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Musings: The Adventure of the Peculiar Protocols: Adapted from the Journals of John H. Watson, M.D. by Nicholas Meyer

The Adventure of the Peculiar Protocols: Adapted from the Journals of John H. Watson, M.D.

Minotaur Books, 2019

ISBN-13: 978-1250228956

Available: Pre-order, hardcover, Kindle edition, audiobook, audio CD

 

I’m not sure what genre exactly this book fits. As a Sherlock Holmes pastiche, it by rights should be in the mystery genre. It is solidly grounded in history, although the author notes that not all the dates fit. It might be considered political fiction. But while I wouldn’t call it horror, for me, it was disturbing and terrifying. The plot concerns what is probably the last case Meyer will write for Holmes (he’s written several, starting with the brilliant The Seven-Per-Cent Solution), and begins in 1905, with Sherlock’s older brother, Mycroft, who works for the Foreign Service, approaching him to ask him to determine the authenticity of a document that a woman died to get her hands on. The document? A French translation of what is known today as The Protocols of the Elders of Zion, an anti-semitic screed that claims that there is a secret cabal of Jews meeting regularly and trying to take over the world. The first version of this document was published in the years just before the story takes place, and in the novel, its origins and authenticity are unknown.

On a personal level, I cannot even begin to tell you how it made me feel to read of fictional characters I have known and loved since I was a teenager discuss whether this could be authentic. (spoilers start here) Of course, Sherlock quickly deduces that it is a fraud (because it makes no logical sense that a secret cabal would announce itself) but Mycroft informs him that in fact Jews have been meeting yearly in Basel, Switzerland (this is the Zionist Congress, spearheaded by Theodor Herzl, which is working towards establishing a Jewish homeland in Palestine). Could this be related?

Zionism and the historical foundation and location of Israel in Palestine are touchy subjects and Meyer handles them well, sending Holmes and Watson to interview a number of Jews in England who have differing viewpoints, who include Chaim Weizmann, the future first president of Israel, and writer Israel Zangwill, who favors assimilation. Continued discussions between Holmes and Watson, and Watson’s own musings, on the authenticity of the document and the likelihood that Jews might actually be involved in some kind of conspiracy, were enough to make my stomach ache even though they were in agreement before long that the document was a fraud intended to stir people to anti-semitic acts, and well before the friends traveled to Russia to root out the truth firsthand. On reading a passage by Mark Twain, which presumably is supposed to be complimentary, Watson realizes it could be read the opposite way as well, and notes:

Having seen portions of the Protocols, a dark corner of my mind found itself wondering if the Jews were as noble and noteworthy as Twain described them. I confess I have never given Jews much thought… But now, in the stillness of the night… I was mortified to find myself wondering if, despite all logic and probability, there might not be some grain of truth in the Protocols… The scurrilous pages had already begun their insidious work, tunnelling their way into my poor, addled brain.

Of course, history tells us that Holmes and Watson, despite their thrilling and mind-altering adventure here, failed to keep the lies from spreading. It’s quite clear from the author’s repeated statements about lies being accepted as facts and people believing what is most comfortable to believe, especially when they need a scapegoat, that his story has been significantly shaped by the current presidential administration. As a reviewer, I think this made a considerable difference on how Holmesian the story actually was. Holmes rarely made the kinds of deductions he typically does in his stories, or referred to his expertise: he was much more emotional and less creatively resourceful. Watson, of course, is Watson, the faithful chronicler, but he also interjects himself into the narrative more frequently.  The long separation between the two left the relationship somewhat rusty as well.  While still grounded in Holmes’ world, it almost feels like this is less a story of Holmes and Watson and more a warning for us, the readers now…. certainly, a timely one. Meyer is a brilliant writer for carrying the story off. Here, Sherlock discovers, the world is smaller than he thought, and the political is very personal.

I think Meyer’s choice to focus on The Protocols of the Elders of Zion was interesting and unusual, and he brought some mostly unknown history and historical figures to light for many readers (I really loved how grounded in history and how vivid and real the setting and historical characters were). But while I recognize the need for the discussions of the possibility that this was an authentic document, I worry that, as with Watson’s thoughts following his experience with the Protocols, readers will instead take the opposite message away from the book.

Contains: references to murder and rape,  threats of violence, anti-semitic remarks.

Book Review: Calexit #1 by Matteo Pizzolo, art by Amancay Nahuelpan

Calexit #1 by Matteo Pizzolo, art by Amancay Nahuelpan

Black Mask Studios, 2017

ASIN: B07146NKY6

Available: Kindle ebook and comiXology

 

Calexit #1, a new comic series from indie publishing house Black Mask Studios, presents a frightening world not far off from the current political climate. A fascist, autocratic president takes control of the United States, but loses California, the sixth largest economy on Earth. The largest mass demonstration in history happens only one day after the president takes over, and not surprisingly, the state he lost has the largest turnout of protesters. The next week, LAX and SFO, two of the largest international airports, are blockaded by protesters. California becomes a political battlefield after declaring its status as a sanctuary state, and her citizens refuse to be ruled. Deportations similar to home invasions occur regularly; militiamen are hired to act as guards, and California is angry. Jamil, smuggler to some and courier to others, and Zora, a freedom fighter for the Pacific Coast Sister Cities Resistance, are at the center of this dystopian story.

