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Book Review: The Place of Broken Things by Linda D. Addison and Alessandro Manzetti

The Place of Broken Things by Linda D. Addison and Alessandro Manzetti

Crystal Lake Publishing, 2019

ISBN-13: 978-1646338573

Available: Paperback, Kindle

 

Imagine sitting in a poetry gallery appreciating each masterpiece while enveloped in a cloud of perfectly matching music (think Coltrane, Tchaikovsky, Hendrix). In the background, the words of famous poets move you to greater emotion and deeper understanding of each work of art. The Place of Broken Things by Linda D. Addison and Alessandro Manzetti delivers this sensory experience through the poems they have written together.

 

This collection includes poems written by Addison, poems by Manzetti, and poems that are a collaboration. Addison’s poems are spare, clear observations on and assessments of emotions. Her images are dark and sometimes threatening and describe pain and suffering even in the midst of love. In contrast, Manzetti’s poems show a reality that is often unexpectedly beautiful but hints at a hidden or not fully acknowledged darkness. His poems are abstract with colorful, sensual, exotic, and spiritual imagery combined with musical, artistic, and literary allusions. Both poets create poems inspired by the work of other writers such as Neruda, Wheatley, and Ginsberg.

 

The collaboration poems are the most evocative because they take the individual artists’ styles and images to the next level. “The Dead Dancer,” for example, focuses on the music that accompanies this “dance” (“horns mourning,” “can loneliness have a soundtrack?” “dreams become strings played by Tchaikovsky’s Pathétique”), and “Like Japanese Silk” features a church with a bronze cross “which looks like God’s antenna” and a “back” that “looks like Japanese silk.” In “A Clockwork Lemon Resucked,” a poet with “a cure for sorrow” and a knowledge of “the secrets of Mozart and Stevie Wonder” is now suffering “reeducation” in a cell “overlooking a dump and two lemon trees.” “The Yellow House” is a magnificent poem that captures the beautiful rawness and disturbing need that must have been a part of Van Gogh’s artistic desires (“I will give you color – / I will give you stars and revelations”).

 

Addison and Manzetti have collected “broken things” and found a painfully exquisite emotional beauty in them. Highly Recommended

 

Reviewed by Nova Hadley

Editor’s note: The Place of Broken Things was a nominee on the final ballot and lthe winning title for the category of Superior Achievement in Poetry for the 2019 Bram Stoker Awards.

 

 

 

 

 

Excerpt: “Annabel Lee” by Edgar Allan Poe, from Poems to See By illustrated by Julian Peters

I am so delighted to be able to share this with you, not ust because it ties in so well to National Poetry Month, which is right around the corner, but because I do love Edgar Allan Poe, not just for his short stories but for his poetry, which sends chills down my spine. My daughter points out that this is more the product of an obsessive and frankly disturbed mind than a romantic heart, and she’s 100% right, but I still love “Annabel Lee” and its doomed, fairytale quality.

Thus when this excerpt from the soon-to-be published Poems to See By: A Comic Artist Interprets Great Poetry by Julian Peters was sent my way,  I felt I had to share it. There are just too many people (and too many middle-schoolers and teens, for sure) who are ready to write off poetry entirely, and this is a wonderful way to draw them in. The book is a collection of 24 classic poems, not all (or even most) of them dark, but I was given permission to share with you all the pages illustrating “Annabel Lee”.

 

Annabel Lee page1

Annabel Lee page 3

Annabel Lee page3

Annabel Lee page4

Annabel Lee page5

Annabel Lee page6

Musings: A Ghost Story That Isn’t A Ghost Story: Long Way Down by Jason Reynolds

Long Way Down by Jason Reynolds

Atheneum, 2017

ISBN-13: 978-1481438254

Available: Hardcover, paperback, Kindle edition, audiobook

 

Fifteen-year-old Will’s brother Shawn has just been shot and killed by a member of a local gang. Will knows the rules: don’t cry, don’t snitch, and if someone you love gets killed, find the person who killed them and kill that person. Grieving and angry, he pries open a stuck drawer in his brother’s dresser and takes the loaded gun hidden inside so he can take his revenge. Will lives on the top floor of his apartment building, though, and he has to take the elevator down… and it’s a long way down, because on every floor, Will is forced to face the consequences of living with the rules, and of shooting to kill.

There is absolutely nothing about this book’s front, back, or inside cover that suggests that it is a ghost story.  It is dedicated to teens in detention centers. I didn’t have a clue what it was about when I initially picked it up, I just had read good things about Jason Reynolds and knew the book had won a number of awards, including the Newbery Honor (not sure how I feel about that– the audience for the Newbery is children up to age 14, and Will is 15– this is really YA). But in describing it to my mom, who has an interest in teens and gun violence, I had to explain to her that Will is confronted by ghosts while he is trapped in the elevator(ghosts are a turnoff for her).  Will’s “ghosts” aren’t very ghostly, though, which is one of the things that makes them so disorienting– Will is never quite sure whether they are alive or dead at first.

Long Way Down is a verse novel. There are frequent line breaks and plenty of white space on the page. The language is spare and powerful. Reynolds strips down feelings like grief, shame, anger, and sadness to the essentials by limiting how he puts words down on each page. Despite the pared-down text, Reynolds manages to draw the characters of Will’s ghosts with enough detail and emotional impact that readers will invest in discovering their relationships. Reynolds hasn’t written a horror story here, but it is a gripping and horrific story illustrating how this vicious cycle repeats, and the ambiguous ending is dread-inducing and heart-stopping. Highly recommended for middle, high school, and public libraries, and for readers 14-adult.

Note: Long Way Down has won a Newbery Honor Award, Coretta Scott King Honor Award, a Printz Honor Award, and is a National Book Award finalist.