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Women in Horror Month: A Look Back

An enormous amount of content was produced by and about women in horror during Women in Horror Month, 2014. I linked to a lot of this content via our Facebook page  However, since a lot of people don’t visit our Facebook page, I’m going to provide a list of links to places I visited and shared during the month that are related to WiHM(I really recommend that you visit there often, because not only will you get all kinds of awesome content that comes my way, but there are also links to all our blog posts– not just this blog, but the one for Reading Bites, and the one that notifies you of new reviews. So it’s a great way to see everything current).

Enjoy!

Mary Shelley Letters Discovered in Essex Archive-– The Guardian, January 15

Flowers in the Attic: The Value of Young Reading Perspectives-– Kelly Jensen, BookRiot

The Ghost of V.C. Andrews: The Life, Death, and Afterlife of the Mysterious “Flowers in the Attic” Author—  Kate Aurthur at Buzzfeed. For the first time, the family and colleagues of the author speak out to provide a fuller picture of her life.

The Literary Gothic— A web guide to biographical information on early supernaturalist authors, set to close down in June

Please Don’t Bring Me Flowers— Allison Peters, BookRiot

20 Black Women in Horror Writing— Sumiko Saulson. Essential reading for the month of February, for multiple reasons. Saulson also published a short ebook on black women horror writers in February of this year, available for free at Smashwords.

Women in Horror Recognition Month Facebook page

Gothic Pioneer Ann Radcliffe May Have Been Inspired by Mother-In-Law— The Guardian, January 30

Women Who Write Lovecraft by Silvia Moreno Garcia of Innsmouth Press

RA for All: Horror— Becky Siegel Spratford asks who your favorite woman writer in horror is.

Ania Ahlborn’s interview with J. Lincoln Fenn

The Rise of the Women in Horror Movement: Admirers, Haters, and Everything In-Betweeners at Brutal as Hell

Statistics on genre writer submissions by gender at Tor UK, by editor Julie Crisp. Crisp’s statistics demonstrated that women submit fewer manuscripts than men, at least at Tor UK, so sexism by the publisher isn’t the only factor at play.

Women in Horror Month: Girls Can Kill, Too!— Bloody Disgusting

Writing female protagonists, by Lisa Morton– HWA blog

Genre-blending from Mary Shelley to the present by J. Lincoln Fenn– HWA blog

Horror Roundtable on Sexism— HWA discussion. Read the comments section– it’s very interesting!

Women Destroy Science Fiction Kickstarter— Lightspeed Magazine. In spite of everyone’s insistence that all-women issues are not desirable, this Kickstarter campaign to fund an all-women writers’ issue of Lightspeed Magazine was so successful that the people at Lightspeed expanded to include issues called Women Destroy Horror (published as an issue of Nightmare Magazine) and Women Destroy Fantasy (published as an issue of Fantasy Magazine). The campaign is over, but this shows there is clearly a demand for work by women writers. Look for the special issues later this year!

Mary SanGiovanni on her personal experiences as a woman writer of horror.

Creating female protagonists, by Lisa Morton (again, although not the same piece)– RA for All: Horror

Women in Horror Month: Pseudonyms and Author Anxiety— KC Redding-Gonzalez

Rabble Rouser Wednesdays: On the Issue of Misogynist Writers and Readers by Paula Ashe

Hugh Howey on Self-Publishing

Mark Coker responds to Hugh Howey

Tonia Brown on her personal experience with self-publishing

What’s Wrong With Female Werewolves in Popular Culture? at Darkmedia

Women in Horror Month Archives 2014— Darkmedia

Spreading the Writer’s Word— A daily spotlight on a book by a woman writer of horror

Siren’s Call Publications— download their free ezine devoted to Women in Horror Month

60 Black Women in Horror by Sumiko Saulson— free download to this guide at Smashwords.

 

There is some great stuff at those links and I hope you will take the time to explore them. I hope you had a great time learning about women in horror, and especially women in horror fiction, during the month of February. Don’t think that just because the month is up that it’s time to stop, though! Keep your eyes open for news on how Monster Librarian plans to keep women writers visible over the next several months– it will be a challenge to keep it up with the Stokers coming up and all kinds of reviews to edit, write, and share, but it’s totally worth it. So welcome to March– another month set aside to recognize women’s contributions to the world. Let’s see where it takes us!

