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Book Review: The Residence by Andrew Pyper

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cover art for The Residence by Andrew Pyper

 

The Residence by Andrew Pyper ( Bookshop.orgAmazon.com )

Simon & Schuster, 2020

ISBN-13 : 978-1982147365

Available: Hardcover, paperback, Kindle edition, compact disc, audiobook

Historical horror can be a mixed bag. The immediacy of the terror tends to be removed in a period piece, while dialogue and characterizations, not to mention obsolete settings, can deflate any true scares or dread from the tale at hand, no matter how well it is written.

However, The Residence rises above these obstacles to take up, well, residence, in the reader’s head. It’s in the vein of The Hunger or The Terror, both of which are recent landmarks in the genre.

Andrew Pyper knows how to deliver the horror in a novel. His Demonologist rivaled the best possession stories, and his other titles have been entertaining, chilling books.

This time out, Pyper ventures into terrifying territory– the White House. No, not the current administration. but that of Franklin Pierce, the 14th president of the United States. Pierce stars as a reluctant leader, one not expected to win, but turns out to be a popular man amongst his fellow Americans. A Democrat, he takes on the task of hoping to mend a divided nation.  Pyper transports the reader back to 1853, when Pierce and his family are headed to Washington for the inauguration. Pierce’s wife, Jane, senses that the move might not help them, especially after she and Franklin have already lost two sons.

Eleven-year old Bennie is excited to stand beside his father at the ceremony and live the dream of any young boy, but the train, and possibly external forces, literally derail any hope of happiness for the Pierce family during his presidency. At the bottom of the ravine, only one casualty is found– Bennie.

Grieving the loss of her son, Jane escapes into herself, building herself a “grief room” within the White House, and refuses any duties of a First Lady. Instead, she calls for a pair of psychics, the Fox sisters, to help communicate with Bennie. and salvage any hope she has for remaining in the land of the living.

What they achieve, though, invites something far more sinister: something that becomes a paranormal entity in the capital that threatens to destroy much more than the Pierce family.

Pyper sidesteps any pitfalls that could undermine the horror in this tight, family-centered story that is closely tied to actual history. The White House is reported to be haunted, by several spirits, and much of what is spun here actually occurred. Pyper doesn’t allow himself to become bogged down with an excess of period details or historical overload, rather focusing on the hauntings and how what is unleashed threatens to destroy the Pierces– and much more. Recommended.

 

Reviewed by David Simms

 

Book Review: Wanderers by Chuck Wendig

Wanderers by Chuck Wendig

Del Rey, 2019

ISBN: 978-0-399-18210-5

Availability: hardcover, audiobook, ebook

 

It’s inevitable that any 782 page magnum opus about the end of the world like Wanderers will get compared to the two titans of the apocalyptic pantheon, Stephen King’s The Stand and Robert McCammon’s Swan Song.  Wendig’s tome compares fairly well. The prose is excellent, character development is strong, and the plot has plenty of surprises.  Wanderers might have been able to join the other two at the top of the mountain, but it does have a couple of faults.  The story sputters to a muddled conclusion at the finish line, and the author’s insertion of his own political beliefs into the stories detracts from the strength of some of the characters, reducing them to stereotypical cardboard cutouts.

 

14 year old Nessie one day starts walking down the driveway in an unresponsive trance, leaving the home she shares with her older sister Shana and her father. Others with the same symptoms soon join her, and soon there is a pseudo-parade of walkers and supporters marching across the country, although no one knows where they are going.  The real focus of the story, however, isn’t the walkers themselves, it’s the reaction of the rest of the country to them.  Are the walkers carriers of a new disease?  A sign from God?  Messengers of the devil?  They become national news in an election year, and reactions vary from solidarity with the walkers to outright violence against the “devil’s parade”.   It becomes a race for medical professionals to find the cause of the trance-walking, set against the backdrop of a country on edge due to its own political beliefs about the walkers.

 

There isn’t much to dislike in the book.  The author writes extremely well in a tight-but-loose fashion, the story peppered with numerous asides and pop culture references that give the book a unique feel.   This is truly a character-driven story.  It’s not so much about what the characters do: how they think, feel and respond to their own lives, and the world falling apart around them is what keeps the story flowing.  Summing up the actual actions of the first 500 pages could be done in a few sentences, but that would miss out on the richness of the characters’ thoughts and emotions.  The plot itself is an unusually complex take on the “end of the world” scenario, as artificial intelligence and nanotechnology play a part.  It is partially a detective story, and it’s not an easy puzzle to figure out, especially with the final twist inserted in the last few pages.

 

The drawbacks to Wanderers are minor, but they prevent a good story from becoming a great one.  As noted, the final showdown between good and evil was a bit convoluted and didn’t really fit the rest of the story.  The real problem is the author’s use of stereotypes when it comes to his antagonists from the conservative side of the political spectrum.  These make the villains far too predictable in their actions and reasons.  Author Wendig also has a bad habit of inserting his own liberal beliefs into the story as narration asides, not as part of the character development.  That damages the narrative, when it is written from the author’s point of view to make a political case, and not to further the story.

