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Angry Penguins, Anne Rice Returns, and Other Stuff.

Well, the drama from November, when Penguin pulled all their ebook titles from OverDrive (read: libraries) for dealing with Amazon, and then later decided it was okay for libraries to continue to check out ebooks they had already purchased but not new releases while they negotiated, has concluded for the moment, with Penguin choosing to stop releasing new ebooks to libraries at all and any Kindle versions to libraries at all. Instead of me summing it all up for you, I now present you with further reading: an article from Publishers Weekly that provides a basic summary, and some more information here. A bit of analysis shows that while this is extremely frustrating for librarians and library users,  it probably doesn’t do either Penguin or Overdrive much good, since it appears that now the only Big Six publisher making ebooks available to libraries is Random House, even though there is a huge demand for ebooks. So if you’re a small press publisher, willing to make it easy for libraries to work with you, this could be good news for you.

And a few tie ins to Women in Horror Month (kinda):

Anne Rice is back, this time with a werewolf book. Here’s an interview with her, published just a few days ago in the Wall Street Journal.

And this month Madeline L’ Engle’s classic A Wrinkle in Time celebrates its fiftieth anniversary. You can argue that it’s science fiction or fantasy or both, and you’d be right, but it’s also terrifying. I liked this article that talked about how central women writers have been to the renaissance of science fiction and fantasy, especially for the young adult crowd. The author mentions extremely cool writers like Diana Wynne Jones, Susan Cooper, Ursula K. LeGuin, and Lois Lowry, all of whom came long before J.K. Rowling and Suzanne Collins ever hit the scene. Although it’s not addressed in the article, if you look at YA horror, I suspect you’ll find a number of women writers there too; Lois Duncan and V.C. Andrews were staples when I was growing up (although not as likely to be assigned reading in school). It’s interesting to note this, as these are frequently perceived as male-dominated genres… does that just happen when we grow up?

And Rose Fox, over at Genreville, notes that there are more starred horror titles (horror-ish, to use her exact wording) this year already than there were all last year. Woohoo!

 

Penguin Throws Libraries a Rotten Egg

You can add Penguin to the list of “Big Six” publishers refusing to sell digital copies of their books to libraries.

Penguin announced on Monday that it will no longer sell digital books for new titles, and has disabled the ability to download ebooks in Kindle format in ALL of its titles. This is so frustrating to me! One of my big gripes with the Kindle was always that it used a proprietary format and that Amazon wouldn’t allow Kindle books to be lent in libraries. As of September 21, that changed, and it was HUGE for both libraries and library users who owned Kindles. Circulation statistics for ebooks went way up, and libraries spent a big chunk of money buying Kindle books. Now that Penguin has disabled Kindle functionality, I hope it also plans to refund some money and offer an apology for leaving libraries to deal with huge numbers of irate library patrons. Further, now Random House is “actively reviewing” its policy- although it’s hard to know what that actually means.

So here’s where we are with the “Big Six” publishers. Macmillan and Simon and Schuster refuse to sell ebooks to libraries at all. Hachette, and now Penguin, decline to sell frontlist titles in digital format, Penguin has disabled Kindle functionality, and HarperCollins requires libraries to re-license an ebook after 26 circulations (although that’s apparently under discussion). Who exactly are the winners in this situation?

Frankly, this stinks for pretty much everyone. Surely, publishers, authors, libraries, and readers can come up with something workable? Even if there are compromises that need to be made, it would be nice to find a way to make things come out with the sunny side up.