There is strong political commentary in the first volume of Calexit that left me uneasy, yet hopeful. Pizzolo doesn’t pull any punches with his content, and Nahuelpan’s art adds to the gritty, imposing environment and characters. The President uses language and terminology that is uncomfortably like that of our current president, and has the same perfectly coiffed hair when he makes his fleeting appearances. The man in charge of deportation operations is the spitting image of Steve Bannon. I’m wondering what the next installment will look like in the coming months as our real world political landscape shifts.

This volume includes an editorial essay written by Pizzolo that sheds light on the world of Calexit and interviews with political activist Amanda Weaver, director Lexi Alexander, and professor emeritus and author Bill Ayers. Recommended.

Contains: blood, nudity, violence

Reviewed by Lizzy Walker

 

Musings: The Fate of Rabbits in Watership Down

Watership Down by Richard Adams

Scribner, 2005 (reprint edition)

ISBN-13: 978-0743277709

Available:  Hardcover, paperback, Kindle edition, Audible

I am reading Watership Down with my daughter.  It’s one of my favorite books. She is a little younger than I was when I was first given my copy, but I read it by myself and we are reading it together (never let anyone tell you that kids outgrow reading aloud with loved ones). It’s a long book and it’s possible that many of you have never read it, although you might have been traumatized by the movie as a child (I’ve never seen the movie, myself). People who love a fast-moving plot might lose patience with Watership Down and its fearful, brave group of rabbits on their journey to a new home. But stick with it, and the personalities of the rabbits and their dilemmas start to catch you.

So far, in our reading, the rabbits have escaped arrest, fled into a forest, successfully avoided a skunk and a dog, crossed a river, crossed a road, and traveled for a long distance to finally find what looks like a safe place for a new home, only to be approached by a large, well-fed, and generous rabbit who offers to adopt them into a nearby warren where all the rabbits are large and well-fed, there are no threats and no need to search for food. My Goblin Girl looked at me and said, “These rabbits are going to sacrifice other rabbits, aren’t they, so they can stay well-fed and healthy?”

Have I mentioned that I just re-read “The Lottery”? This prediction gave me chills.

I’m going to spoil the story for you and say that’s kind of exactly what happens.The rabbits in the warren have an unspoken arrangement with the farmer nearby. He kills off all their enemies and leaves them vegetable heap scraps, and they pretend they don’t know what has happened to rabbits that go missing because he’s caught them in a trap.

“Either that, or they’re cannibals”.

Cannibal rabbits?

Given her second guess, I don’t think she read ahead.

“Why do you think that?”

“Because the rabbits are too nice and too healthy and that’s always a trap. Like in The Silver Chair, the giants were kind to Eustace and Lucy but their cookbook had a recipe on “How to Cook Man”. So the rabbits either want to sacrifice Hazel or eat him”.

She’s currently leaning more toward the “cannibal” theory, rather gleefully. Never let it be said that children’s literature is sunny all the time. Those cute, fluffy, bunnies clearly are dangerous creatures. As is a well-read child.

Watership Down is sometimes read as an allegory dealing with different ways of organizing society. And this part of the novel tells us a lot about our current moment. The rabbits of the warren are willing to ignore any question that might force them to think about the brutality behind the bargain they have made, because as long as they don’t, they can enjoy a comfortable, and mostly secure life. They have normalized the disappearance of friends and family as just part of the price they pay to keep their lives easy.

The rabbits of the warren are actually scarier than the people in “The Lottery”. In “The Lottery”, everyone knows someone participating in the drawing is going to be next. The consequence is totally horrific, but at least people know what’s going on. The rabbits of the warren, though, don’t tell Hazel’s band about the arrangement they have with the farmer, that he sets traps to catch them in exchange for their easy life. Instead, they welcome the new rabbits, whose presence makes it less likely that the original rabbits will be the ones trapped, so Hazel’s bunch don’t know what to expect. The original rabbits don’t have to see what happens, so as long as they don’t talk about the missing, they can pretend nothing’s wrong. It’s not viscerally horrific like the events of “The Lottery”, but the “I didn’t see the consequences of my actions so it never happened” attitude is terrifying, because it is so real. It’s a good thing this is a story about rabbits.

I can see why my daughter prefers the cannibal rabbit theory. Nothing says “it can’t happen here” like a carnivorous bunny of evil.

Beyond the particulars, here, I want to say that the predictions she made, based on things she’s read in the past, show how essential it is to read, and hopefully, to read widely. If everyone could see the shape of a narrative, and think critically about the words set in front of them, the world, I think, would be a better place. I don’t care what format you are using for your reading, DO IT. And talk about it with as many people as you can. Seriously, I am a boring person to listen to if you don’t want to hear about books, but I will talk to you about them as much as I can.

The political implications of Watership Down are not something I noticed as a kid and they aren’t related to why I’m reading it with the Goblin Girl now. I just loved the story, and it’s worth reading just for the adventure of it. But I see them now, and just how very human Richard Adams’ rabbits are.

Watership Down is not horror, by a long shot, but it does show how the horrific can become an everyday, normalized experience. So, how’s your reading going?