 

Overall, Wanderers is a well-written, epic saga of the end of the world, and well worth the time investment to read its almost 800 pages.  However, conservative readers will have to put aside their own feelings and viewpoints to enjoy reading this.  Otherwise, they will probably get mad and quit within the first 100 pages.  Recommended.

 

Contains: violence, mild gore, racial slurs, rape

 

Reviewed by Murray Samuelson

Editor’s note: Wanderers was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Novel.

Book Review: Pet by Akwaeke Emezi

Pet by Akwake Emezi

Make Me A World, 2019

ISBN-13: 978-0525647072

Available: Hardcover, paperback, Kindle edition, audio CD, audiobook

 

There was a time before the angels came when monsters caged children, polluted the environment, refused to send aid to hurricane victims and refugees, bombed civilians in other countries, shot up schools, and hurt and killed the people around them. The angels led a revolution, changed the laws, and replaced the monuments. Jam’s teachers tell her these angels took their names from angels who weren’t human: but they were imperfect humans doing their best to create a more compassionate, safer, and more just world, and by the time Jam, our protagonist, was born, there are no more monsters.

Or are there?

Jam, curious about the original angels, heads to the library and asks about them, but the pictures she finds are terrifying, not beautiful. She wonders, if angels are terrifying, what do monsters look like? And how would you know? Jam’s mother, Bitter, tells her, “Monsters don’t look like anything… That’s the whole point.” Bitter, an artist, has been consumed with creating a painting of a bloody, goat-legged, horned creature with metallic feathers, and after it is finished, Jam sneaks in to Bitter’s studio and accidentally cuts herself on a razor blade Bitter has embedded in the canvas. Bleeding over it opens a portal, and the creature pushes through, telling Jam to call it Pet.  Pet is a hunter of monsters, called through by her because there is a monster in her friend Redemption’s house that needs hunting, but the adults in Jam’s life are not willing to recognize that a monster could still be in their midst.

I feel like this is Emezi’s response to N.K. Jemisin’s “The Ones That Stay and Fight”, which takes place in a utopian alien society where all people are respected for who they are, but knowledge of the outside world is illegal. That story ends with “social workers” executing a man found to be communicating with the less enlightened people of Earth in front of his daughter and taking her into custody to also become a social worker. In that story, questioning is not allowed and people are willing to live in ignorance of the evils of the past in order to live in their ideal society, and a child who gains that knowledge must become part of enforcing the need for that ignorance.

Pet, while it takes place in our near future, reflects some of this abstract speculative thinking, but as a book written for children, it needs to be set out in a concrete way. Emezi has created a society that is a little different from Jemisin’s: many of the people who live in the community remember the time of the monsters, before the revolution eliminated them, but they choose to believe the monsters are gone. The children born after the revolution learn about that time, but aren’t curious about it. Even knowing that they should remember the past, the people are focused on the the blessings of the present. In visiting her friend Redemption’s house, which has always seemed a loving place, Pet encourages Jam to look past the surface to see the unseen. It is uncomfortable for Jam to question what she has always seen and felt there, even knowing there is a monster in the house, and to tell Redemption about it. It is scary to learn about the monsters that existed in families in the past and realize they are still around. It is terrifying to confront trusted adults and have them refuse to believe. No one actually stops Jam and Redemption, but the adults don’t believe the monster exists, even knowing a child is suffering. Pet is there to end the hunt, and the monster, but Jam has to decide exactly what that means. Pet has a more positive vision for the future than Jemisin saw, but it is clear about the perils of believing that there can be an ideal world where monsters no longer exist.

Pet also n9rmalizes and celebrates differences without going into detail about them. Jam is a 16 year old black trans girl who is a selective mute; Redemption has three parents, one of whom is nonbinary; the librarian whizzes around in a wheelchair.  Emezi does not stick with standard English. Language is very individual and informal, and dialogue is sometimes almost musical. Without going into graphic detail. Emezi is able to communicate who the monster in Redemption’s house is, and what he has done.

While Jam is supposed to be 16, she neither acts or is treated like a 16 year old. Her thoughts and actions are more like what I would expect from a 10-12 year old, and I think she may have been “aged up” to make it possible for her to have used puberty blockers and had transition surgery (neither of these details are necessary to establish her as a transgender character, so if that was Emezi’s reasoning, the story would have benefited from aging Jam’s character down). While the story does get very dark, I think kids as young as fifth grade might be able to manage this book. At this point, fifth graders have certainly been exposed to the news, and this book gives them a way to process what they’re seeing in the media from a different perspective.  Certainly, my children both read The Giver, which has similar themes, at that age. This is a very relevant book, and while not typical horror, it does have unsettling and disturbing moments. Highly recommended.

Contains: Violence, references to rape and child sexual abuse