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Book Review: Bigfoot Is Missing! by J. Patrick Lewis and Kenn Nesbitt, illustrated by MinaLima

Bigfoot is Missing! by J. Patrick Lewis and Kenn Nesbitt, illustrated by MinaLima

Chronicle Books, 2015

ISBN-13: 978-1452118956

Available: Hardcover, Kindle edition

 

Bigfoot is Missing! is no ordinary catalogue of cryptids and monsters. Former children’s poet laureates J. Patrick Lewis and Kenn Nesbitt have created fictional “found poems” for each creature. Each double-page spread is devoted to a different creature, but unlike many guides to creatures and monsters, there are no detailed descriptions. The pages are relatively uncluttered, with the majority of space devoted to colorful, stylized illustrations. The book’s design displays each poem in a different kind of media format: text messages, news advertisements, road signs, labels, tabloid headlines, television reports, and more. It’s no surprise that the illustrations and design are such a good fit; MinaLima has created every graphic prop used in the Harry Potter movies. Short paragraphs on the inside back cover of the book provide a brief description of each cryptid, from Bigfoot to the Beast of Bodmin Moor. The creatures come from all over the world, not just the United States: among others, the Mokele-mbembe hails from Africa, while the Lusca makes its home in the Caribbean.

 

If no one told you this was poetry, you’d just think it was an entertaining, clever, metafictional take on cryptids. Don’t let its location in the children’s department trick you into thinking only children will enjoy it– this is a perfect book to share with the creature enthusiast in your life, whatever their age.  Highly recommended for children ages 4 and up.

 

 

Help a Reader Out: Are Myths Fiction or Nonfiction?

Interestingly, this question popped up in keyword searches a number of times, so I’m going to briefly address it.

“Are myths fiction or nonfiction?”

The answer probably depends on who you ask and why. I imagine that if you ask an atheist, you’ll get the answer “fiction”. But in the wonderful world of the Dewey Decimal System, books (and other media) on mythology are in the 200s, the category for philosophy and religion. So for straight mythology or books about mythology, it’s considered nonfiction. Poetry (like Homer’s Odyssey will generally end up in the 800s, with other books of poetry. Yes, poetry is considered nonfiction.

Novels and stories inspired by mythology usually end up getting pulled from the 800s and end up shelved with fiction, though. So if you’re asking because you want to know where Rick Riordan’s books fall on the shelf, you’ll find those in fiction. And if you are asking about a graphic novel, it kind of depends on the library. Some libraries will shelve all graphic novels under 741.5, the number for that format, and some pull the graphic novels into a separate section and shelve them by either subject (my daughter’s elementary) or author (my son’s middle school).

So the answer is that, especially in the library, it’s complicated. And sometimes it is kind of hard to figure out. If you’ve encountered Percy Jackson’s Greek Gods”, it probably falls in nonfiction, even though it is written in the annoying contemporary voice of a fictional character(that’s just my personal opinion, my kids love it) and “updated” versions of many myths. But the novels will end up shelved in fiction. Ultimately, though, the myths of a culture are stories of their gods, and their religion, and as long as people believe in gods, mythology is nonfiction.

It occurs to me that, given that this site focuses on horror fiction, someone reading this might think “Well, what about the Cthulu mythos? That’s a mythology, right? Why isn’t Lovecraft in the 200s?” As it was originally the invention of one person recognized as a writer of fiction, and how that person felt about religion is publicly known, I don’t see why it would be anywhere except in fiction. If you do know a person who worships the Elder Gods, please encourage them to seek help.

Review: Four Elements by Charlee Jacob, Rain Graves, Linda Addison, and Marge Simon

It’s not traditional for us to publish our reviews right here on the blog, but with Women in Horror month just ended and Stoker season already here,  I wanted to share a review here that showcases a book belonging in both categories. This will appear on the site as well, as soon as there’s an opportunity to post it. Sumiko Saulson also published an interview with Linda Addison about Four Elements, which I’ll link to here.

And now, the review.
    Four Elements by Charlee Jacob, Marge Simon, Rain Graves and Linda Addison

Bad Moon Books/Evil Jester Press, 2013

Available: New paperback, Kindle edition

ISBN-13: N/A

 

Four Elements is a collection of poetry and short fiction by four women of horror who are all Bram Stoker Award winning poets. Each writer takes on one of the four elements of nature—earth, air, fire and water—and brings their own vision to each.

“Earth” by Marge Simon contains poems and stories that all deal with various consequences of people’s actions including war, desolation, destruction and death, including “A Time For Planting” about the consequences of love and lust and “Quake” about how short our time can be.

“Water” by Rain Graves which includes many pieces dealing with destruction through mythology, including a series of six poems, which I loved, titled “Hades and Its Five” that encompasses all of the myths of Hades, the river Styx and the ferryman.

“Fire” by Charlee Jacob that includes works dealing with death and destruction.  My favorite here is “Accidental Tourists” about a couple of voyeurs who find love at the scene of a horrific car accident and their many names for the color red—the color of life and death.  There is also a series of ten poems called “Reaching Back to Eden” that involve the consequences of the actions of Adam, Eve, Lilith and Satan.

“Air” by Linda Addison contains poems about the power of the wind to shape life and our environment as well as describing the soul as air versus the body.  “Lost in Translation” is one of my favorites here, about air as a hidden, living being.  “Upon First Seeing Ongtupqa” is a beautiful description about air moving through canyons, wearing away the earth and exposing millennia of past life.

All of the prose and poetry is dark, beautiful and vivid in its imagery. There is emotion behind the words that will draw a visceral response from the reader. All of the poetry by these four amazing women is so powerful you will find yourself reading Four Elements again and again.  I have already read through it twice.  If you are a fan of dark poetry then Four Elements is for you. Highly recommended.

Reviewed by Colleen Wanglund