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Musings: Breaking Out of Your Reading Slump

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Horatio P. Bunnyrabbit with a pumpkin for trick-or-treating

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October is the big month for the horror genre, and in hopes of getting up a review every day, I do a lot of reading in hopes that I can do exactly that. The pandemic has killed my ability to focus, though, and especially if I’m reading something long, it seems to take longer to read about it, think about it, and write about it. That’s especially true if I’m reading similar kinds of books– after awhile I just have to stop.

This has been especially aggravated by my library closing down and my kids’ schools going virtual so that I don’t get time in those libraries either. Libraries are my haven and not physically getting to be in that space is so difficult for me! I know I’m not the only person who is dealing with this right now. A dear friend of mine who typically gobbles up anything horror-related has stacks and stacks of books that he just keeps buying but is unable to focus enough to finish anything. So what can you do?

First, it’s okay to put a book down if you just can’t handle it.  I like ebooks for really long books because holding those in my hands gets me thinking on how much there is to read, which sometimes can be intimidating. Is your fiction too close to your current reality?  This month was not the month I needed to start watching The Man in the High Castle.  I also read Leigh Bardugo’s Ninth House, not realizing how intense it was going to be. Reading Goodreads reviews after the fact, I found that readers were providing content warnings to potential future readers. If a book is stressing you out instead of entertaining you, you don’t need to keep going.

Second, mix it up! Short stories are great, and I love them, but if you’re reading several anthologies in a row from cover to cover, it’s no longer a vacation. I just finished the excellent SLAY: Stories of the Vampire Noire, edited by Nicole Givens Kurtz, so I’ll be switching to something different before I start another one. There are plenty of authors who don’t get the kind of attention they should, classic authors you might not have read, and new books coming out all the time. Reading T. Kingfisher’s new book The Hollow Places led me to track down The Willows by Algernon Blackwood. In addition to the HWA’s newly published series of genre classics, if you are short on funds, many classics are available free as ebooks through Project Gutenberg.

There’s some really good horror-related nonfiction out there, such as Lisa Morton’s recently released Calling The Spirits.  Although these can seem long, nonfiction is great because you can read a chapter and put it down for awhile until you’re ready to come back to it. Kit Powers’ My Life in Horror, Volume 1 is a series of standalone personal essays on growing up as a horror fan, easy to pick up and put down until you’re ready for more. You might also consider checking out some poetry. Even if you’re convinced it’s not your thing, Alessandro Manzetti’s Whitechapel Rhapsody might change your mind, although it’s not for the faint of stomach.

This is also a great time to check out some of the titles that tie into current television and movies. The HBO series   Lovecraft County is based on a book of the same name by Matt Ruff, a great book of interconnected stories. Netflix’s The Haunting of Bly Manor riffs on the ghost stories of Henry James, notably The Turn of the Screw.

You don’t have to seek out anything new, though. I’ve reread some old favorites when I needed a break. Looking for something lighter? Maskerade by Terry Pratchett isn’t horror, but it is an entertaining riff on a story that definitely is, The Phantom of the Opera.  Seanan McGuire’s InCryptid series, starting with Discount Armageddon, takes a lighter approach to slayers, monsters, and ghosts than is typical for horror, but it is a lot of fun. Sometimes a thriller is what you need, as long as it’s not too close to life for you. Alyssa Cole, mostly known for her excellent romance novels, has an #OwnVoices thriller out right now on gentrification spiraling out of control titled When No One Is Watching, and David Simms has a supernatural thriller, Fear the Reaper, that reveals the dark history of American eugenics.

Despite protestations that they aren’t “real reading”, graphic novels definitely are, and if too many words on the page is a struggle right now, you might try them. Marjorie Liu’s Monstress has even won awards, Or try a novella. A recent entry into the novella category that I raced through was Stephen Graham Jones’ Night of the MannequinsThere are a lot of great titles in the middle grade and YA fiction categories as well. No, you are not too old for good middle-grade fiction. If you haven’t read Neil Gaiman’s The Graveyard Book in either its novel or graphic novel formats it is well past time.

If you are a doer or a maker, I don’t personally have the patience for audiobooks or most podcasts, but if you spend a lot of time driving or run long distance, that’s another opportunity. And it’s the perfect time of year to explore Halloween cookbooks and crafts! My son collected and loved these even before he could read them, and a lot of gruesome-looking foods are pretty easy to make. We’ve worn out Ghoulish Goodies There is even an unofficial Walking Dead cookbook called The Snacking Dead

Third, go outside. It’s a little cool where I am to go outside and sit and read right now, but I went for a long walk yesterday that really cleared my head and got me focused again. All the sitting inside, social media, news, attempting to get along with your family you’ve been stuck inside with for seven months leaves you feeling tired and your brain cloudy. Reading is supposed to be relaxing, but apparently you need to really relax before you can enjoy it.

