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Teen Read Week: Guest Blog by Jason Henderson– John Polidori, Mary Shelley, and the Haunted Summer

Jason Henderson is the author of the Alex van Helsing books, about a fourteen year old descendant of the vampire hunter from Bram Stoker’s Dracula living in a boarding school near Geneva, who just might be the supernatural world’s James Bond. The first book depends a lot on the events of the Haunted Summer at Villa Diodati, where Mary Shelley, John Polidori, Lord Byron, and others decided to test their ability to write an original ghost story on a dark and stormy night.

       

I asked Jason if he would write a little about the Haunted Summer. Mary Shelley’s Frankenstein was not the only literary work to emerge from that party at the Villa Diodiati; John Polidori is largely unknown today.Except, apparently, in Texas, around Halloween, when you can go to a Polidori Pumpkin Party. Which would be a TOTALLY cool event for any library (or teen group) to hold. I know I want to go!

John Polidori, Mary Shelley, and the Haunted Summer

by Jason Henderson


My favorite Halloween Activity is something called Polidori’s Pumpkin Party, a major leaf-blown Autumn fiesta started in Texas of all places back in the 90s. We named it after a guy named Polidori; more on him later. But the idea of the party was this:

• Invite your friends to a Halloween Party

• Cost of admission: something creative. A story (keep it under ten minutes, guys), a painted mask, a cupcake if it’s creative

• Everyone has to sit at the hot seat and present without making a fuss about how their offering isn’t any good. If they start doing that, everyone should yell, DECLAIM! Until the person stops apologizing and reads.

• Repeat until everyone has presented.

 

The Polidori Party became a lifeblood of creativity for me and my friends both in school and after because it was an excuse to be creative, to have to be creative at least once in a year. “Are you ready for Polidori”? “I still have to write for Polidori”. Everyone spent time (often literally the day of the party, but that’s life) preparing. Hint: I really recommend making this part of your Halloween tradition.

Every Halloween I think of Polidori and his friends, who were generally considered the coolest kids in Europe, in the cold summer months of 1816. They were the original haunted story-slingers, brash and overconfiden,t and often brilliant.

I wrote about them in my first Alex Van Helsing book, and most of this recap in fact bears a strong resemblance to a talk given by Alex’s mentor, the motorcycle-riding super spy Mister Sangster. Mister Sangster has the benefit of teaching on the very lake where the group hung out—we can only imagine.

It is to me the perfect Halloween story, though it wasn’t actually Halloween. It was summer, and it was cold.

The party at the Villa Diodati in the summer of 1816—the Haunted Summer–consisted of five writers: Lord Byron and Percy Bysshe Shelley, who were already quite famous; two young women writers, Mary Wollstonecraft Godwin (soon to be Shelley) and her half-sister Claire (whom Mary disliked so much that she doesn’t even mention her in the introduction to Frankenstein); and Byron’s doctor friend, Polidori, who wrote short stories. They were bored out of their heads, because although it was summer, there had been a massive volcanic eruption in Asia that had clouded the sky and made the weather everywhere cold and rainy. So Lord Byron issued each of them a challenge: write the scariest, most terrifying story you can.

In her introduction to the 1831 edition, Mary says the famous guys each wrote some minor pieces, and that Dr. Polidori had—and this is kind of fun—“some terrible idea about a skull-headed lady, who was so punished for peeping through a key-hole — to see what I forget — something very shocking and wrong of course.’”

I mean, we had to base our party on him.

Remember: they were all very young.

Lord Byron, on the run from creditors, was 28, Shelley was 24, fleeing his marriage, with his new 18-year-old mistress Mary; John Polidori was 21;  and Claire was 18. After the summer which birthed The Vampyre, Childe Harold Canto IV, and Frankenstein, they didn’t last long, either. Polidori was dead in five years, Shelley a year later, and Byron two years after that. Within eight years, all but Mary and her sister Claire were dead. In between were tragedies no parent should ever endure, and they endured them again and again.

