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Book Review: Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke, illustrated by Allen Williams

Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke, illustrated by Allen Williams.

Katherine Tegen Books, 2019

ISBN-13: 978-0062414465

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

 

Who better to take Pan’s Labyrinth, Spanish filmmaker Guillermo del Toro’s critically acclaimed dark, surrealist fairytale of a film and translate it into a children’s book than German children’s fantasy author Cornelia Funke? Ofelia isn’t your ordinary princess in a tower with a life under the control of a vicious, dictatorial stepfather: she is a child caught in the middle of a revolution in Fascist Spain, who discovers she is also the main character in a mythical story.  Although she is the protagonist, the film was not a children’s movie, and the story is framed by adults’ actions and points of view (specifically, the sadistic Captain Vidal, who is Ofelia’s stepfather, and Mercedes, their housekeeper, who is a rebel spy).

The book alternates between Ofelia’s view of the world as a magical place; the story of her family (including mother, stepfather, and new brother) and the battle between the soldiers (headed by Captain Vidal) and the rebels; and intertwined fairytales that touch on their reality. All three of these together lead Ofelia to take on a magical quest at the entrance to an ancient labyrinth on their property at the urging of the elemental, Pan, a faun who tells her that she is really a princess, the daughter of the king of the underworld.  The faun tells her she will have to undertake three tasks in order to rejoin her parents in the underworld. The obstacles presented by dinner parties, a sick mother, a baby brother, an angry stepfather, the violence of the Fascists toward the rebels, and Mercedes the housekeeper’s subterfuges, all must be navigated in order for Ofelia to sneak off and try the terrifying tasks for a faun she isn’t exactly sure she can even trust.

Cornelia Funke’s poetic and fantastical language and style of writing perfectly suits the fairytale nature of the story.  Yes, Ofelia’s story takes place in a specific historical setting, but the reader doesn’t have to know the history of the Spanish Civil War to fall in love with this tale (although I wouldn’t have been averse to a historical note). Due to its being based on a film targeted to adults, however, there are some disturbing moments of violence and implied torture and cannibalism, as well as a significant amount of bloodletting. There is plenty of foreboding and horror in play here, even presented as a children’s book.

Allen Williams’ illustrations really make the book work. Many pages are framed with bending tree branches around the text, giving the reader a feeling of really traveling through a portal into an ancient forest. The individual fairytales are printed on gray paper and have a full page black-and-white pencil illustration facing them, bringing the fantastical to life. The drawing opposite the story “When The Faun Came To Life” is strikingly similar to the creature in the film. I strongly recommend that if you choose to purchase this, you spend the extra few dollars for a hardback for the pleasure you’ll get from the combination of text with illustration.

This isn’t a simple novelization. Cornelia Funke has created something special here, making del Toro’s darkly magical film and narrative accessible to young people.  Highly recommended, especially for del Toro and Funke fans, for ages 12+.

 

Contains: violence, blood, murder, brief scenes of torture, implied torture, death in childbirth, implied cannibalism

Book Review: Assassin’s Creed: Heresy by Christie Golden (Dueling Reviews)

Two for the price of one, today: Aaron Fletcher and I both reviewed Assassin’s Creed: Heresy. Read on to see what we thought!


Assassin’s Creed: Heresy by Christie Golden

Ubisoft Publishing, 2016

ISBN:  978-1-945-21002-0

Available:  Hardback, paperback, ebook (Kindle, Nook)

Review #1

Assassin’s Creed: Heresy is set in the universe of the Assassin’s Creed  action-adventure video game franchise produced by Ubisoft, and has been published recently, in order to take advantage of the soon-to-be-released Assassin’s Creed movie (note, this story is not a novelization of the movie but an original novel). The game takes advantage of real-world historical events and individuals, and sets up two opposing organizations, the Assassins and the Templars, who influence these events and people, and attempt to collect unique objects called Pieces of Eden. The Assassins fight for peace with free will, and the Templars fight with peace with control. I haven’t played the game, and read the book without knowing this, but it is my understanding that typically, players see what’s going on from the Assassins’ point of view.

