Home » Posts tagged "middle grade fiction" (Page 12)

Graphic Novel Review: Scarlett Hart: Monster Hunter by Marcus Sedgwick, art by Thomas Taylor

Scarlett Hart: Monster Hunter by Marcus Sedgwick, art by Thomas Taylor

First Second, 2018

ISBN-13: 9781626720268

Available: Hardcover, paperback, Kindle edition

 

Scarlett Hart is the orphaned daughter of two legendary monster hunters, and is determined to carry on in her family business. However, two obstacles consistently get in her way. The Royal Academy for the Pursuit and Eradication of Zoological Eccentricities (T.R.A.P.E.Z.E. ) insists Scarlett is far too young to fight the creatures their organization faces. Then, she struggles with her parents’ archrival, Count Stankovic, who turns her over to T.R.A.P.E.Z.E. and takes her rewards for himself. In addition to these problems, more monsters are appearing and no one knows the cause. The only person brave enough to handle the problem is Scarlett: the adults in her midst just don’t know it yet. With her loyal butler, Napoleon, and her monster-hunting gadgets at her side, she’s ready to face anything.

It’s rare that I read middle-grade books, but after reading the description and knowing that it was a strong female lead, I knew I had to pick it up. I love this story. Scarlett doesn’t give up, no matter the circumstances. She’s also ready with pithy insults, which is fantastic.  Thomas Taylor illustrates this tale of the monster-smashing Scarlett. His name will be recognizable to Harry Potter fans, since he did the illustrations for the original edition of Harry Potter and the Philosopher’s Stone. One common complaint I saw in other reviews was that it was too fast-paced, and I must respectfully disagree. We need to remember that her parents were considered legendary in the monster-hunting community. She has a reputation to grow into, and she’s clearly adept at carrying on the family name. Recommended,

Reviewed by Lizzy Walker

Book Review: The Black Pearl by Scott O’Dell

The Black Pearl by Scott O’Dell

HMH Editions for Young Readers, 2010 (reprint)

ISBN-13: 978-0547334004

Available: Paperback, Audible, Kindle edition

 

Scott O’Dell is best known as a writer of historical fiction for children, particularly for novels set  in California or Mexico. He is most well-known for his middle-grade survival story and Newbery Award-winning novel Island of the Blue Dolphins, as well as three Newbery Honor books: The King’s Fifth, Sing Down the Moon, and The Black Pearl. In addition to winning several additional awards, he also established one: The Scott O’Dell Award for Historical Fiction, which is awarded yearly to an American writer of an outstanding work of historical fiction for children. The Black Pearl, first published in 1967, is indeed a work of historical fiction– but it’s also a pretty terrifying book, with much of it devoted to a legendary sea monster, the Manta Diablo.

Sixteen year old Ramon Sandoval’s father is a pearl merchant, and has just made him a partner in the business. Ramon is eager to learn to dive for pearls, but his father has reservations. His father and the other pearl divers are large, muscled men, while Ramon is still not entirely grown. When Ramon finally convinces his father to take him on an expedition, he meets the Sevillano, a talented diver with a storehouse of outrageous stories about frightening monsters and giant pearls.

During his father’s next absence, Ramon, determined to prove himself, pays an Indian who has come to sell a pearl to teach him how to dive. He hopes to find the great pearl of the Sevillano’s stories: the Pearl of Heaven. The Indian warns Ramon of the Manta Diablo, a vengeful giant black manta ray who guards the pearls in his cave under the lagoon where the Indian dives. Despite the warning, Ramon dives into the cave, pries out a gigantic oyster, and finds an enormous black pearl.  When the Manta Diablo discovers the cave is in disarray,  it’s a race to escape home with the pearl before he is caught.  Once revealed, the pearl garners a great deal of unwanted attention from the town, but despite its size and beauty, he and his father are unable to sell it. Ramon comes to believe the pearl is cursed and that he must return it to the monster, but the Sevillano has other ideas, and they embark on a dangerous voyage by water, chased by the Manta Diablo.

The story is framed by the introduction of the Manta Diablo, a local legend used by mothers to scare their children into behaving. Ramon, while not a believer, loves this story. The Sevillano, who has been out in the ocean, makes this a more believable story, and the Indian’s dread reinforces it. None of this is enough to convince the skeptical Ramon, who is determined to find the legendary Pearl of Heaven– when it comes to legends, apparently greed and ambition outweigh fear. As the novel progresses, the Indian’s dread is infectious, and Ramon actually begins to believe that there might really be some truth to the legend. The manta’s chase and the battle with the manta up the tension, although it’s certainly possible that Ramon is more terrified of the Sevillano than he is of the manta.

