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Book Review: Grotesque: Monster Stories by Lee Murray

cover art for Grotesque: Monster Stories by Lee Murray

Grotesque: Monster Stories by Lee Murray

Things in the Well, 2020

ISBN-13 : 979-8611527153

Available: Paperback, Kindle edition Amazon.com )

 

In Grotesque: Monster Stories Lee Murray has written tales in a wide variety of styles and subgenres in the horror genre. The combination of her imaginative twists on familiar tropes and the New Zealand setting and atmosphere creates some great creepy, dread-inducing, and horrifying tales.

 

Interestingly, three of Murray’s stories include mindless, killer creatures. In addition to her zombie story, “The New Breed”, which raises the question of who really is the monster in the story, two very different stories provide unique versions of the golem. “Grotesque” is a horror story about the uncovering of an underground passage between two French chateaux, framing events of 1560 when the sixteen-year-old king of France had to be smuggled out, sealing the passage behind him to contain… something.  “Into the Clouded Sky” revisits a character Murray has written about previously, Taine McKenna. This is a nonstop adventure with supernatural visitors, terrifying sand golems, and natural catastrophe, set in New Zealand, and moves at a breakneck pace. These two stories were original for this collection.

 

Other strong stories include “Edward’s Journal”, a Lovecraftian tale told in epistolary manner, paints a lush, wet, and terrifying portrait of an English soldier with the mission of burning the Maori people’s crops to force them to move of their land, lost and starving in the New Zealand forests in an increasingly surreal and sanity-breaking situation; “Selfie”, a post-apocalyptic story with a disturbing amount of creative and vividly described body horror; and “Dead End Town”, an incredibly grim and difficult story to read even before the supernatural gets involved, as it involves repeated violence towards and sexual abuse of a child.

 

I was excited to see a kaiju story, “Maui’s Hook”. I think these must be difficult to write, especially from the point of view of a person experiencing it,  because it’s hard to appreciate giant monster violence when it’s aimed at an individual human instead of another giant monster. Murray did a great job creating a terrifying, unkillable monster and chronicling its violence in a setting and context that I haven’t seen in kaiju films.

 

I haven’t touched on every story in this review but I found them all compelling. Grotesque: Monster Stories should have something to interest almost everyone. Highly recommended.

 

Reviewed by Kirsten Kowalewski

Editor’s Note: Grotesque: Monster Stories is a nominee on the final ballot for this year’s Stoker Awards in the category of Superior Achievement in a Fiction Collection.

Book Review: Dispossessed by Piper Mejia

Cover image for Dispossessed by Piper Mejia

Dispossessed by Piper Mejia

IFWG Publishing Australia (2021)

ISBN: 978-1-925956-83-2

Available:  Paperback, Kindle edition Bookshop.orgAmazon.com )

 

Dispossessed is a character-driven debut YA novel from New Zealand author Piper Mejia.

With unusual traits and a rapidly changing physical presence, sixteen-year–old foster child Slate is a perpetual loner who is used to rejection. When Malice, a woman claiming to be from social services, picks him up to take him to another home he isn’t surprised. But when she reveals she is taking him to his grandfather in New Zealand, he is introduced to a band of strangers living a nomadic lifestyle, and possibilities for a life he never imagined. There Slate finds a diverse group of people with unique traits and surprising abilities: people who are supposedly his kin.

Like Slate, no one understands Warnner, an institutionalized boy with a history of abandonment. When Warnner finds the community Slate has recently joined, he is intrigued and drawn to the people running it, because of the uncanny traits they appear to share with him. Unlike Slate’s restless distrust, Warnner’s interest in joining is almost immediate, and conflict brews between the two. The community’s world and way of life is soon pitted against a group of fanatics out to hunt, violate, and destroy them, forcing rivalries into the background as tense and tentative cooperation among the dispossessed becomes required for the community’s survival.

At times poignant, this tale is driven by rich cast of characters and a strong sense of place.  Mejia centers otherness and relies on the surreal in this carefully constructed society, using some Māori terminology, but with a minimal presence of the indigenous population. Instead, Mejia addresses marginalization as experienced by this community of outsiders, the dispossessed, and builds an intricate world where misfits find community and individual variances do not impose limits so much as they open doors to alternatives. A vividly imagined YA fantasy about kinship, community, and the differences that make people who they are, Dispossessed may resonate with readers of varied backgrounds who have felt alienated or misunderstood. Recommended for ages 13-18 who enjoyed the work of Daniel José Older’s Shadowshaper and The Stars Never Rise by Rachel Vincent.

 

Contains: violence, torture, violence directed at the dispossessed, a marginalized group.

 

Reviewed by E.F. Schraeder

 

 

 

 

Key words New Zealand. YA. Urban Fantasy. Fantasy.