Assassin’s Creed: Heresy is written from a Templar’s point of view. The Templars are able to send a person back in time to view history through an ancestor’s eyes. Simon Hathaway, the new head of Abstergo Industries’ historical research division and a recent initiate into the Templars’ inner circle, has an ancestor who knew Joan of Arc, who was the last person to wield the legendary sword Piece of Eden 25. When he requests time to show that a wider exploration of the time period will be more successful than the current approach, he is given one week to learn what happened to the lost sword and how to reactivate it.

This is where the book gets really interesting– Simon travels back to observe his ancestor’s interactions with Joan, and we get to experience his interactions with her, and the events around her.We get the impressions of both Simon’s ancestor, a French peasant boy who was her steadfast friend, and Simon the Templar historian, which means we get background and commentary while also immersed in the interactions with historical characters and events in the life of Joan of Arc. Christie Golden manages this without ever making it seem intrusive, and it’s like getting history without the slow parts. The present-day storyline wasn’t terribly interesting– the characters seemed flat, and I felt like I had been dropped into the middle of an ongoing tangle of intrigues that weren’t well-explained– but Golden’s handling of the historical sequences was very well done.  Despite having never played the game, I got into the book. With a little more background, this could have worked well as a stand alone novel  for a wider variety of readers. Assassin’s Creed: The Essential Guide (not reviewed here) was released at the same time as this book, and together, I am sure they make for a much more complete experience. With or without the additional background, though, both new and old fans and players of  Assassin’s Creed should enjoy this book. Recommended.

Contains: violence

Reviewed by Kirsten Kowalewski

 

Review #2

Joan of Arc is rumored to have possessed a sword that made her invincible: one of the legendary Swords of Eden, Piece of Eden 25.  Imbued with unique properties, little is known of its history.  Templars and Assassins alike have owned it over time, as they fought over control of mankind.  Now it is safely ensconced in the office of Alan Rikkin, CEO of Abstergo Industries, but its incredible powers of invincibility no longer function. Somehow, before Rikkin acquired it, it was damaged, and now it is just a sword.  Rikkin wants to make it whole again, for the Templars.

Simon Hathaway, the new head of Abstergo Industries’ historical research division, is determined to prove to his boss that his new approach is better than past techniques.  The Templars have a technique available that allows them to travel back in history at different points in the life of one of their ancestors, in order to track the location of Pieces of Eden. Instead of fast-forwarding through the life of Joan of Arc to the historically important parts, Simon will live alongside her as much as possible to get the maximum experience he can.  He follows Joan and finds out how she got the sword, what happened to it, and how to get it working again.  For history, for the Templars, and for mankind.

This is a very enjoyable story: a fun action-adventure with a historical setting that tied in perfectly with the video game franchise.  The plot and pacing were fast and kept me turning pages.  The descriptions were well done. I felt like I was right there with the characters! Christie Golden gives readers enough to keep them in the world, but still guessing what will happen next.  The suspense built very well, and I especially liked the ending.  I was pulled in from the first page and did not emerge until the last word.   I look forward to reading more from this series and this author.  I have not read any of this series or this author’s work in the past, though I have played a few of the video games this was based on. Highly recommended.

 Reviewed By:  Aaron Fletcher

 


 

Witches on Trial @ your library

“Are you a good witch, or a bad witch”? That’s the first question Dorothy is asked when she arrives in Oz. Kind of a bewildering question even if you haven’t just had your house blown into a magical country by a tornado and recovered from a bang on the head. Of course, the answer to that question is decided pretty quickly, since her house has squashed the Wicked Witch of the East. But that’s the way decisions seem to be made when it comes to judging who’s a witch and who is not. Lucky Dorothy managed to gain the support of the people of Oz, but that pendulum usually seems to swing in the opposite direction. And in America, the most notorious example, although not the only one, happened in Salem, Massachusetts.

        

     

 

 Even children know the story of the Salem Witch Trials, and if they don’t, they really should. Any community can be shaken up by mass hysteria, the source of the horrific events that took place in this quiet New England town, and with the presence of social media in our midst, it can spread faster and further than ever before. Witch hunts are certainly no longer just the province of the superstitious. For a really excellent, accessible, and gorgeously illustrated historical account of the Salem Witch Trials, I recommend seeking out Rosalyn Schanzer’s  Witches! The Absolutely True Story of the Disaster in Salem. While the target audience is really older children and young adults, this is a great choice for general readers of any age. A great follow-up title is the Newbery winner The Witch of Blackbird Pond. That award is an award for excellence: don’t let the fact that it’s an award for children’s literature stop you from reading it (Kit, the protagonist, is sixteen). While it’s set in Connecticut in the early 1600’s, it does a great job of bringing home how personal and irrational these persecutions could be. It’s a memorable title you won’t be sorry you’ve read.

