Home » Posts tagged "media tie-ins" (Page 3)

Book Review: Happy Death Day & Happy Death Day 2U by Aaron Hartzler

Happy Death Day & Happy Death Day 2U by Aaron Hartzler

Blumhouse Books/Anchor Books, 2019

ISBN: 978-1-9848-9772-5

Available: paperback, Kindle edition, audiobook

 

Remember the good old days when movie tie-ins were available for almost every film out there, and good authors wrote them?  Lest we forget, Alan Dean Foster, Terry Brooks, R.A. Salvatore, and Orson Scott Card all took a shot at tie-in writing.  You read them for two reasons: they were able to add a level of detail that a film can’t convey, and they often had scenes deleted from the film, which made you feel like you were getting something new.  Tie-ins are still around, and here we have a two for one deal: both of the Happy Death Day films in one novel.  If you liked the movies, it’s worth reading these to recall the fun of a surprisingly clever horror film.  If you haven’t seen them, it’s still entertaining enough to be worth the read.

Teresa ‘Tree’ Gelbman is a shallow, insensitive college student who wakes up with a hangover in a stranger’s dorm room on her birthday.  Her character gets established quickly on her bolting from the dorm and making her way through the day.  She’s a grade-A bitch, with no redeeming qualities.  She treats her few friends and all strangers like trash, and pretends to be nice to others to maintain her social standing.  To top it off, she’s trying to screw her way to a good grade in her biology class by having an affair with a married professor.  At the end of the day, she gets murdered by an unknown assailant.  Upon dying, she… wakes up with a hangover in a stranger’s dorm room on her birthday.  That’s her fate: she’s condemned to re-live the same day over and over, getting killed by the assailant each time, until she finds a way to break the cycle.  The second book follows a similar pattern.  The main differences are Tree finds herself in an alternate timeline, and you get some explanation for why the time-loop thing happened in the first place.

As expected for a movie tie-in, both books follow the script very closely.  The level of detail added in is not very high, although there are a few minor brush strokes to flesh out some of the scenes a bit.  Tree’s feelings about her professor are one area where the additional detail makes her seem a bit human, as opposed to completely unfeeling.  The real challenge to writing a story like this is, how do you make a re-playing scene seem interesting to the reader?  The author does a good job of making the repeated areas seem new, by using different ways to explain them.  For example, instead of just writing ‘the sprinklers turned on, someone fell down, a car alarm went off’ over and over, he finds new ways to describe it.  One good example is saying ‘The day unfolded with Tree’s greatest hits: Sprinkler.   Alarm.   Person falling over.’  It’s minor, but it really does help make the story more readable, and not make the reader feel as if they are caught in a time loop of their own.  This is written well enough that you feel like you are reading an actual story, and not just a copy of the script.  The only minor drawback to the book is that if you are looking for added scenes that weren’t in the movie, you’ll be disappointed.  As noted, this follows the original premise very closely, and I couldn’t find any new scenes added in.  Whether that’s good or bad depends on the reader.

The final verdict: The Happy Death Day movies have enough originality that they translate well to book form, thanks to the author’s treatment of the script.  The book is also a quick read, with both films are fitted into only 272 pages, and it reads fast enough that most readers will be hooked enough to finish it in a sitting or two.  It’s perfect for summer beach fare, and the violence is mild enough that it’s palatable to young readers.  A good horror choice for both adults and young adult readers.

Contains:  violence

 

Reviewed by Murray Samuelson

 

Posted on July 3, 2019 by , Reply

Book List: The Hunger Games and Battle Royale

With the news that a prequel to The Hunger Games by Suzanne Collins is upcoming, Monster Librarian brings forth a blast from the past, compiled by Dylan Kowalewski in 2012 just before the first movie was released, with reviews by Jim Cobb and Michele Lee.

