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Women in Horror Month: Mary E. Wilkins Freeman and The Wind in the Rose-Bush

 

Mary Wilkins Freeman

Mary E. Wilkins Freeman

Mary E. Wilkins Freeman was born on October 31st, 1852 (a great birthdate for a writer of ghost stories) and died March 13, 1930. . She lived during a time when supernatural writing by women flourished, and she was one of the best. She’s been mentioned in the company of Edith Wharton and Henry James, and won the American Academy William Dead Howells Gold Medal. Described primarily as a writer of naturalism, and particularly of regionalism (as were many women writers of the time, including Sarah Orne Jewett) she excelled at creating supernatural tales that took place in the most ordinary of places and situations, in families and small communities where women’s work is never done. Her stories, mostly told through dialogue or by first person narrators, are unsettling because of what isn’t being said. In her story “The Shadow on the Wall”, which takes place in the aftermath of a death in the family, three sisters are desperately trying to block out the creepiness in the room they are working in, and one sister says to another “Don’t speak! I won’t have it!” That’s about as overt as Wilkins-Freeman’s undercurrents of fear and dread ever get. Willful ignorance, dependent behavior, pride, and guilt, especially on the part of women, all appear in Wilkins-Freeman’s stories, and it’s so often what she doesn’t say that really creeps in to stay with you.  In “The Wind in the Rose-Bush”, Rebecca Flint, who has traveled to collect her recently orphaned niece, cannot get a straight answer from anyone about where her niece actually is; in “Luella Miller”, an unreliable  narrator tells us a terrifying story of a woman who literally drains the life out of anyone who helps her.

Wilkins Freeman only wrote about a dozen supernatural stories, and collected six of them into a single volume, The Wind in the Rose-Bush, but it is more than worth your while to seek out her New England ghost stories of haunted women. There’s absolutely no reason not to, since you can read them for free.

For audiobooks of many of her supernatural stories, click here

To download a free ebook of  The Wind in the Rose-Bush, her collection of supernatural stories. click here

If you want all of her work collected together, Amazon sells The Collected Supernatural and Weird Fiction of Mary E. Wilkins Freeman, which includes her novelettes.

For much more detail on her life, click here or seek out Brian Stableford’s entry on her in the St. James Guide to Horror, Ghost, and Gothic Writers at the reference desk of your local library.

 

 

The Shock Value of Short Stories

I came across an article titled ““Can Short Stories Still Shock?”, a title which, frankly, surprised me. There are SO MANY wonderful short stories in such a variety of anthologies, I can’t even believe that’s a question. You don’t believe that short stories have power? Take a hint from Flannery O’ Conner. Okay, she’s been dead a while now, but she’s not wrong, even when we’re talking about the current literary scene.

The author of the article was really talking about “realist” literary fiction. I don’t read huge quantities of that, but I can certainly find stories there that have the ability to shock. And I really love to read them, because I can pick them up and put them back down without feeling like I need just one more chapter. You read a lot of short stories of all kinds in high school and college, because they’re required reading, and I read huge numbers of short story anthologies as a middle schooler.

Anyone remember those Alfred Hitchcock anthologies, like Monster Museum? My first exposure to Stephen King was in an anthology, Skeleton Crew. Now, granted, most of these weren’t necessarily realistic, but it’s possible that is because reality isn’t all that exciting. As Walter Mitty might say, who wants to escape to reality?

The author also complained that there’s nothing new out there– the plots are all tired and the tropes overused. Now, there are a lot of familiar plots and tropes out there used in unimaginative ways. I can’t deny that. But familiar plot elements and tropes don’t guarantee that you will be reading a predictable story. In an interview about her story “Abomination Rises on Filthy Wings”, Rachel Swirsky actually talks about her motivation in writing the story to disrupt a very disturbing trope in the horror genre.

So, a list of short stories that shocked me.

The Most Dangerous Game by Richard Connell

The Lottery by Shirley Jackson

The Specialist’s Hat  by Kelly Link

The Veldt by Ray Bradbury

An Abomination Rises on Filthy Wings by Rachel Swirsky (this is a really difficult and extreme read, fair warning).

The Wind in the Rose-Bush by Mary E. Wilkins Freeman

Harlequin Valentine (I first experienced this as a graphic novel, and it was a real shocker: this is an audio version) by Neil Gaiman

The Kugelmass Episode by Woody Allen

The Hall of New Faces by Kit Reed

The short story still has a lot of life left in it, and you’ll find that many short stories today will give you enough of a kick to jumpstart your brain and get your circuits going.