It’s hard to talk about Salem without bringing up Arthur Miller’s The Crucible. This is probably the first play I ever saw (my aunt was in it, in the dancing scene at the beginning). While it’s short, it surely makes an impact (it has been made into an opera, and may be the shortest opera I have ever seen). The  play brings to life the Salem Witch Trials and the hysteria that accompanied them. The Crucible, written in the 1950s during Senator Joseph McCarthy’s “Red Scare”, is, under its surface, a rather pointed allegory about the “witch hunts” against supposed Communists that occurred during that time. Miller demonstrated exactly what I wrote about above: that incitement to mass hysteria is no longer limited to the superstitious, and any of us can become a target at any time. There’s an excellent movie adaptation of The Crucible, with Daniel Day-Lewis and Winona Ryder, as well. It’s frequently used in American Literature classes to engage students’ interest in the play, which is generally required reading for those classes (Want to give required reading pizzazz? Daniel Day-Lewis and Winona Ryder can do that). I haven’t seen this next movie, but The Salem Witch Trials, originally a miniseries on CBS, and starring Kirstie Alley and several other notable actresses, is supposed to be a very good fictionalized version of the events of that time.

Authors have taken varied approaches to the events of the Salem Witch Trials and to witch hunts in general. One surprise is Robin Cook’s medical thriller Acceptable Risk, which involves a subplot with one of the main characters discovering she is related to a Salem witch. I don’t know that you can say that Robin Cook is actually a good writer, but he is a compelling and memorable one– books of his that I read in high school still stick with me. I constantly hear complaints from my dad that there are no good medical thrillers out there anymore, so why not take this chance to resurrect what is admittedly a rather elderly title?

More recently, Alexandra Sokoloff produced Book of Shadows, a supernatural thriller/police procedural that involves a contemporary witch living in Salem, who gets involved in helping a police detective solve the mystery of the murder of a college student that appears to have Satanic overtones. While not directly tied to the original trials, I happen to enjoy Sokoloff’s books, and many readers who normally skip over witch-themed horror may find themselves drawn in to this.  And within just the past few months, the last book in Melissa de la Cruz’s trilogy Witches of East End, Winds of Salem, was released. While the image above is of the first book in the series, the second, Serpent’s Kiss, and the third, Winds of Salem, have a strong thread involving the Salem Witch Trials. With Witches of East End just coming out as a television series, including these books in a display on the Salem Witch Trials  is a great way to draw readers in to a witchy world as Halloween approaches. These books are more urban fantasy than horror, but paranormal lovers will get right into them.

Witch hunts haven’t been limited to Salem and its environs, though. Witch Hunts: A Graphic History of the Burning Times, a non-fiction graphic novel by Rocky Wood and Lisa Morton, with shocking and effective artwork by Greg Chapman, also details witch hunts in Europe, from the time of the Black Death through the Reformation and finally to the Enlightenment. With torture and burning witches alive being methods often used by witch hunters, you can imagine what the artwork must be like. The book, written by Lisa Morton and Rocky Wood, noted scholars in horror non-fiction, treats its topic respectfully and seriously, and won the 2013 Bram Stoker Award for Best Graphic Novel.

The movie Season of the Witch does not pretend to be a serious, non-fictional account of the Burning Times in Europe. It does take place in Europe, during the Middle Ages, at a time when accusations of witchcraft were very serious. Two former knights, played by Nicolas Cage and Ron Perlman, are assigned to escort a young woman to an abbey to face accusations of witchcraft. It’s not a great movie, but it’s entertaining, and keeps you guessing as to whether the woman the two men are escorting actually is a witch.

There are a lot of other books, movies, and other materials on witches out there, so maybe I’ll come back to the topic again, but I think this is a good collection to get those interested in Salem, witch hunts, and witchery in general, started on that TBR pile.