But in 1831, something about the record changed. When Mary was 34, she rewrote her masterpiece Frankenstein for a new edition. She promised her editor that the revisions would be minor, a few typo fixes here and there. But it wasn’t true—the 1831 Frankenstein was a clean-up job. It got rid of  the messy politics of the earlier version, and, best of all, added her introduction, which told the story of the Haunted Summer, but cleaned that up, too: it eliminated Claire, by whom she was embarrassed, and most of all, changed what the attendants were writing about.

When I wrote the first Alex Van Helsing book, the crux of the story was that something about the change Mary made to  when she was in her thirties was an attempt to hide something about what happened when she was a teenager. That there are secrets between the lines. I feel that way today, and it is true of my own books. So there are secrets inside secrets.

Here we are in October. Capture the spirit of that crew: Byron, Shelley, Wollstonecraft, Claremont, Polidori. What are the secrets you can reveal?

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Interested in learning more about John Polidori?

Find out how to host a Polidori Pumpkin Party by visiting the Polidori Society’s website.

Check out The Vampyre, the influential novella he wrote during the Haunted Summer.
Polidori also appears in Veronica Bennett’s teen title Angelmonster, which is very well written.

For a more substantial account of the evening at the Villa Diodiati and the people who were there try The Monsters: Mary Shelley and the Curse of Frankenstein by Dorothy and Thomas Hoobler.

And, of course, there are Jason’s own books. In the spirit of the challenge at the Villa Diodiati during that Haunted Summer, take the time to celebrate your creativity this Halloween!

Guest Post by Paula Cappa: The Literary Ladies of Horror’s Haunted Mountain

It may not be February, but October is just as good a time (if not a better one) to recognize women in horror, especially women writers. Paula Cappa, author of the supernatural novels The Dazzling Darkness and Night Sea Journey (both reviewed here), gives us her take on women writers in the genre from the beginnings of their journey until the present day. Love quiet horror? Visit her blog to discover what classic story she’s presenting as her Tuesday Tale of Terror. Really. It’s awesome.

Want another take on women writers in the horror genre? Check out this post by Colleen Wanglund, which includes a fantastic list of contemporary women writers and recommended titles.

The Literary Ladies of Horror’s Haunted Mountain

By Paula Cappa

If there is ever a time to hear a night-shriek, it is October, a month that welcomes readers to the dark mountain of the horror genre. Listen to the hallowed voices, their devouring muscular growls and hot stinging hisses. Canadian writer Margaret Atwood, author of MaddAddam, says “Some may look skeptically at ‘horror’ as a subliterary genre, but in fact, horror is one of the most literary of all forms.”

The literary ladies at the summit are as ghoul-haunted as the gentlemen claiming Haunted Mountain as their territory with their persistent footprints and pulsing voices. Their names are familiar: Poe, Hoffman, James, Blackwood, LeFanu, Lovecraft, Stoker, King, Koontz, Herbert, Straub, Saul, Strieber, Bradbury, Barker, Campbell– the list goes on.

With women so under-represented, one would think the only woman writing horror in the early years was Mary Shelley, setting up ropes and spikes, blazing a wide path up horror’s haunted mountain with Frankenstein in 1818. But look closely at the mountain, and you’ll find the distinctive footprints of Ann Radcliffe, who tore open supernatural paths with The Mysteries of Udolpho as early as 1794. Radcliffe’s writing of suspense about castles and dark villains influenced Dumas, Scott, and Hugo. Mary Elizabeth Braddon, author of Eveline’s Visitant, wrote eighty novels and volumes of short stories during the 1800s, and was known as the Queen of Sensation. The little-known and much-overlooked Margaret Oliphant scaled the rocky mountainside with a heady ghost story, “The Secret Chamber.

By 1865, Amelia Edwards’  The Phantom Coach cut popular tracks across the haunted mountain. Helena Petrovna Blavatsky cleared the way for future women writers with her collection of nightmare tales, The Ensouled Violin, as did Elizabeth Gaskell with The Poor Clare, which deals with a family evil curse, complete with witches and ghosts. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, written at the turn of the century, became the earliest feminist literature to expose 19th century attitudes against women’s mental health, in less than 6000 words. I like to think of Charlotte as the Wallerina, dancing up the haunted mountain.

