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Getting Graphic: What Kids See

I’ve been musing over a couple of experiences I’ve had in the past week, and I’d like to share them with you. First, I am sure at least some of you have followed the controversy over the, er, “sexy” portrayals of Catwoman and Starfire in the DC Comics “reboot” that has just premiered (and, according to a press release we received today, completely sold out). I won’t go into it here since other people have already done it better and more passionately, but I would like to say that even though these comic books aren’t targeted at little kids, little kids are familiar with them. My son had Iron Man sneakers in size 3T. Last year a friend gave him a Spiderman action figure for his birthday. You can’t say that superheroes are adult territory only once marketers have targeted the kids.

So it doesn’t surprise me that in the wake of all this, Michele Lee, reviewer and zombie editor for MonsterLibrarian.com, interviewed her seven year old daughter about her reaction to Starfire’s new look. And it saddens me so much that a character like Starfire, who is obviously a role model to at least one superhero loving girl, is cheapened not just for adults but also for children. What we see matters.

I want to go past this particular controversy, though, to write about something that nearly broke my heart this week. To backtrack, I am in the midst of taking a class in youth materials in libraries (yes, I have already worked as a children’s librarian and a school library media specialist, but I’ve gotta keep my certification current, and you can always learn something new). This week we’re discussing graphic novels, and I had to pick one from a list of “children’s” graphic novels to discuss. I chose and ordered the book a while back, it came, and immediately my five year old son absconded with it. The book is Ghostopolis by Doug TenNapel.

I will freely admit that my knowledge of graphic novels is limited. Someone tells me a graphic novel is for children, I think along the lines of Ook and Gluk: Kung Fu Cavemen from the Future or Dragonbreath (which are smart-alecky, occasionally gross, and imaginative).  We made it through Dragonbreath: Curse of the Were-Wiener here with no problem. My Godzilla-loving, monster-loving child couldn’t put Ghostopolis down. He couldn’t really understand it, but the images grabbed him and he asked so many questions that eventually we sat down and read it.

This is a far cry from Ook and Gluk. It’s about a terminally ill child who is accidentally transported to the afterlife before he dies and has to find a way home.  The themes in this book are not themes most elementary aged children are going to be able to understand or fully process. The artwork is phenomenal, but TenNapel’s vision of the afterlife? Not pretty. Nothing my son hasn’t seen before… after all, he’s the son of the Monster Librarian… but maybe not quite pulled together in this way.

I can tell stories about Hades to my son. He is obsessed with demons(an obsession that could end anytime, and I would be okay with it) and wants to be a mummy for Halloween. But his birthday is around the corner, and suddenly, he didn’t want to turn six, because he was afraid he would die, and he didn’t want to go to the afterlife like the boy in the story, Garth Hale (it took a long time to pry this out of him).

The impact of these images on children is tremendous. It is a huge responsibility, even more so, I think, than in books that have no images or illustrations at all. DC failed so many people by choosing to exploit Catwoman and Starfire… As parents and librarians, it’s clear we cannot just trust someone else’s interpretation as to what’s appropriate. Kirkus suggested that Dragonbreath was appropriate for ages 8-11  and that Ghostopolis was appropriate for ages 9-12. The two books aren’t even on the same planet.

I don’t know exactly what I’m trying to say here except that little pitchers don’t just have big ears. They have big eyes. They don’t necessarily respect boundaries. And what they take away from what they see is different than what we do. So the images we present them with really matter.

Baby Got Books- Horror Remix

I have to thank Sarah Wendell of Smart Bitches, Trashy Books for pointing me in the direction of this link: fantasy author JIm C. Hines’ “Baby Got Books”, a great riff on the Sir Mix-a-Lot song. And now, thanks to our very talented reviewer and zombie editor, MonsterLibrarian.com presents our very own genre-specific version: “Baby Got Books- Horror Remix”. Warning- not for the faint of heart.

Baby Got Books: Horror Remix

[Intro]
Oh, my, god. Becky, look at her book.
It is so big. *scoff* It looks like,
one of those Stephen King books.
But, you know, who understands Stephen King? *scoff*
They only read it, because of,
like, alien butt parasites, ‘kay?
I mean, her book, is just so big.
I can’t believe it’s just so thick, it’s like,
out there, I mean – gross. Look!
It’s just so … creepy!

[Sir Mix-a-Lot]
I like big books and I can not lie
You other readers can’t deny
That when the cover comes by with a big-ass mace
And a bloody psycho face
You get sprung, wanna pull out your eyes
‘Cause you gotta know who dies
Deep in the pages you’re reading
You’re hooked and people keep on bleeding
Oh baby, I wanna go post-apoc
Or maybe deep special ops
My parents tried to warn me
But every time I fall for the dark and gory
Ooh, cover-embossin’
You got vampires need crossin’?
Well, tease me, bleed me
‘Cause you ain’t all sparkly
I’ve seen them hatin’
To hell with literary fakin’
It’s lean, mean,
Got it goin’ like Brian Keene
I’m tired of happy endings
All the conflict getting mendings
Take your love stories and shove that
Gotta have something to hack

So, readers! (Yeah!) Readers! (Yeah!)
Got your Joe Hill book? (Hell yeah!)
Then read it! (Read it!) Read it! (Read it!)
Read that horror book!
Baby got books!