While the writing is somewhat stilted and dated, and the book starts with somewhat of a slow pace, once the pearl divers enter the scene the story becomes engaging, not just because Ramon is engaged in the experience, but because it is fascinating, and something most people know little about. As the book progresses, it’s interesting to see how his relationship with both his father and the Sevillano develop. Ramon’s experiences as he learns to dive in the lagoon are immersive; O’Dell’s descriptions are gorgeously written. Ramon’s interactions with the Indian at that time start to ratchet up the suspense, especially once Ramon enters the cave of the Manta Diablo. The legendary manta of terror and its appearances in the novel, be they through story or through Ramon’s perceptions of his experience, snagged this reader from the first page, and O’Dell’s suggestion that something can be both beautiful and evil is food for thought.  Recommended for grades 4 and up.

Reader’s advisory note: Older children and teens who like this book might like The Pearl by John Steinbeck or The Old Man and the Sea by Ernest Hemingway.

Content note: The representation of the Indians in the book as especially superstitious and violent is a talking point you might want to cover with your child, as well as the religious motivations behind some of the actions (not being Catholic, certain children thought the Madonna referred to in the story was the American pop singer, which caused some confusion).


Musings: I Kill the Mockingbird by Paul Acampora


I Kill the Mockingbird by Paul Acampora
Square Fish, 2015
ISBN-13: 978-1250068088
Available: Hardcover, paperback, Kindle edition

I will preface this by saying it is not horror. It is, however, an amazing middle school/YA title that book lovers of all ages ought to know about, and I personally loved it.

I Kill the Mockingbird  examines the effects of hope, love, grief, and literature on the lives of three teenagers who decide to become literary saboteurs as a tribute to their recently deceased English teacher, Fat Bob, who intended to assign just one book(his favorite) as summer reading: To Kill a Mockingbird. Lucy, Michael, and Elena are best friends and book lovers looking forward to summer reading, but as school lets out, the other students are unenthusiastic. Lucy devises a plan to get people reading To Kill a Mockingbird, and enlists Michael and Elena to help. The three of them decide to secretly create and publicize a conspiracy to make it impossible to find a copy of the book, traveling by bus to libraries and bookstores to hide all copies of To Kill a Mockingbird, and leaving flyers behind that advertise a website they’ve built to create buzz about their conspiracy. Taking advantage of Twitter, Facebook, and other social media channels, their little conspiracy rockets out of control as they build a following all over the country, with copycats hiding the book in other communities and demand for copies of To Kill a Mockingbird rising. Lucy’s summer also involves more personal grief, uncertainty, and growth, as she deals with her feelings when her mother returns home after a protracted and nearly fatal battle with cancer and considers whether she’s willing to risk her friendship with Michael by taking it a step further.

It’s wonderful to see how the lives and families of these three friends are so integrated and familiar with each other, and to see how independent and motivated these kids are, in a world where relationships seem to be fragmented by distance, overscheduling, and social media. And as a book lover, and someone who really believes in getting people (and especially kids) engaged in reading, this was an absolute joy to me. While the plot is well-paced, and the book is a quick read, books, reading, and discussions of the ideas in books (and especially in To Kill a Mockingbird) also have a major role. However, while these are integral, they are not didactic– exactly the kind of thing you would hope to see in the lives of book-loving teens and their families. Near the end of the book there is also a really fascinating part where the characters debate whether burning books, even library rejects, is ever acceptable. The practical application of this is never tested, though, leaving us to struggle with our own answer to that question.

The characters were complicated and enjoyable, the plot was original, and the story of these three teens as they grow and change, and change the world, during the summer between the end of middle school and the beginning of high school, just lifted my heart. I Kill the Mockingbird is a thoughtful, funny, sad, and inspiring book that offers no easy answers, and just might make you crack open a copy of To Kill a Mockingbird yourself.

As a final note, the publisher suggests this as an appropriate book for ages 10-14. On its own, I agree that this is appropriate for this age group, and would include older teens as well. However, I can see this book inspiring kids to try To Kill a Mockingbird, and some 10 year olds are still in fourth grade. Even Fat Bob, the eighth grade teacher in this book, suggests that it can be best read and understood after eighth grade. I suggest that discussion of this would be warranted with elementary aged children interested in taking this further.