Gothic writers like Edith Wharton (Afterward) and Mary Wilkins (Collected Ghost Stories) remain treasures.  V.C. Andrews, Shirley Jackson, Daphne du Maurier, Mary Sinclair, Rosemary Timperley, Victoria Holt, Mary Stewart, Joan Aiken, Phyllis Whitney, and Barbara Michaels, all were prolific writers on horror’s haunted mountain during the 20th century, and some are still writing today. Then, of course, there’s Anne Rice, with her newest release The Wolves of MidWinter. This queen of the damned has practically established a private driveway up the haunted mountain, with more than thirty enormously successful novels of vampires, angels, demons, spirits, wolves, and witches.

Horror’s haunted mountain, traveled by women writers from Ann Radcliffe to Anne Rice, is still being trailblazed by fresh talents, writers of gothic, ghost, supernatural, traditional, and dark horror: Alexandra Sokoloff, The Unseen; Barbara Erskine, House of Echoes; Caitlin R. Kiernan, The Drowning Girl; Chesya Burke, Dark Faith; Elizabeth Massie, Hell Gate; Gemma Files, The Worm in Every Heart; Joyce Carol Oates, The Accursed; Kelley Armstrong, Bitten; Linda D. Addison, How to Recognize a Demon Has Become Your Friend; M.J. Rose, Seduction; Melanie Tem, Slain in the Spirit; Nancy Baker, Kiss of the Vampire; Nancy Holder, Dead in Winter; Poppy Z. Brite, Drawing Blood; Rose Earhart, Salem’s Ghost; Susan Hill, The Woman in Black; too many more to list.

What about the short story? Look to Billie Sue Mosiman, with 150 short stories to her credit. Her “Quiet Room” is about a ruthless evil killer, written in “quiet horror” fashion. For collections, try authors Kaaron Warren’s Dead Sea Fruit, Carole Lanham’s The Whisper Jar, and Fran Friel’s Mama’s Boy and Other Dark Tales.

Men may continue to dominate horror’s haunted mountain, just as women continue to be fierce climbers with hawkish voices. But story is story; writers are writers. What does gender matter in art? In the words of Virginia Woolf: “It is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly.” Oh wait, I forgot one more ghostly title for you: Virginia Woolf’s A Haunted House.

Bio:

Paula Cappa is a published short story author, novelist, and freelance copy editor. Her short fiction has appeared in SmokeLong Quarterly, Every Day Fiction, Fiction365, Twilight Times Ezine, and in anthologies Human Writes Literary Journal, and Mystery Time. Cappa’s writing career began as a freelance journalist for newspapers in New York and Connecticut. Her debut novel Night Sea Journey, A Tale of the Supernatural launched in 2012. The Dazzling Darkness, her second novel, won the Gothic Readers Book Club Choice Award for outstanding fiction. She writes a weekly fiction blog about classic short stories, Reading Fiction,Tales of Terror, on her Web site http://paulacappa.wordpress.com/

 

The Return of Frankenstein

I know I just wrote about Frankenstein, but there’s always more to share, and I just wanted to quickly share this with you. August 30 was Frankenstein Day, the birthday of Mary Wollstonecraft Shelley. In honor of the day, Diane Colson over at The Hub has some suggested reading. This Dark Endeavor, the first book she lists(reviewed here—  its sequel, Such Wicked Intent, is reviewed here as well) is scary as hell, and Angelmonster (reviewed here), which she also lists, is a truly amazing book.

It’s not what I would call YA-accessible, unless the young adult in question is absolutely devoted to knowing the backstory of the original novel, but since Colson listed several other books I don’t know if I would consider targeted to YA readers, I will suggest that those who are really interested in the players who were there the night Shelley came up with the story also check out The Monsters: Mary Shelley and the Curse of Frankenstein.

And a happy (belated) Frankenstein Day to you!