Clear out your brain, clear space for yourself inside and out, turn off your television, and give yourself permission. It’s the Halloween time of year, so, whatever makes you feel the season, give yourself a treat.

Book Review: The Witching Stone by Danny Weston

cover art for The Witching Stone by Danny Weston   

The Witching Stone by Danny Weston ( Amazon.com )

uclanpublishing, 2020

ISBN-13: 13579108642

Available: Paperback

 

The Witching Stone by Danny Weston is an enjoyable read for young readers who appreciate coming-of-age stories with a touch of mystery and horror. Danny Weston is the pseudonym for Phillip Caveney, who has written many thrillers for adults, children and teenagers, some of which have won prizes.

Teenager Alfie Travers has just been dumped by his longtime girlfriend. Alfie agrees to accompany his father on a job in a small English village, but is prepared to be bored out of his gourd. Killing time in the church graveyard, he sees a large stone marking the grave of the alleged witch Meg Shelton, who died in 1705. Mia, a goth teen, challenges him to summon the witch by walking counterclockwise around the stone three times, while intoning “I don’t believe in witches!”

Of course, Meg apparates before Alfie. She claims she’s not a witch and that her infant son was taken from her. Meg threatens to kill everyone Alfie loves if he doesn’t find the grave of her son.

Alfie and Mia search for clues. Meg, impatient for progress, shows her anger by turning the village’s milk sour, putting toads in muesli, and blowing up computers. Alfie and Mia’s search takes them to library archives, the ruins of Meg’s cottage and a viscount’s estate with an impenetrable maze of yews. Was Meg a witch? How did she die? What happened to her son?

The plot is straightforward and easy to follow. The narrative is simple and direct. There are only a few punctuation errors. Recommended for ages 10-14.

Contains: discussion of teenage pregnancy

 

Reviewed by Robert D. Yee

Book Review: Don’t Turn Out the Lights: A Tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark edited by Jonathan Maberry

cover art for Don't Turn Out The Lights: A Tribute to Alvin Schwartz's Scary Stories to Tell in the Dark edited by Jonathan Maberry  ( Bookshop.org  |  Amazon.com )

Don’t Turn Out the Lights: A Tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark edited by Jonathan Maberry

HarperCollins, 2020

ISBN-13 : 978-0062877673

Available: Hardcover, paperback, Kindle edition, audiobook

 

Don’t Turn Out the Lights is an anthology of stories by a variety of diverse horror writers, mostly of YA horror, inspired mainly by their nostalgia over Alvin Schwartz’s notable collections of urban legends and folktales, Scary Stories to Tell in the Dark (writers include Linda Addison, Amy Lukavics, Courtney Alameda, Tannarive Due, Kami Garcia, and R.L. Stine). Schwartz’s writing was spare, providing just the bare bones of the stories he shared, and Stephen Gammell provided terrifying black-and-white pen and pencil drawings to accompany each one It is unfortunate that the artist for the book is not credited, so far as I can tell. Nobody can be Stephen Gammell, but the interior illustrations suggest the artist studied his style. The artwork is outstanding and integrates well into the design of the book and the storytelling.

Unlike Schwartz’s collections, there aren’t a lot of jump-scares or gruesome rhymes: these are tribute stories rather than an attempt to recreate his work. As expected in a collection of 35 stories, each by a different author, some are better than others. Some stories stick closer to Schwartz’s style and choice of subject, with the feeling of a folktale, such as T.J. Wooldridge’s “The Skelly-Horse”, or “Jingle Jangle”, while others, like “The Funeral Portrait” were more reminiscent of Poe. A few manage to stick to the urban legend feel of the original while updating it for tweens today, like “Tag, You’re It,” by N.R. Lambert, which plays on social media anxieties, and “The House on the Hill”, which brings mystery emails and cell phones into play in a tale of peer pressure and surveillance in a haunted house. “The Neighbor” managed the fine line of evoking Schwartz’s tales in a contemporary context beautifully. Editor Jonathan Maberry’s introductory essay was very interesting, as he did not grow up with the stories but read them as an adult.

One of this book’s greatest faults is its length. The original Scary Stories books were relatively short in length, with plenty of white space and relatively large print on each page. Stories were usually very short and heavily illustrated. Don’t Turn Out the Lights is over 400 pages long, with most stories obviously intended to be read on the page instead of told at a campfire.  While the Scary Stories books are read by kids as young as third grade, the length of the book and of the stories suggests to me that Don’t Turn Out the Lights is aimed at a slightly older audience of tweens and middle-schoolers, and also the adult audience feeling the same kind of nostalgia for the Scary Stories books that the authors did. Recommended for grades 4+.

Contains: gore, violence, body horror, murder

 

NetGalley temporarily provided a review copy of this book.