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Book Review: C.H.U.D. Lives! A Tribute Anthology edited by Joe Mynhardt, compiled by Eric S. Brown

C.H.U.D. Lives!: A Tribute Anthology edited by Joe Mynhardt, compiled by Eric S. Brown

Crystal Lake Publishing, 2018

ISBN-13: 978-1642550337

Available: Paperback, Kindle edition

 

C.H.U.D., or “Contamination Hazard Urban Disposal,”  more commonly termed by people on the streets as “Cannibalistic Humanoid Underground Dwellers,” is a cult classic horror film, featuring flesh-eating monsters that call the sewers below New York home. New York police officer Bosch, and Reverend, the manager of a homeless shelter, join forces to investigate the disappearances of the homeless population only to discover cannibalistic monsters devouring anything that moves and mutating those who try to stop them.

This anthology expands the story of the movie with tales of humanity dealing with, or, let’s be honest, being consumed by, these underground dwellers. We are reintroduced to familiar characters like Bosch, the Reverend, and others, as well as meeting a new cast of hapless or up-to-no-good characters. Between those who desperately attempt to get the word out about the danger to the place they call home, and the suits and top brass who are involved in the great governmental cover-up, what’s a city to do?

C.H.U.D Lives! is full of amazing stories. I’ll only highlight my favorites in this review, but I recommend giving this a read to get the full effect of the anthology. “Dog Walker”, by Robert E. Waters, centers on Captain Martin Bosch’s wife, Flora, who is unhappy in her marriage. With a fella on the side, she’s feeling guilty, but not enough to tell her overworked cop husband. She decides to ignore his warnings and takes their dog, Bull, out at night for walkies. What’s the harm in taking little Bull out tonight, just for a bit? She finds out when she gets too close to a manhole. What struck me is that this is actually the opening scene of the film, and the perfect opening to this anthology.

Nick Cato’s “The Dwellers” introduces us to a new hardcore band, The Dwellers, who are playing their first official gig. Tommy couldn’t be more excited, but he faces two problems. The first is his father, who, less than enthused that his son thinks he’s a rock star, needs him to do a job at the warehouse moving some pretty hefty barrels. The other problem is what’s in the barrels. Tommy doesn’t feel so good when he gets on stage later that night. Soon, the packed crowd won’t fare any better.

“Date Night”, by David Robbins, centers on schoolteacher Angela Swinton, who teaches the special needs homeless children in the neighborhood. She braves the street to get to the Anything Goes nightclub to engage in some less than scholarly activities. She picks up Lance, an outwardly brave man who makes it all the way to Angela’s “home away from home” to spend the night with the attractive, yet matronly, teacher. Lance doesn’t know that he is on the syllabus.

Dr. Varlerius Alexkavich discovers new cult activity in Christopher Fulbright and Angeline Hawkes’ “Strange Gods.” The good doctor talks with his student, Karen, who has been attending worship services with a group who revere the strange gods Gog and Magog. When he accepts her invitation to witness her “Purification of the Soul” ceremony, he discovers more than he expected…much more.

In “Step Ate”, by Chad Lutzke, Harlan and Darlena used to be together, but heroin and poor life choices drove them to different lives. Harlan is wracked with guilt for the pain he put her through; she’s still a junkie working the streets for her next fix, while he’s cleaned up and working a regular job. When she turns into a raging, frothing, beast, he may have found a way to make his amends.

“You Will Never Leave Harlan Alive”, by Jonathan Maberry and Eugene Johnson, focuses on the newly minted Sheriff Bosch, working a case in the middle of nowhere. With Deputy Singer at his side, he ventures out to Senator Alvin Joseph’s cabin. There, they meet Lynch, a man claiming to be the senator’s bodyguard, and encounter a gruesome crime scene: the mutilated body of the senator’s driver. Who, or what, did this, and where is that shrill scream coming from? This one is set in 1989, sometime after the end of the film. It’s comforting to know someone made Bosch a sheriff after the ordeal he went through at the end of the movie, but it’s not comforting to know the whole thing had been called “the incident” and all of the evidence was burned and hidden from the public. This is definitely one of the strongest of the stories in this anthology. The authors capture Bosch to the letter, and the tension between the new sheriff and Lynch is palpable.

Other authors who contributed to this incredible anthology include Ryan C. Thomas, Greg Mitchell, Alex Laybourne, Michael H. Hanson, Ben Fisher, Tim Waggoner, Jason White, Mort Castle, David Bernstein, Martin Powell, JG Faherty, and Ross Baxter. There are also interviews with Parnell Hall, C.H.U.D.‘s screenwriter, and the late Andrew Bonime, the film’s producer. The book is dedicated in loving memory to Andrew Bonime, who died before the completion of this project.