The Hunger Games and Battle Royale

The Hunger Games by Suzanne Collins is an incredibly popular dystopian young adult series that has crossover appeal that very few other books have had, as both adults and teens love the books, and tomorrow The Hunger Games movie will open at theaters across the country.

Before Suzanne Collins had teens dueling to the death, there was another dystopian novel that had teens battling each other for survival, called Battle Royale.  Battle Royale was written by  Koushun Takami and was originally published in 1999.  The book is set in an alternate world in Japan, where a totalitarian government, in order to terrorize the population, renders a school bus full of middle school students unconscious, only to relocate them on a small island where they are given random weapons and are forced to battle each other until there is only one survivor. It has also been made into a well-regarded, controversial film that has been compared to A Clockwork Orange with a not-so-wonderful sequel, and a manga series.  Battle Royale is explicit in its violence, much more so than The Hunger Games, and that’s unexpected to many fans of Collins’ books who have heard that The Hunger Games is based on Battle Royale, but it has devoted fans of its own. Since the film was released, “battle royale” has taken on a new meaning– a fictional narrative or mode of entertainment (such as a video game) where a group of people are told to kill each other off until there is just one survivor.

So if you are a fan of The Hunger Games with a strong stomach, you might want to take a look at Battle Royale.

Speaking of  The Hunger Games, Jim Cobb of  Survival Weekly reviewed the first two books for us and Michele Lee reviewed the third and last one, Mockingjay. if you haven’t read the books yet now is the time to stop by your local library and pick up a copy!

The Hunger Games by Suzanne Collins

Scholastic Press, 2010

ISBN-13: 978-0545310581

Available: New and Used

In the not-so-far-off future, the United States has been decimated by disaster and war. It is now a country called Panem, and is broken into twelve districts. There were at one time thirteen districts, but one of them tried to rise up against the government, referred to as the Capitol, and was annihilated. Katniss, our main character, is from District 12, the poorest district. The reader may infer that this district is located in an area corresponding to Appalachia. Capitol citizens may enjoy fine food and drink, but those who live in District 12 subsist on dog, wild game, and grains.

Each year, two delegates (one boy, one girl, aged 8-18) are chosen by lottery from each district to compete in the Hunger Games. The Games are held in a different environment each year and are televised to the masses across the country. It is a battle to the death among the delegates. Think Lord of the Flies meets The Running Man.

During the current lottery, Katniss’ young sister, Prim, is chosen. As allowed by the rules, Katniss immediately volunteers to take her place. Katniss knows sending Prim to The Hunger Games is nothing but a death sentence. Her intention in volunteering has nothing to do with wanting to compete. Rather, she is trying to save her sister.

Katniss is a hunter who has spent years learning the ways of the woods– tracking, fishing, trapping, woodcraft. Her mother is an herbalist who has taught her what plants heal and how to use them. To feed her family, Katniss has taken down all manner of wild game… but can she kill another human being?

The characterization in this book is phenomenal. You feel the emotional conflict within Katniss every step of the way. The other characters have distinct personalities that are realistically portrayed. Some are sympathetic, others not so much. Readers find themselves rooting for certain characters and hoping others are taken down quickly.

The action sequences are well planned and executed. They are both exciting and brutal. These might be kids, but they are kids who want to win at any cost.

This is one of my favorite reads this year. It is written for the young adult crowd (grade 7 and up). The book is the first in a trilogy, with the third book set to hit bookstores in a few weeks.

Highly, highly recommended.

Reviewed by Jim Cobb

 

Catching Fire (Hunger Games Series #2)by Suzanne Collins

Scholastic Press; 1 edition, 2009

ISBN-13: 978-0439023498

Available: New and Used

Catching Fire is book two in the Hunger Games trilogy. It begins a short time after the end of the first book. Katniss and Peeta, our star-crossed lovers, have returned to District 12 victorious. They are given new homes for their families, as well as wealth and status. For a brief period, all is well. Katniss also learns of a rumor about District 13. All her life, she has been told District 13 was uninhabitable, due to being destroyed by the Capitol in a war whose end result was the creation of the Hunger Games. She is now told there are indeed people living in District 13, people who are working to overthrow the Capitol.

