Marriage by Wol-vriey

Burning Bulb Publishing, 2023

ISBN: 9781948278621

Available: Paperback, Kindle edition

Buy: Amazon.com

Marriage is the equivalent of a silly 80’s B-grade horror film. There’s plenty of gore and graphic sex, a crazy plot, and little depth or making sense.  The last third of the story finishes out the book with a bang that helps make up for a lackluster beginning.

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The protagonist, Adam Norwood, has an affliction that causes his skin to catch on fire when exposed to sunlight, so he inhabits a darkened mansion on an river-island, with his wife and father in law.  Drunken debauchery takes place at the mansion every couple weeks, with a somewhat rotating cast of overage party animals.  Sounds like fun, but Adam keeps having dreams of his wife killing him, in vivid detail–, vivid enough to seem real.

That’s the plot for the first part, and it’s pretty thin.  There’s no real character development of interest, rather they are standard caricatures of 30-something drunken lechers.  Most readers probably won’t find them interesting, since they are all interchangeable: it would have helped the story to flesh the characters out. As it is, if anything, you’ll be rooting for them to all get killed off!   Adam also needed further character development. What does he do every day, living in a darkened mansion on a permanent basis?  Binge-watch old WCCW wrestling matches?  Write a memoir of the trials of living with his affliction?  Deify plums?  And how in the world did his father-in-law become a genius at witchcraft?  This part of the book is rather tedious, and tough to get through.

BUT… on page 83, the narrative moves away from its early repetitiveness and shifts into gear, introducing a black magic element.  On page 128, it kicks into overdrive, and it’s a wild ride to the finish of the 171 pages.  There are worm-hole creatures that remind one of the movie “Tremors”, some resurrection, and a wacky but entertaining set of explanations for the weird happenings on the island.  They may be pretty outlandish, but this IS horror fiction: realism isn’t required.  The most intriguing part is Adam’s sleuthing, to find if what he sees is really happening, or all in his head.  It’s the best part of the book: it keeps you guessing, and holds your interest.

Bottom line: it’s short on making much sense, but the last part of the book provides enough of a payoff to make getting through the first part worth it.  It’s not on the level of the author’s real bell-ringers like The Final Girl and Women, but it’s still fun.

Reviewed by Murray Samuelson