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Women in Horror Month: Graphic Novel Review: An Elvira-straganza, Part 2! The Shape of Elvira, vol. 1 by David Avallone, art by Fran Strukan (issues 1-3) and Pasquale Qualano (issue 4)

cover art for The Shape of Elvira by David Avallone

Amazon.com )

 

The Shape of Elvira, vol. 1 by David Avallone, art by Fran Strukan (issues 1-3) and Pasquale Qualano (issue 4)

Dynamite, 2021

ISBN-13: 9781524111977

Available: Paperback, Kindle edition, comiXology (for single and TPB digital issues), preorder (release date is May 4, 2021)

 

The Shape of Elvira is a one-volume detour from the main Elvira series, reviewed in part 1 of our Elvira-straganza. This limited series collects issues 1-4.

 

Issue #1: Chapter One: Diving In: Elvira has landed a role in “The Heart is a Black Lagoon”, an art film about the romance of a human and a gill monster. Her co-star, Gill, is introduced as a method actor, preferring to remain in costume and character at all times. Director Billy Bullworth runs a tight ship, so there is no real opportunity for the stars to get to know each other. Will there be an award, or something else in their future with this peculiar film?

 

Issue #2: Chapter Two: Love Means Never Having to Say You’re Soggy: After an intense day of shooting, that glass of champagne goes right to her head. She dreams of a romantic, yet silly, rendezvous with her scaly co-star, only to wake up finding him hovering over Elvira in in her bed. The Queen of Halloween’s co-star makes a swift retreat as Elvira tries to put things together from the evening. The issue ends with a car chase between Elvira and… the U.S. Department of Fish and Wildlife?

 

Issue #3: Chapter Three: Waterwhirled: Elvira, and everyone else, discovers Gill’s secret. Plus, a murder has taken place on the set.

 

Issue #4: Chapter Four: It’s A Soft G: Gill and Elvira awaken after a blow dart incident to find themselves strapped to metal tables. When they discover the film was a front for something far more nefarious, everyone learns more about Gill and just what he can do. A breakout of epic proportion ensues in the conclusion to this four-part miniseries.

 

I’m glad this was a short departure from the main Elvira series. It was fun and campy, and included a little bit of actual romance. I think it had just enough to warrant a separate storyline, but I don’t think it would have made a good addition to the main series. I would recommend this title to those readers who want to read everything in a series. Highly recommended for Elvira fans and lovers of campy horror.

Contains: a plunging neckline, plenty of innuendo, and puns galore

 

Reviewed by Lizzy Walker

Musings: Breaking Out of Your Reading Slump

A note from the editor:

We are now more than midway through October and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $195 we need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Or, you can purchase titles mentioned in this post through our store at Bookshop.org. Thank you!

Horatio P. Bunnyrabbit with a pumpkin for trick-or-treating

For a list of the books mentioned in this post, check out the Monster Librarian store on Bookshop.org!

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October is the big month for the horror genre, and in hopes of getting up a review every day, I do a lot of reading in hopes that I can do exactly that. The pandemic has killed my ability to focus, though, and especially if I’m reading something long, it seems to take longer to read about it, think about it, and write about it. That’s especially true if I’m reading similar kinds of books– after awhile I just have to stop.

This has been especially aggravated by my library closing down and my kids’ schools going virtual so that I don’t get time in those libraries either. Libraries are my haven and not physically getting to be in that space is so difficult for me! I know I’m not the only person who is dealing with this right now. A dear friend of mine who typically gobbles up anything horror-related has stacks and stacks of books that he just keeps buying but is unable to focus enough to finish anything. So what can you do?

First, it’s okay to put a book down if you just can’t handle it.  I like ebooks for really long books because holding those in my hands gets me thinking on how much there is to read, which sometimes can be intimidating. Is your fiction too close to your current reality?  This month was not the month I needed to start watching The Man in the High Castle.  I also read Leigh Bardugo’s Ninth House, not realizing how intense it was going to be. Reading Goodreads reviews after the fact, I found that readers were providing content warnings to potential future readers. If a book is stressing you out instead of entertaining you, you don’t need to keep going.

Second, mix it up! Short stories are great, and I love them, but if you’re reading several anthologies in a row from cover to cover, it’s no longer a vacation. I just finished the excellent SLAY: Stories of the Vampire Noire, edited by Nicole Givens Kurtz, so I’ll be switching to something different before I start another one. There are plenty of authors who don’t get the kind of attention they should, classic authors you might not have read, and new books coming out all the time. Reading T. Kingfisher’s new book The Hollow Places led me to track down The Willows by Algernon Blackwood. In addition to the HWA’s newly published series of genre classics, if you are short on funds, many classics are available free as ebooks through Project Gutenberg.

There’s some really good horror-related nonfiction out there, such as Lisa Morton’s recently released Calling The Spirits.  Although these can seem long, nonfiction is great because you can read a chapter and put it down for awhile until you’re ready to come back to it. Kit Powers’ My Life in Horror, Volume 1 is a series of standalone personal essays on growing up as a horror fan, easy to pick up and put down until you’re ready for more. You might also consider checking out some poetry. Even if you’re convinced it’s not your thing, Alessandro Manzetti’s Whitechapel Rhapsody might change your mind, although it’s not for the faint of stomach.

This is also a great time to check out some of the titles that tie into current television and movies. The HBO series   Lovecraft County is based on a book of the same name by Matt Ruff, a great book of interconnected stories. Netflix’s The Haunting of Bly Manor riffs on the ghost stories of Henry James, notably The Turn of the Screw.

