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Book Review: Gravebooks by J.A. White

cover art for Gravebooks by J. A. White

 

Gravebooks by J.A. White

Katherine Tegen Books, 2022

ISBN-13 ‏ : ‎ 978-0063082014

Available: Hardcover, paperback, Kindle edition, audiobook

Buy:  Bookshop.org |  Amazon.com

 

In this sequel to Nightbooks, Alex Mosher wakes up trapped in a nightmare of a strange graveyard of stories, commanded, mysteriously, by the witch Natacha (who kept him captive and died during his escape in the previous book), and her jackal friend Simeon. Each of Alex’s unfinished story ideas are buried in a grave.. Natacha tells Alex he needs to dig each grave up and open the coffin. Inside each coffin is a blank book. Alex has to take the book out and jump down into the grave world to finish the story. When he finishes, the book bursts into flames, but the text of the story is transferred to the world above as the grave world crumbles. Telling the story causes a flower to grow: the better the story, the more unusual the flower.

 

Natacha and Simeon kidnap Alex’s friend Yasmin to threaten Alex into doing his best work, but he makes a deal with them that if they leave her alone, he will write them stories every night.. Yasmin feels responsible for Alex’s situation, and seeks out another fairytale witch, Maria Goffell, doomed to cut the hair of the dead. Maria tells Yasmin  she will need objects that represent Yasmin’s greatest fears, and Yasmin realizes she will have to return to Natacha’s apartment, where she and Alex were imprisoned in Nightbooks. Yasmin finds items in the apartment she can use and is able to defeat Natacha, finally. Maria and Yasmin finally trap Simeon, and Alex is able to escape, resurrect his friendship with Yasmin, and defeat his writer’s block, for the price of a story read to Maria.

 

This had a slow start, but picked up fast, and was a great companion to Nightbooks, which I cannot recommend enough to horror-loving middle-graders. J. A. White knows how to write nightmares.

 

White also name-checks the authors from his dedication: Bradbury, Matheson, King, and Jackson are all Easter eggs in the book, making this a fun book for adults as well. It’s a great book for horror-loving parents to read with their kids. Nightbooks was made into an excellent movie: I hope Gravebooks gets a similar treatment. Highly recommended.

 

 

Reviewed by Kirsten Kowalewski

Book Review: Those That Pursue Us Yet by Kyla Lee Ward

Cover art for Those That Pursue Us Yet by Kyla Lee Ward

Those That Pursue Us Yet by Kyla Lee Ward

Independent Legions Publishing, 2023

ISBN: 9791280713797

Available: Paperback, Kindle edition

Buy:  Bookshop.org  | Amazon.com

 

Those That Pursue Us Yet is a pretty well-written but frustrating novella.  The wording is very good, and the descriptions and settings are well-done, but the plot feels like a bit of an afterthought, and the minimal dialogue doesn’t help move it forward.

 

Almost the entire book takes place in dreams, which is both good and bad. The good is that it allows the author to get away with some pretty wild things that aren’t possible in reality, but the bad is that it makes the whole story seem disjointed.  There are a lot of good set pieces, but it starts to seem like the story is done more for that purpose, as opposed to driving a narrative forward.

 

In the story, Wander and Madeline, patient and shrink, are two women caught in a weird kind of dream hell whenever they fall asleep, as they are pursued by an entity, Phobetor,  Unfortunately, there really isn’t any information given to flesh out Phobetor as a character. It’s simply there.  Both Madeline and Wander can manipulate their dreams to some extent, although they aren’t supposed to pass beyond some sort of metaphysical barrier, as that puts them in Phobetor’s range.  They have safe areas, symbols to link to different dreams, and so on. If it sounds kind of confusing, it is. The whole story is focused on brief moments of wakefulness spaced among numerous dream sequences, and it just doesn’t feel cohesive. More dialogue and keeping focused on the plot would have helped.

 

The author has talent: many of the dream sequences are really well written.  The beach scene of skulls was well done, and the sections in the catacombs beneath Paris were also excellent .  The story just needed the same amount of attention paid to the characters and the narrative as to the descriptions and settings.  This might have been something pretty impressive.  As it is, it feels more like an art piece that a select few will get blown away by, and everyone else will just not understand.

 

Bottom line: This will probably find a niche audience that regards it as brilliant, but other readers may want to skip this one.

 

Reviewed by Murray Samuelson