(Ligotti and Garton)
Baby got books!

Moms vs. Zombies, Mother’s Day Edition: Mother May I?

Welcome to the final entry in our Mother’s Day lineup. Today our zombie editor, Michele Lee, shares with us her thoughts about building a culture of reading and writing when you’re a horror-loving mom.

Michele Lee is the author of Rot and mother of budding writer Rose Lee. She is also a book reviewer in addition to her role as zombie editor for MonsterLibrarian.com.

Mother May I?

By Michele Lee

As if it’s not bad enough that we parent these days in the spotlight of public scrutiny,  there comes a point where you hear the dreaded words “You read what?”

It’s hard to avoid zombies, werewolves, vampires and ghouls these days. The kids even have their own versions, the Poison Apple books from Scholastic, Nathan Abercrombie, Accidental Zombie by David Lubar, The Zombie Chasers, Zombiekins, and. of course, Zombie Butts from Uranus by Andy Griffiths. This isn’t a new thing. In my younger days we had There’s a Batwing in my Lunchbox by Ann Hodgman, Bunnicula by James Howe and The Little Vampire.

We grew up with it. While those a generation older than us teethed on Stephen King, we blossomed from elementary monsters to R.L. Stine and Christopher Pike and Richie Tankersley Cusick. Don’t forget that L.J. Smith and her Vampire Diaries were ours first. On our side of things we wonder how the Jason and Freddy-loving teens became the same parents who sneer at our zombie T-shirts and look at us with suspicion when they see us reading the latest Brian Keene in front of our kids.

As parents, we’ve already been there, wondering where’s the limit for our adorable little spawn. Of course we don’t let them watch a Saw marathon. We don’t read Laurell K. Hamilton to them before bed every night either. But the nature of kids is to idolize us adults (which is at once one of the most awesome, and scariest parts of being a parent) so of course, things bleed.

Two years ago now (almost to the day) while I was editing Rot for its launch, my daughter decided she was going to write a zombie story too. She even asked me how to spell zombie, so she could write it on her to do list (and you better believe I have pictures of that in her scrapbook). Rot is not in any way at all appropriate for a kid to read, and I’d been very careful not to let her hear me reading it out loud. But she knew, and had seen the illustrations, and she wanted to write a zombie book too.

What came out was a most excellent story, that I promptly paid her a dollar to let me publish on my blog (because money flows to the writer). Enthusiastic, she pitched me a sequel (with evil ballerinas!). Write it, I said. And she lost interest. She was five.

Does she still know about zombies and vampires and what kind of things I write? Sure. She can grab the books my work is in, stare down the occasional meat puppet on the cover and wave it at me, exclaiming “This is your book, Mom.” But she doesn’t see terrifying tales of torture and sickness and blood-curdling terror. They’re things Mom has done that we all should be proud of, like her spelling tests and her brother’s artwork.

Kids get scared, but they are not adults and they do not think the same way. Scary and gross to kids are snot monsters that swallow hamsters (who are later saved by people wearing underwear and capes). Scary is something the world teaches them.

My daughter, accidentally one night, saw most of Repo: the Genetic Opera. She woke up in the middle of the night, and I was watching it and didn’t see her sitting in the doorway, fascinated. Ask her what it’s about and she’ll say there’s a pretty, blind woman who sings songs and tries to help a girl who finds out her dad is a bad guy. It’s not the blood, the repossessing of organs, the corporate greed, the hedonism or the addiction that scares her. And the bit where Paris Hilton’s face falls off? That’s just silly. Really, she doesn’t think the movie is that scary at all, just sad. The bit that resonated with her was the girl holding on to her dad crying because he wasn’t what she thought he was.

When kids are scared, it’s personal. Generally, they aren’t scared of monsters and blood, they’re scared of mom and dad abandoning them, or letting people down themselves. You know how kids always assume if something bad happens then they must have done something wrong? They aren’t scared of the same things we are because they haven’t connected with the real scary things in the outside world. My daughter wasn’t scared about 9/11 because she had no clue what it was, but I don’t know an adult who wasn’t.

When you’re a horror-loving parent, the wicked, inhuman beasties remind your kids of you, a person they trust and love. I don’t advocate having a popcorn and showing-of-Chucky night for family time, but if your kids want their own scary stories, how is sharing time, and a small piece of something you love with them, so wrong?

Besides, they need to be prepared for the zombie apocalypse too, right?