of horror options on the list.  This list is available online and in the library and is one of most popular lists.

 

I hope I have inspired you to consider marketing horror throughout the year.  The popularity of horror TV series and movies today proves horror’s staying power.  And if huge production companies think it is okay to push horror during the other 11 months of the year, why shouldn’t you?  We have way less to lose than they do.

 

And don’t be scared of helping your horror patrons.  They are not monsters, they just like to read about them.

 

Becky Spratford is a busy Readers’ Advisor. Between manning a desk at the Berwyn (IL) Public Library and corrupting the minds of library school students at Dominican University, she runs two popular and critically acclaimed RA blogs: RA for All and RA for All: Horror.  Her new book The Readers’ Advisory Guide to Horror, 2nd edition (ALA Editions, 2012) is available now.  She also writes content for EBSCO’s NoveList database and is a proud member of The Horror Writers’ Association.  She can be reached at bspratford[at]hotmail[dot]com.

 

 

 

 

 

Welcome to Monster Movie Month!

A picture is worth a thousand words, they say, and it’s true that in a horror movie you can experience in a a moment a feeling of terror you might never capture with words. With the right camera shots, music, and special effects, films do more than give a face to horror– they add new dimensions to storytelling. There are a lot of horror readers who also love horror movies (reviewer Colleen Wanglund is currently spending a lot of time at the New York Asian Film Festival)Yet there’s a divide between horror movie watchers and horror fiction readers–there are lots of people who watch horror movies who don’t read horror fiction, and there are many readers who don’t watch the movies.

This gives readers advisory librarians a special opportunity to share the horror genre with both audiences–watchers and readers. It can be hard to know what to suggest, especially if you don’t know much about the genre. In the recently published second edition to The Readers’ Advisory Guide to Horror, author and RA librarian Becky Siegel Spratford suggested ten horror films for horror readers. Then my six year old Monster Kid asked if we would write about monster movies (he’s a big Godzilla fan). So we are declaring this July Monster Movie Month (I apologize to all those expecting Werewolf Month, but I promise we’ll still have something for you).

We created a Monster Movie Month web page where we’ll be posting reviews of some of the great movies in the horror genre, with suggested watch-alikes and read-alikes, and we’ll also have several guest blogs- you’ll want to take some time to read what Becky Siegel Spratford has to say about marketing horror, and what the podcasters from The Cutting Room horror movie podcast think about horror movies, books, and libraries.

We’ll also be sharing a variety of resources for further investigation- in addition to links on the web page, visit our Monster Movie Month board on Pinterest and you’ll find additional resources. Right now, we’ve got some great information on Lovecraftian horror movies and Godzilla, kaiju and giant monster movies, and there is more to come. Visit us often to see what new things we’ve posted to this blog and added to the Monster Movie Month web page. There is a ton of cool stuff here so take time to explore! And thanks for joining us for Monster Movie Month!

To find the resources for Monster Movie Month easily, check out the links below, and search for posts about Monster Movie Month on this blog’s tag archive under Monster Movie Month!

Monster Movie Month Web Page

Monster Movie Month Pinterest Board