As part of their duties as Hunger Games victors, Katniss and Peeta are to tour the entire country of Panem, visiting each district in turn. On the day they are to depart, Katniss is confronted by President Snow. He is not at all happy with how the Hunger Games ended, and believes there is a resistance movement sweeping through the districts that has chosen Katniss as their symbol of rebellion. President Snow explains to Katniss she must prove to the entire country her defiance in the Hunger Games was not an act of rebellion but instead driven by her love of Peeta.

During their victory tour, Katniss witnesses firsthand both acts of defiance among the populace and the Capitol’s iron-fisted way of dealing with those acts.

The next Hunger Games is a Quarter Quell. This occurs every twenty-five years and allows the Capitol to introduce some sort of twist to the event. This time around, it is determined that the participants will be chosen from all living previous Hunger Games victors. Katniss and Peeta are headed right back into the arena, with every opponent being someone who has survived previous Hunger Games.

Twists and turns abound in this book, but it does suffer from what I call “middle book syndrome.” In almost every trilogy, the middle book is the weakest of the three. The first book is usually exciting in that there is a goodly amount of world-building. The reader learns who to root for and who to despise. The second book often is not much more than a lead up to a dazzling conclusion in the third volume.

In this particular case, Catching Fire does contribute to the overall story. It is well-written and the characters are fleshed out well. But the reader, knowing there is another book coming, might feel this book goes a bit slower than necessary. Certainly by the time the actual Hunger Games begin, the reader is almost out of patience.

Overall, the book is a good follow up to the first volume, but it does move slowly. Recommended for all those who loved the first Hunger Games book.

Reviewed by Jim Cobb

 

mockingjay

 

 

 

 

 

Mockingjay by Suzanne Collins
Scholastic, 2010
ISBN-13: 978-0545663267
Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

Ye gods, what a mule kick in the heart this book is. Katniss has seen the destruction of her town and most of the people she knew. She’s faced the Arena twice for the amusement of her world, and had to kill, and face her own death. Now she lives in the tunnels of District 13, being forced to become the star of the revolution.

Once again she’s trading her own well-being for that of others, but District 13’s president is determined to keep Katniss on a much tighter leash. War brings out a side of Gayle Katniss doesn’t like and Peeta, left behind in the Arena break out, is being tortured into playing Katniss’ opposite, moral booster for the Capitol and President Snow.

Even once rescued, Peeta has been so twisted by trackerjack venom and psychological reconditioning that he tries to kill Katniss more than once. Katniss, trying to deal with how very broken she is, has no real support, and at times it seems no one even cares about her, just The Mockingjay.

War isn’t prettied up at all for readers, which is a mixed blessing since there’s no real diluting of either battle, nor Katniss’ emotional trauma. Collins doesn’t even pretend that Katniss, or Peeta, or Gayle are valiant defenders of anything. They are people picking sides and fighting for what they feel is right, but in the process the tragedy they cause is just as real as the harm they endure spurring them to fight.

While it isn’t pretty, Mockingjay is an amazingly soulful story, sure to resonate with readers, teens and adults a like. Definitely a recommended read, but with a caveat for caution for anyone with trigger issues.