Anyone who loves cult classic horror, especially C.H.U.D., will enjoy this book. For readers who haven’t come across this cult classic, check out the trailer from IMDB here (https://tinyurl.com/y8lgohcy).

 

Contains: blood, cannibalism (please don’t tell me you’re surprised), gore, some body horror

Highly recommended (for die-hard C.H.U.D. fans especially)

Reviewed by Lizzy Walker

Book Review: Meddling Kids by Edgar Cantero

Meddling Kids by Edgar Cantero

Doubleday, 2017

ISBN-13: 978-0385541992

Available: Hardcover, Kindle edition, audiobook

 

If you grew up in the 1970s and 1980s, the title of this book tells you exactly up to expect, but even if you don’t pick up on the reference, Meddling Kids is a fun, suspenseful read.

The Blyton Summer Detective Club fell apart after the Sleepy Lake monster case, when another scummy criminal was unmasked and sent to prison after being foiled by those… well, you know.  Now, 13 years later,  Andy, the kickass girl of the team, is on the lam, and seeking out the rest of the gang of mystery fighters; Kerri, the genius, now drinks away her days with her loyal dog at her side; Nate, the oddball is in a mental hospital, recovering from the events he believes were real; and Peter, the leader of the group, who killed himself years ago and is now visible only to Nate.  Gathered together again, they learn that something else might have been active in their last case, other than the criminal they caught… something that feels somewhat Lovecraftian.

Edgar Cantero is very careful not to name the cartoon he lampoons here (it rhymes with Roobie Roo), but he has penned a crackerjack story that, for the kids of the 1970s and 1980s who grew up watching the show on Saturday mornings, is pure gold. The novel’s references to the cartoon will transport fans of the show back decades, with plenty of laughs and headshakes.

Fans who grew up with the original gang will love the story, with horror and cartoon references abounding. It’s exactly what we expect to read about the future of the characters from this favorite show. Prepare to read through this book with a grin on your face and hands gripping the pages. Here’s hoping that Edgar Cantero keeps the adventures coming.

 

Reviewed by Dave Simms

Book Review: Clive Barker’s Next Testament by Mark Alan Miller

Next Testament

Clive Barker’s Next Testament by Mark Alan Miller
Based on the BOOM! Studios graphic novels by Mark Alan Miller and Clive Barker
Earthling Publications, 2017
ISBN-13: Not Available
Available: Limited, Deluxe, and Lettered versions (direct order from Earthling Publications here)

Is there truly a God? If there is, what is he like?  Why would he put up with the hell on earth for the past millennia, and what would he think of what humanity has become? Clive Barker and Mark Miller have posited these questions in The Next Testament, and answer them in a fascinating tale.

Clive Barker’s Next Testament is a novelization of  BOOM! Studio’s graphic novel series of the same name. While Miller has written the actual novel, Barker’s touch is everywhere here: he drew the artwork both for the cover and interior, which is typically disturbing and splendid. With an introduction by the iconic F. Paul Wilson, readers are in for a special experience.

The story itself is horrific and bombastic, bleeding weird imagination all over the place. In the scorching desolation of the desert, billionaire Julian Desmond is driven to uncover a truth that has eluded humanity for ages, something he doesn’t quite understand himself.  Desmond digs up a strange structure in the middle of nowhere, falling into a darkness that feels like nothing he’s ever imagined. There he meets Wick, a man covered in myriad colors, but not in tattoos; a true illustrated man. Wick claims that he is God, the one true being who sculpted the world, and that he needs to witness what has happened to his creation.

Readers may wonder why he needed to be released from this structure and who locked him up… but not for long.  When Wick is introduced to the modern world, he is enraged, and his actions are those of an Old Testament deity. Julian’s son Tristan and Tristan’s fiance Elspeth may be the only ones with a chance of stopping this destructive god.

Miller and Barker’s creation is brutal, in the fashion of Barker’s classics, such as Books of Blood and Hellraiser. The Next Testament is bloody, unflinching, and unhinged in its free-flowing swath of “hell-on-earth”. This is classic hardcore horror with a philosophic bend to it that will draw Barker’s faithful, but introduce many more to the talents of Miller. The Next Testament is a welcome, and recommended, return to the horror that readers have been craving.

Contains: graphic gore, extreme violence

 

Reviewed by David Simms