Home » Posts tagged "racism" (Page 7)

Book Review: Wanderers by Chuck Wendig

Wanderers by Chuck Wendig

Del Rey, 2019

ISBN: 978-0-399-18210-5

Availability: hardcover, audiobook, ebook

 

It’s inevitable that any 782 page magnum opus about the end of the world like Wanderers will get compared to the two titans of the apocalyptic pantheon, Stephen King’s The Stand and Robert McCammon’s Swan Song.  Wendig’s tome compares fairly well. The prose is excellent, character development is strong, and the plot has plenty of surprises.  Wanderers might have been able to join the other two at the top of the mountain, but it does have a couple of faults.  The story sputters to a muddled conclusion at the finish line, and the author’s insertion of his own political beliefs into the stories detracts from the strength of some of the characters, reducing them to stereotypical cardboard cutouts.

 

14 year old Nessie one day starts walking down the driveway in an unresponsive trance, leaving the home she shares with her older sister Shana and her father. Others with the same symptoms soon join her, and soon there is a pseudo-parade of walkers and supporters marching across the country, although no one knows where they are going.  The real focus of the story, however, isn’t the walkers themselves, it’s the reaction of the rest of the country to them.  Are the walkers carriers of a new disease?  A sign from God?  Messengers of the devil?  They become national news in an election year, and reactions vary from solidarity with the walkers to outright violence against the “devil’s parade”.   It becomes a race for medical professionals to find the cause of the trance-walking, set against the backdrop of a country on edge due to its own political beliefs about the walkers.

 

There isn’t much to dislike in the book.  The author writes extremely well in a tight-but-loose fashion, the story peppered with numerous asides and pop culture references that give the book a unique feel.   This is truly a character-driven story.  It’s not so much about what the characters do: how they think, feel and respond to their own lives, and the world falling apart around them is what keeps the story flowing.  Summing up the actual actions of the first 500 pages could be done in a few sentences, but that would miss out on the richness of the characters’ thoughts and emotions.  The plot itself is an unusually complex take on the “end of the world” scenario, as artificial intelligence and nanotechnology play a part.  It is partially a detective story, and it’s not an easy puzzle to figure out, especially with the final twist inserted in the last few pages.

 

The drawbacks to Wanderers are minor, but they prevent a good story from becoming a great one.  As noted, the final showdown between good and evil was a bit convoluted and didn’t really fit the rest of the story.  The real problem is the author’s use of stereotypes when it comes to his antagonists from the conservative side of the political spectrum.  These make the villains far too predictable in their actions and reasons.  Author Wendig also has a bad habit of inserting his own liberal beliefs into the story as narration asides, not as part of the character development.  That damages the narrative, when it is written from the author’s point of view to make a political case, and not to further the story.

 

Overall, Wanderers is a well-written, epic saga of the end of the world, and well worth the time investment to read its almost 800 pages.  However, conservative readers will have to put aside their own feelings and viewpoints to enjoy reading this.  Otherwise, they will probably get mad and quit within the first 100 pages.  Recommended.

 

Contains: violence, mild gore, racial slurs, rape

 

Reviewed by Murray Samuelson

Editor’s note: Wanderers was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Novel.

Posted on April 10, 2020 by , Reply

Musings: Racism in Genre Fiction Is Everyone’s Problem

Courtney Milan

Recently, romance author Courtney Milan was censured by romance writers’ professional organization, the Romance Writers of America (RWA). Milan, who is half-Chinese, called out racist stereotypes of half-Chinese women in a romance novel by Kathryn Davis on Twitter. In return, Davis filed an ethics complaint that the criticism was unfair and caused her to lose a three-book deal. Suzan Tisdale, Davis’ employer, also filed an ethics complaint that Milan asked her how many authors of color she had published and was critical of Tisdale’s answer, and that she had called Davis a racist. Milan called Davis’ book a “racist mess,” but there’s a difference between personally attacking an author and criticizing her book (if honest reviews are important to you, I hope you can tell the difference). None of this was a violation of the RWA’s ethics code, but the board suspended her for a year and banned her from holding leadership positions. Milan has worked to increase diversity and inclusion in the romance community, which is majority white, cis, and heteronormative, and that appeared to have had a positive effect on the RWA. The lack of transparency in making this decision led to outrage from many in the romance community, and many officers, committee members, and paid members of the organization resigned. If you subscribe to any major newspaper, there has probably been a mention of this controversy in it this week (here’s the Washington Post’s take, and the New York Times).