 

 

 

 

 

 

 

 

Posted on March 1, 2014 by , Reply

Short Is Good: David Lubar and Why Short Stories Are Awesome

David Lubar is the author of many children’s books, including some great books to introduce to kids who love scary books, such as the Weenies books and the Nathan Abercrombie, Accidental Zombie series, and he now has published a “young adult” collection of horror stories called Extremities (the publisher failed to send us a copy for review, so I can’t tell you what that actually means in terms of age appropriateness).  It wasn’t an easy thing– he wrote about how difficult it was to get a publisher to show interest in short stories in this essay.

I think publishers in general have missed out on the appeal of the short story, especially for kids and young adults. A short story can have a solid impact that a novel makes too diffuse (if you want to see how awful translating a short story into a novel can be go check out Isaac Asimov’s short story “Nightfall” (I first read this in high school) and then read the novel version, Nightfall, co-written with Robert Silverberg (or not– how two giants of science fiction managed to make such a mess of such a masterpiece is beyond me). When a short story ends suddenly, it doesn’t feel like a cheat. It takes your breath away. You have to muse on that last moment– did the princess choose the lady or the tiger?  If a novel ends suddenly, it’s annoying– I want things tied up.

The short story requires economy of language. Every word must count, and what is left out can be as important as what is visible on the page. A collection of short stories provides variety. You can flip through and find something that probably will fit your mood. Even if one story doesn’t float your boat, it doesn’t mean you’re sunk with hundreds of pages. The next one might be fantastic. A short story can be read in one sitting. Someone who finishes what she’s reading builds a sense of mastery. It’s not required that you slog through a thousand page novel for that feeling of “Aha!”

Lubar wrote that he felt that one reason he wasn’t able to sell the concept was because, although he described it as an anthology of horror stories, not all of them had supernatural forces. That may matter if we’re niggling over the details of genre– Becky Siegel Spratford’s definition of horror states that it must have a supernatural creature or aspect. But it mostly doesn’t matter to the readers. Maybe it’s better to call them scary stories than horror stories, if genre definition matters that much. We receive anthologies and short story collections all the time (check out this link to our YA anthologies page and this link to our adult anthologies page). Some have supernatural horrors, some have human horrors, and some have both. Kids and adults both like short and scary stories, and a short story collection is a great place to take risks. Publishers, take notice.

Posted on July 24, 2013 by , Reply

Why StoryBundle (and HumbleBundle) Makes Sense

I wrote about StoryBundle a while back. It seemed like a pretty neat idea– get five or six DRM free books for a price you set, and determine for yourself how much of what you paid should go to the company, the authors, and a charity of their choice, for a limited time. StoryBundle is on their second bundle now, which is a “Halloween Horror” bundle that includes titles by Joseph Nassise, Weston Ochse,  Jon F. Merz,  among others, and, if you’re willing to meet a minimum price, two additional books.

I did not try out the first StoryBundle, and I just learned about this one. But not that long ago, Publishers Weekly ran an article about HumbleBundle, which sounded like the same kind of thing, I went to the site to see if it was. HumbleBundle is pretty similar– the difference seems to be that the authors included in StoryBundle’s bundles are indie authors whose names the average mainstream reader might not recognize, but the authors included in the current HumbleBundle are much more well-known (and are getting a heck of a lot more publicity). Kelly Link, an author I love, contributed two titles to the bundle, and I saw the names of a couple of other authors I had not read but was kind of interested in trying out. So I purchased the HumbleBundle. Thirteen books and comics for whatever I want to pay, with the option to contribute some of the money to the Electronic Frontier Foundation? I’m there. And it is a good deal not just for me (not just for the price but because I’m trying new things) but for at least some of the authors of the books in the bundle. I had never read anything by John Scalzi, although I’d heard his name. His book Old Man’s War was included in the bundle, and it was fantastic. It is, of course, the first book in a series, though, so now I’m going to have to seek the others out. That works out to be a pretty good strategy! I’m now reading a book by someone I had never heard of at all, Lauren Beukes, and it’s amazing. Authors and publishers need to take a close look at how well this model is working. For anyone who isn’t really well read in a particular genre and is interested in trying it out, this kind of opportunity, either through HumbleBundle or StoryBundle is golden. Over a million people have purchased the HumbleBundle now… that’s a lot of customers, and most of them must be satisfied, or people would stop buying the books.  If you are a horror fan looking for some great Halloween reads, check out the books at StoryBundle.com– chances are you’ll find something you like.

Posted on October 23, 2012 by , Reply
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