Reviewed by Michele Lee

Posted on June 24, 2019 by , Reply

Help a Reader Out: A Book List for Teenage Boys

Stephanie Ellis, a participant on Monster Librarian’s Facebook page, noted that right now there is a lot of great YA horror with girls as protagonists or major characters, but she’s having trouble finding any with boys as protagonists (writers, take note). I personally think it is lovely that we’re seeing more girls take on major roles in horror fiction, but in looking at this list by Kelly Jensen of YA horror fiction for the second half of 2019, 28 of the books have women as authors or editors (there is one anthology, slanted significantly toward women authors) and just three have men as authors. So many women writers getting published and lots of girls and women as protagonists or major characters is a great problem to have… unless you are looking specifically for YA horror with boys as protagonists and major characters. There are a lot of boys who are reluctant readers and an engaging YA read will grab them. Of course we shouldn’t all expect all books to be mirrors of our experiences, but there are now many more options for boys to read stories that showcase girls as protagonists and point-of-view characters, so there are more windows to look through, and doors to step through, in YA horror than ever before.  A note: I’d like to see alternatives to traditional depictions of masculinity in future YA horror. It makes for some pretty great writing when you see it!

A few things about teens who seek out horror. In a very small 2007 study, Sharon McKool discovered that there are many kids who jump straight from reading Goosebumps to reading Stephen King (this included her own son).  Based on my even earlier experience as a college student in the 1990s, I had more than one classmate who first engaged in reading when he first discovered Stephen King, and thought he was the greatest writer ever. A teenage boy was the first to hand me Anne Rice. My brother, not a reader, was gripped by In Cold Blood. YA is not a stopping point for these boys.

But many boys aren’t ready to make that jump and take the path that leads through YA fiction, and that’s awesome, because there are some great books available for them. There are even outstanding authors who first wrote for adults who have now also written YA horror, like Jonathan Maberry, Jeff Strand, and Steven Wedel (author of Murdered by Human Wolves, written for an adult audience, as well as co-author with Carrie Jones of one of the books Jensen mentioned as coming out later this year). These authors have the opportunity to introduce the adult horror genre to their young adult audiences craving more. However, since the current crop of upcoming YA horror fiction doesn’t seem to offer much in the way of boys as protagonists or major characters, here are a few older titles you can turn to. They are very different in tone, level of gore, age appropriateness, writing style, type of creature, and quality, so you can’t just hand the list over to any teenage boy and say “pick one.” But it is a starting place for making recommendations to the right kids. We’ve reviewed many, but not all, of these books. If the book was published before 2014, you’ll need to search the original MonsterLibrarian.com.com website to find it, but it should be pretty simple to find most of these reviewed elsewhere as well.

 

A Bad Day for Voodoo by Jeff Strand (2013) This Bram Stoker nominee is both funny and violent. Strand has written other books for younger readers that aren’t as violent, and comic horror for adults that can get very gory.

A Monster Calls by Patrick Ness (2011). This outstanding book should be in every collection. It is powerful and wrenching, and gorgeously illustrated.

Anna Dressed in Blood (2 book series): Anna Dressed in Blood (2011), Girl of Nightmares (2012) by Kendare Blake. Anna Dressed in Blood is consistently recommended as a “book to read” on recommendation lists for YA horror.

Escape from Furnace (5 book series): Lockdown (2009), Solitary (2010), Death Sentence (2011), Fugitives (2012), Execution (2012)  by Alexander Gordon Smith. This action-packed dystopian series about a brutal underground prison for delinquent teenagers has some really difficult torture and body horror scenarios.

Five Nights at Freddy’s (2 book series): The Silver Eyes (2016), The Twisted Ones (2017) by Scott Cawthorn and Kira Breed-Wrisely. These are based on the popular video game Five Nights at Freddy’s. 

Gone (8 book series): Gone (2008), Hunger (2009), Lies (2010), Plague (2011), Fear (2012), Light (2013),  Monster (2017), Villain (2018) by Michael Grant

Heap House (The Iremonger Trilogy, #1) by Edward Carey (2014)

Lockwood & Co. ( 5 book series): The Screaming Staircase (2013), The Whispering Skull (2014), The Hollow Boy (2015), The Creeping Shadow (2016), The Empty Grave (2017)  by Jonathan Stroud. These will probably appeal more to younger teens and are slanted toward mystery.