Women in Horror Fiction: Debbie Cowens

 Debbie Cowens is a New Zealand-based writer and teacher. Her short stories can be found in the collection  Mansfield with Monsters with Matt Cowens and Katherine Mansfield (Steam Press  2013) , the novella At the Bay of Cthulu with Matt Cowens and Katherine Mansfield, and the anthologies  Baby Teeth (2013 Paper Road Press), Steam Pressed Shorts with Matt Cowens (2012 Amazon Digital), and Shades of Sentience (2010 lulu.com).

 

1. Can you give our readers a brief introduction?

I’m a writer of a variety of genres – horror, SF, fantasy and crime. I co-authored the book Mansfield with Monsters, published by Steam Press, which is a collection of Katherine Mansfield’s short stories, adapted to include the monstrous and the macabre. I have also written numerous short stories, including the story “Caterpillars” in the recent horror anthology Baby Teeth. I’m currently working a short novel, Mother of the Baskervilles, a darkly comic mashup of Pride and Prejudice and Sherlock Holmes, which casts the Mrs Bennett-style mother as a ruthless serial killer and Elizabeth as an aspiring detective.

 

2. Why do you write horror? What draws you to the genre?

 

I’ve always been fascinated with the horror genre. One of the first films I remember making a strong impression on me as a child was the Christopher Lee film version of Dracula, which I watched unbeknownst to my parents as a five year old at my uncle’s house. It didn’t scare me as so much as enthrall. I would often sneak up after bedtime to watch the late night horror movies as a kid and most of the books I would choose to read had a horror or mystery element. As soon as I started writing my own stories, they tended to focus on monsters, which unfortunately worried one of my teachers who didn’t think seven year old girls should be writing about blood and guts or scary things. However, what draws to me the genre is as much the human element as the darker content. I’m fascinated by people and what drives them. Placing characters in truly terrifying situations often reveals more about who they really are and what matters to them than their everyday life. Our fears are an important part of human nature and often the monsters themselves reflect a lot about people and society. The scary ‘other’ in horror is often just a twisted and magnified reflection of ourselves.

 

3. Can you describe your writing style or the tone you prefer to set for your stories?

 

I’m a bit of a writing chameleon, adapting my style to suit the characters and scenarios I’m writing. In Mansfield with Monsters I faced the challenge of blending my writing with that of one of the pioneers of Modernism. I’d say the linking element in a lot of my fiction is a sense of humour, often dry and somewhat dark, and a compassion for the characters – even when they are being murdered by possessed children, torn apart by zombies or facing their werewolf packmate and husband drifting away despite the thrill of the chase and the promise of blood. While I love stories of horror and harm, I do tend to like a glimmer of light at the end of the tunnel – a suggestion that the sun might rise again, that there might be, if not salvation, then at least a reprieve before the next onslaught. Like a weekend, or a holiday break away from the being killed.

 

4. Who are some of your influences? Are there any women authors who have particularly inspired you to write?

 

I really enjoyed reading Margaret Mahy as a kid and The Haunting was one of my favourites. As a teenager, I devoured a lot of Stephen King and I’m still a fan of his writing. Frankenstein by Mary Shelley was one of the first classic horrors that I read. I loved it; it was moving and compelling, and both beautiful and horrific at the same time. I’m also really fond of the nineteenth century horror classics like Poe and Lovecraft. The Cthulhu mythos sort of redefined my notions of what terrible monsters could be in terms of scale, strangeness and terrifying power. In terms of writing style, I’m more influenced by more modern or at least less florid prose and storytelling.

 

5. What authors do you like to read? Any recommendations?

 

I enjoy reading a wide variety of books – anything from historical mysteries, young adult, fantasy, science fiction and of course horror. I like a lot of writers who blur the boundaries between genre and literary like Kate Atkinson, Margaret Atwood and Haruki Murakami. I’ve also recently read a lot of translations of traditional Japanese ghost stories, which are fabulous, and the short stories of Ryunosuke Akutagawa. I just finished two brilliant novels by fellow New Zealand Writers; The Unspeakable Secrets of the Aro Valley by Danyl McLauchlan and The Wind City by Summer Wigmore. Both weird, surreal and darkly humorous tales with more moral complexity than I had anticipated. Next on my to-read list is Wake, a horror novel by New Zealand author Elizabeth Knox.

 

6. Where can readers find your work?

 

Mansfield with Monsters is available from Steam Press or on Amazon. At the Bay of Cthulhu, a Lovecraftian take of a Katherine Mansfield novella is available of Amazon. Baby Teeth, the horror anthology is available from Paper Road Press   and a selection of my stories are included in Steam Pressed Shorts on Amazon, which includes a range of horror, steampunk, SF and fantasy short stories.

Interested in learning more? Check out Debbie Cowens’ Amazon page, and  her blog. For a little more detail on Mansfield with Monsters, take a look at this interview, or this video, which also include her collaborator, Matt Cowens.