Beyond the individual support for Milan, a larger problem has come to light, and that is institutional and systemic racism in the RWA and the romance community. Bestselling authors, such as Nora Roberts, have condemned the racism and homophobia that have come to light while all of this has been unfolding. For those people who don’t follow romance or know who Nora Roberts is, she’s close to being the romance genre’s equivalent to Stephen King.

I am writing about the out-of-control events in the romance writing community because racist, bigoted, and homophobic behavior and writing is not limited to one genre writing community. It’s everywhere. The horror genre and the people who participate in it do not get to wash our hands and say “well, what does racism there have to do with us?” Like it or not, one of the greats of the horror genre is well-known for racist, xenophobic vitriol. That is not opinion, it’s fact. Just because he wrote a century ago doesn’t mean we can’t criticize Lovecraft’s work. It’s even productive to do so. Some really great horror fiction has been published that critique his racism and xenophobia, like Victor Lavalle’s The Ballad of Black Tom, Matt Ruff’s Lovecraft Country, and Ruthanna Emrys’ Winter Tide.

Let’s not pretend, either, that those are things of the past and we’re too enlightened to have them appear in the horror community, or horror fiction, today. It doesn’t have to be related to your personal politics, any of us can trip over a stereotype or a dog whistle (I certainly can’t claim to know them all).  I’m pretty sure we’re all writers, reviewers, educators, librarians, or at least readers here, and that means we all know that words matter. It’s not a personal attack to point that out, it’s not being “too sensitive,” it’s an opportunity to do better for the horror genre and for ourselves.

 

Posted on December 30, 2019 by , Reply

Graphic Novel Review: Bitter Root, Volume One: Family Business by David F. Walker, Chuck Brown, and Sanford Greene, illustrated by Rico Renzi and Sanford Greene

Bitter Root, Volume One: Family Business by David F. Walker, Chuck Brown, and Sanford Greene, illustrated by Rico Renzi and Sanford Greene

Image Comics, 2019

ISBN-13: 9781534312128

Available:  Paperback, Kindle, comiXology

 

The Sangerye family combats monsters called Jinoo, people who have been infected by hate. However, a deadly tragedy struck the family, and the survivors can’t agree whether to kill or cure the monsters. With a new breed of monster stalking the streets of 1920s Harlem, the Sangeryes need to come to terms with their feud and face their new foe, or watch all of humanity lose the fight.

The characters in Bitter Root are fantastic. Ma Etta, the matriarch of the family, is a badass, protective of her family and not afraid to defend them. Berg is a poetic and gentle giant who can wield a wicked staff. Blink is a strong-willed, brave woman who desires to take a more active role in the family’s monster hunting. Cullen seems to be in training and is struggling to get his footing. Then there is Ford. He is most definitely a loner, and has his own deadly ideas of how to deal with the Jinoo.

There are so many great scenes in this book, which is a fast paced #OwnVoices read. The reader is thrown into the action when Sweet Pickin’ Jazz Club is attacked by an unseen monster. The next night sees one sect of the Sangerye family attacked by monsters, and Ma Etta telling Blink she can’t go out to help her Cullen and Berg fight a great horned beast. Blink proves herself by using a staff to beat the crap out of the monster. She is by far my favorite character in Bitter Root.

I recommend this highly for anyone looking for a great supernatural #OwnVoices graphic novel. The story is full of monster fighting, family politics, social commentary, and racists and KKK members getting their asses kicked.

Volume 1 collects Bitter Root issues 1 through 5. Also included are essays about the origin of the story, Afrofuturism, the tradition of rootwork, and more. Interspersed between the essays are variant covers and fan art.

Highly recommended

Reviewed by Lizzy Walker

Posted on November 21, 2019 by , Reply
First « 56789 » Last