Miss Peregrine’s Peculiar Children (6 book series): Miss Peregrine’s Home for Peculiar Children (2011), Hollow City (2014), Library of Souls (2015), Map of Days (2018), The Conference of the Birds (upcoming)  by Ransom Riggs. The use of vintage photographs and documents really sets these apart. A movie was made of the first book in 2016.

Peeps by Scott Westerfeld (2005)

Red Eye (10 book series): Flesh and Blood, Bad Bones, Savage Island, and Whiteout all have boys as protagonists. Tony Jones has done a summary of the 10 books in this UK series here.

Rot & Ruin (4 book series) : Rot & Ruin (2010), Dust & Decay (2011), Flesh & Bone (2012), Fire & Ash (2013). by Jonathan Maberry. This Stoker Award-winning series is essential. Bits & Pieces (2015) collects shorter pieces that take place in the same fictional world, and Broken Lands (2018) is the first book in a follow-up series.

Rotters by Daniel Kraus (2011)

Skeleton Creek (5 book series):  Skeleton Creek (2009), Ghost in the Machine (2009), The Crossbones (2010), The Raven (2011), The Phantom Room (2014) by Patrick Carman. Skeleton Creek is an interactive series that directs readers to YouTube videos and websites intended to give the story a feeling of realism.

Slasher Girls & Monster Boys edited by April Genevieve Tucholke (2015). This is on HWA’s “Summer Scares” list for 2019.

The Apprenticeship of Victor Frankenstein (2 book series): This Dark Endeavor and Such Wicked Intent by Kenneth Oppel (reprinted 2012) I fangirl these ones! Kenneth Oppel is a very talented writer.

The Abused Werewolf Rescue Group by Catherine Jinks (2019)

The Devil’s Engine (3 book series): Hellraisers (2015), Hellfighters (2016), Hellwalkers (2017)  by Alexander Gordon Smith

The Enemy (7 book series): The Enemy (2010), The Dead (2011), The Fear (2012),  The Sacrifice (2013), The Fallen (2014), The Hunted (2015), The End (2017) by Charlie Higson. This post-apocalyptic series begins after nearly all the adults have been turned into cannabilistic zombies, and the children and teens are banding together in gangs, in hopes of surviving.

The Graveyard Book by Neil Gaiman (2009). This Newbery Award-winning book is outstanding and covers a boy’s life from young child to young man. The artwork by Dave McKean is startling and effective.

The Graveyard Book (graphic novel) by Neil Gaiman and P. Craig Russell (2018)

The Illuminae Files: Illuminae (2015), Gemina (2016), and Obsidio (2018) by Amie Kaufman and Jay Kristoff. These look more intimidating than they actually are. The stories are set up as a series of chat logs, emails, video transcriptions, photos, sketches, maps, and impressive double page illustrations, so even though the books are substantial they don’t need to be intimidating. They have a futuristic science-fiction setting.

The Monstrumologist (4 book series): The Monstrumologist, The Curse of the Wendigo, The Isle of Blood, The Final Descent by Rick Yancey. Will is the 12 year old apprentice to a “monstrumologist,” both scientist and monster-slayer, writing of his experiences. Set in the Victorian era, the language can be difficult and flowery.  Although The Monstrumologist is a Printz Honor book, it is not for everyone. It will appeal most to readers with advanced vocabulary and a very strong stomach for gore and body horror.

The Thief of Always by Clive Barker (1992,  reissued 2014). Clive Barker takes a different tone in this story of a house where it’s always a holiday. Many, many horror fans and writers have mentioned this as a gateway title to adult horror.

The Thief of Always (graphic novel) by Clive Barker, adapted by Kris Obrisko, art by Gabriel Hernandez (2010)

Thirsty by M.T. Anderson (1997, reissued 2010) Published in the days when YA horror was a rare treat, nobody had heard of that Harry Potter guy, and Amelia Atwater-Rhodes was a big deal, Thirsty remains memorable to me.

 

 

 

 

 

 

 

Posted on June 12, 2019 by , Reply
First « 12345 » Last