You don’t have to seek out anything new, though. I’ve reread some old favorites when I needed a break. Looking for something lighter? Maskerade by Terry Pratchett isn’t horror, but it is an entertaining riff on a story that definitely is, The Phantom of the Opera.  Seanan McGuire’s InCryptid series, starting with Discount Armageddon, takes a lighter approach to slayers, monsters, and ghosts than is typical for horror, but it is a lot of fun. Sometimes a thriller is what you need, as long as it’s not too close to life for you. Alyssa Cole, mostly known for her excellent romance novels, has an #OwnVoices thriller out right now on gentrification spiraling out of control titled When No One Is Watching, and David Simms has a supernatural thriller, Fear the Reaper, that reveals the dark history of American eugenics.

Despite protestations that they aren’t “real reading”, graphic novels definitely are, and if too many words on the page is a struggle right now, you might try them. Marjorie Liu’s Monstress has even won awards, Or try a novella. A recent entry into the novella category that I raced through was Stephen Graham Jones’ Night of the MannequinsThere are a lot of great titles in the middle grade and YA fiction categories as well. No, you are not too old for good middle-grade fiction. If you haven’t read Neil Gaiman’s The Graveyard Book in either its novel or graphic novel formats it is well past time.

If you are a doer or a maker, I don’t personally have the patience for audiobooks or most podcasts, but if you spend a lot of time driving or run long distance, that’s another opportunity. And it’s the perfect time of year to explore Halloween cookbooks and crafts! My son collected and loved these even before he could read them, and a lot of gruesome-looking foods are pretty easy to make. We’ve worn out Ghoulish Goodies There is even an unofficial Walking Dead cookbook called The Snacking Dead

Third, go outside. It’s a little cool where I am to go outside and sit and read right now, but I went for a long walk yesterday that really cleared my head and got me focused again. All the sitting inside, social media, news, attempting to get along with your family you’ve been stuck inside with for seven months leaves you feeling tired and your brain cloudy. Reading is supposed to be relaxing, but apparently you need to really relax before you can enjoy it.

Clear out your brain, clear space for yourself inside and out, turn off your television, and give yourself permission. It’s the Halloween time of year, so, whatever makes you feel the season, give yourself a treat.

Book Review: Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism, and Innocence in the Series edited by Kevin J. Wetmore, Jr.

Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism and Innocence in the Series edited by Kevin J. Wetmore, Jr.

McFarland, 2018

ISBN-13: 9781476671864

Available:  Paperback, Kindle edition

 

Uncovering Stranger Things presents 23 essays exploring how the show uses the lens of ’80s pop culture to shape the viewer’s understanding of the decade, albeit through distorted memory. The research and analysis in each chapter is valuable and reinforces the idea that popular culture materials have academic value, while making the material approachable by readers interested in taking a closer look at their favourite series.

The first section focuses on popular culture, looking at the influence of Stephen King with a comparison of films like IT, Stand By Me, and others; the rise of synthwave and post-punk music and their influence on Stranger Things; the rise and competition of nostalgia in Mad Men and Stranger Things; Columbian television audiences and ’80s television (which made me find reruns of ALF); and, of course, how Dungeons and Dragons is a positive driving force in Stranger Things. As someone who grew up during the Satanic Panic and just joined a new Classic, red book D&D table, this is particularly poignant and timely information.

The second section of the book deals with cinema and its influence on Stranger Things. The comparisons and critiques of the show to films such as the original Halloween, A Nightmare on Elm Street, The Breakfast Club, Firestarter, Bride of Re-Animator, Scanners, and, arguably one of the most essential dissections, John Carpenter’s The Thing, are all valuable in understanding the world of Stranger Things. The chapter on the comparison of 80s and current Winona Ryder’s characters was interesting in that her younger characters were firmly rooted in the upper middle-class tax bracket while the character of Joyce Byers is a working class low-income single mother, and how the reflection of Reagan-era economics misled and damaged 80s families. This section would not be complete without an analysis of Spielberg’s films and their inversion in Stranger Things.

The third section unpacks a lot on gender and orientation. From gender politics to queer theory, the authors tackled so much valuable content: the monstrous feminine, Reagan-era politics and the AIDS crisis, bullying and bad 1980s parenting, and conservatism and treatment of female characters (in particular, a great analysis on how the badass moments of Joyce Byers and Karen Wheeler aren’t as badass as the Duffer Brothers think they are) are all addressed.

The fourth section digs more into the culture, politics, and society of the 80s, including the illusion of the nuclear family; an interesting critique of Chief Hopper, his interactions with the characters, and his environment; the idea that viewers (especially of a certain age) are invested in the “in-between” of having lived in the 80s and reflecting on them simultaneously through Stranger Things; education policy reform in the Reagan era; distrust of the government; and what exactly is the strangest thing about Stranger Things.

The book is perfect for the academic and horror fan alike. Constant themes run through each chapter, namely nostalgia and Reagan-era politics. I grew up in this time period, so reading the various analyses brings me, I think, a uniquely 80s reaction to the content. This is not to say others won’t “get it”, because they absolutely will. However, reliving the 80s through memory and through the series may have a different effect on those of us who lived it. I think all of the contributors to this book have valid and valuable observations on the show and the era it harkens from.  Highly recommended.

Contains: spoilers

 

Reviewed by Lizzy Walker