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Book Review: The Girl and the Ghost by Hanna Alkaf

cover art for The Girl and the Ghost by Hanna Alkaf

The Girl and the Ghost by Hanna Alkaf

Harper, 2020

ISBN-13 ‏ : ‎ 978-0062940957

Available: Hardcover, Kindle edition, audiobook  ( Bookshop.org  | Amazon.com )

 

 

When a dark witch who is the master of a pelesit dies, the pelesit must go in search of a new master.

 

A pelesit is a Malaysian ghost in the shape of a grasshopper that has been bound to a master, created through dark magic and used to give the master power and protection. The master uses it for monetary gain, directing the pelesit to create trouble, so its victims will pay for solutions. It must feed regularly on the blood of its master and is bound to its master and the following generations. Without a binding, it causes chaos that can’t be controlled. This pelesit knows he needs to be controlled to keep darkness from completely taking him over.

 

When the pelesit finds the witch’s closest relatives, he discovers the witch’s daughter has shut herself off completely from the supernatural world. Her young daughter, Suraya, is another story. Unlike her grandmother, she makes the world a brighter place, and he binds her to him with three drops of blood in her sleep. Once the pelesit is bound to her, she changes: trouble seems to follow her, but nothing bad ever happens to her, and people start to avoid her. She names the pelesit Pink, and he becomes her only friend. But he is a dark spirit of chaos and it is a struggle for him to hold it back, especially when he perceives a threat to Suraya, and later when she does make her own friends, out of jealousy.

 

As time passes, struggle between Suraya’s brightness, widening world, and increasing independence and Pink’s darkness, and possessiveness can only lead to more and more terrible things, and also many, many Star Wars references. If insects and maggots bother you, be warned.

 

According to the author, this is a retelling of a Malaysian folktale, but she has very much made it her own. This story about family, friendship, grief, and the supernatural is compelling, unusual, occasionally funny, and sometimes disturbing, Seeing events from Pink’s point of view provides a more nuanced look than if we only witnessed events from the outside, and the author’s careful description of Malaysian ghosts, spirits, and exorcisms, contributes significantly to world-building. Highly recommended for grades 4-8.

 

Contains: child death, mutilation, insects and maggots, blood

 

Reviewed by Kirsten Kowalewski

 

Book Review: Root Magic by Eden Royce

cover art for Root Magic by Eden Royce

Root Magic by Eden Royce

Walden Pond Media, 2021

ISBN-13 : 978-0062899576

Available:  Hardcover, Kindle edition, audiobook  Bookshop.orgAmazon.com )

 

 

Root Magic takes place on Wadmalaw, one of the Sea Islands off the coast of South Carolina that is home to the Gullah-Geechee nation, a unique ethnic group with a combined heritage from African and indigenous individuals with its own language and traditions. Author Eden Royce, creates a vivid picture of Gullah-Geechee culture and traditions in the setting of the Sea Islands around the time of the Kennedy assassination though her eleven-year old narrator, Jezebel.

After her grandmother dies, Jezebel’s grandfather decides it is time to teach Jezzie and her twin brother Jay the basics of root magic for the purposes of protection, such as painting their house “haint blue” so evil spirits and boo-hags can’t enter, mixing potions, and creating root bags.  The nearby marsh, previously a place the twins used to play, becomes dangerous as it tries to suck Jezzie in.  Still, the twins are fascinated by root magic and can’t wait to learn more.  Jezzie, in particular, starts to develop new powers, such as the ability to astrally project.

Things are not so easy at school. Jezzie has been jumped a year forward, and new girls from families with more money have moved to town. Jezzie, with her darker skin, mended clothes, and rumors of witchiness, becomes a target. Her only friend is Suzie, who can’t invite her over or visit her home, for reasons that become clear later.  In his grade, Jay has become friendly with the other boys, and Jezzie is worried that her connection to him is breaking.

In addition to troubles at school, there are troubles at home. A police officer has taken a particular interest in Jezzie’s family, invading their home in their absence, demanding food, threatening them, and breaking their things. He knows they are a family of root workers and his behavior towards them escalates. While Jezzie and Jay do face supernatural threats in the book, it is Jezzie’s compassion to animals and creatures in trouble (including boo-hags) that helps protect her family from this dangerous but not at all supernatural threat.

Royce’s descriptions make it feel almost like the reader could step through to the island, and she is able to set the time period effectively with just a few sentences. Jim Crow and racist policing are alive and well, and that’s built into the story. Children questioning why the school would still be segregated, the police searching Jezzie’s house without a warrant, and the effect of the Kennedy assassination on the community will get their answers without an exposition dump.  Royce’s presentation of the controversy over passing on root working practices both in the community and in the same family is also interesting, and she illustrates that root work is not a religion, but is a way of connecting with the world.

While the Gullah-Geechee nation became official in 2000, its existence is not well known, and it has a unique culture and language. Introducing Gullah-Geechee culture and language to a more mainstream audience through a middle-grade novel makes it very accessible. Eden Royce is a member of the Gullah-Geechee nation, and I think it would be very difficult to write about it from outside (in fact, there was a controversy over this not that long ago). Royce has a background as a horror writer for adults, with writing grounded in folklore and the Southern Gothic. I’m so glad she chose to use some of these same elements in this engaging historical Southern Gothic #OwnVoices novel for children. Children who enjoy this book may also enjoy Tracey Baptiste’s The Jumbies, Claribel A. Ortega’s Ghost Squad, and Marie Arnold’s The Year I Flew Away. Highly recommended for ages 8-12.

 

Contains: racism, police brutality, violence

The Vampirates Are Here! A Guest Reading from Justin Somper

As promised from earlier this week, not only have we published a review of the first book in the Vampirates series, Vampirates: Demons of the Ocean, but as we are participating in a blog tour for the series, we have a guest reading from the author, Justin Somper (accompanied by his dog, Bella). Justin chose to read a rather gruesome scene from the third book in the series, Vampirates: Blood Captain. This book is considerably longer and gets much deeper into characterization of the pirates– Connor is only briefly mentioned, and Grace not at all– but it is a great, suspenseful, dark scene that I’m sure will encourage you to continue on through the series past the first book.  All six are scheduled  to be reprinted this month:  #1 Demons of the Ocean, #2 Tide of Terror, #3 Blood Captain, #4 Black Heart, #5 Empire of Night and #6 Immortal War. With the completed series available, I’m sure we’ll see middle-grade and early teen readers zip right through them! Thanks very much to Justin for providing us with this great reading from Blood Captain!

Have a great weekend!